(Progressive rock, Symphonic Prog) Sagrado Coracao Da Terra - Farol Da Liberdade - 1991, APE (image+.cue) lossless

The band was formed in 1979, joining vocal and instrumental music with roots in rock and classical music. Using electric-acoustic instruments, and an heir of a strong classical tradition, the music of Sagrado Coração da Terra brings forth the Baroque atmosphere. It is a journey through time and space to the origins and the future of all human musical experience.
The instruments are those used in the classic tradition — guitar, piano, and violin — but used electronically. As in the lyrics, the music is linked to an ecological hilosophy: ecology of the earth, ecology of the mind, of the heart and of the body.
Sagrado has been looked upon, in Brazil and abroad, as the most expressive work of the progressive symphonic music of Latin America. Their music links rock to the force of aboriginal tribal rhythms and the beauty and sophistication of the classical. The lyrics tells about the advent of a new era for mankind related to spiritual and ecological questions.
Marcus Viana, author of the lyrics and all the music of the group, became known to the public by the several soundtracks and overtures for Brazilian television, like Pantanal, Chiquinha Gonzaga, Xica da Silva, Ana Raio e Zé Trovão, Serras Azuis, Terra Nostra, and Aquarela do Brasil. Sagrado has gone through a number of phases. Some of its members have gained national recognition performing with other groups and artists.

Now we face a fine SAGRADO album containing 3 noticeable features: a song which was a radio hit in Brazil, a rare deed for a progressive band; great general production and splendid musicianship by band members, with Marcus Viana's violin plying steadily over all; and a real and definite band bound toward symphonic prog with captivating touches of folk (South American and Celtic) and classics. All tracks are above average, very hearable and certain moments are really jaw-breaking.
As mentioned before, SAGRADO's "Farol Da Liberdade" left behind the new wave and poppish sounds seen in their previous album and followed the symphonic renaissance trail that is much more in accordance with band members curricula. Lyrics are in Portuguese, with one exception, and I assure that they are fair, touchy, meaningful, and sometimes poignant - vocals transmit softly the poetry emotion.
'Dança das fadas' is a good overture, a bit sad intro with the violin weeping before Celtic tunes invade the track. The general atmosphere then is clearly joyous and uplifting. After a strange proclamation the dance of the fairies overwhelms the song with charming female vocals.
'Solidariedade' starts blending folk and balladesque harmonies, violin transform the song into a notorious symphonic track, very pleasant. From the middle part up to the end the hearer is confronted by a flurry of neat progressive tunes, well placed, including also a smooth choir and an impacting finishing. 'Amor selvagem' begins purely classic, band's influence taken from past masters and more specifically from Italian composers is disposed gently. Lyrics are amazing, vocals and instrumental arrangement contributing hugely to create a dream-like ambient.
'Pantanal', the cited radio hit, brings a strong symphonic appeal with folk pigments - again, lyrics do a great work here, rediscovering the Americas 500 years later. The main theme changes abruptly to a typical rock moment, only to give room to an exquisite and remarkable ending. The short 'Olivia' is a nice interlude amidst such thunderous tracks.
'Farol da liberdade', the title-track, weakens a bit album direction - pseudo- neo-prog does not combine properly with SAGRADO's sound. 'Raio e trovão' is agreeable but the pretentious folk approach has little impact. Instrumental parts with violin, guitars and keyboards dueling save the track.
'The Central Sun of the Universe', the only song with English lyrics, provides the album with a great closure. Everything now works almost perfectly, the choir in Portuguese, the pastoral flute solo, the piano accompaniment, the ever-present majestic violin and much more. The song bears the notorious and distinguished band signature, the moment when they act like an orchestra. Male vocals have the clear Brazilian accent which in this case adds some enchantment to the song; female vocals bring some flair of the dear BACAMARTE's Jane Duboc singer. All beauty perceived along the track is trimmed by a grandiose finale.
SAGRADO CORAÇÃO DA TERRA stood and stand still as a luminescent landmark in the Brazilian, South American, and I dare to say, World progressive music ground and "Farol Da Liberdade", their 3rd studio album, is indeed an outstanding production just bordering masterpiece realm, a more than recommended addition to any (prog) music collection.]
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