[SACD-R][OF] Keith Jarrett Trio - Somewhere Before - 1968/2011 (Post Bop)

Keith Jarrett – Piano
Charlie Haden – Bass
Paul Motion – Drums

Originally recorded October 30 & 31, 1968. I guess this is why SA-CD.net says Analogue recording.
BUT
eastwindimport.com says 2011 DSD remastering based 24bit/192kHz PCM masters sourced from the U.S. Stereo.

While still a member of the Charles Lloyd Quartet, Keith Jarrett did some occasional moonlighting with a trio, anchored by 2 future members of Jarrett’s classic quartet, Charlie Haden (bass) & Paul Motian (drums). On this CD, Jarrett turns in a very eclectic set at Shelly’s Manne-Hole in Hollywood, careening through a variety of idioms where his emerging individuality comes through in flashes. He covers Bob Dylan’s “My Back Pages” — which actually came out as a single on the Vortex label — in an attractive, semi-funky style reminiscent of Vince Guaraldi. “Pretty Ballad” delivers a strong reflective dose of Bill Evans, while “Moving Soon” is chaotic free jazz. By the time we reach “New Rag,” we begin to hear the distinctive Jarrett idiom of the later trios, but then, “Old Rag” is knockabout stride without the stride. As an example of early, unfocused Jarrett, this is fascinating material.

Amazon review by montejay May 13, 2011:
I just received this in the mail. It was pricey (as are every SHM-SACD), but with so little Keith Jarrett available in SACD, I bought it. I like Keith Jarrett very much, & have a lot of his music on the ECM label (all redbook). For the most part the ECM’s are stunning sonically with a unique sound, presence & soundstage that can rival even a well done SACD. This SHM-SACD does not sound like an ECM at all. Jarrett is in the left speaker & bass & percussion occupy the right channel. This offers a different perpective to a Jarrett disc then what I am used to. I am not a huge fan of this style of recording but I know others like it.
Musically, it’s early Jarrett (recorded at the age of 23 in 1968 at Shelly Manne’s-Hole) with Charlie Haden instead of Gary Peacock, & Paul Motion in DeJohnette’s chair. Great musicians & offers a different sound then the standards trio. You can see Jarrett’s genius already at this young an age. If you do not care for the “moaning like a farm animal” that often is part of the Jarrett experience, it is fairly muted, only faintly showing up here & there.
Sonically & musically, this disc is very good. If you are a Jarrett fan I would recommend it. It is of historical significance. Those new to Jarrett, can get some amazing Jarrett on the ECM label at a fraction of the price. For that reason, I would recommended the disc conditionally.

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