[SACD-R][OF] Ray Charles - Live in Concert - 1965/2012 (R&B, Pop, Vocal jazz)

“…The sound quality is breathtaking, with a clarity often missing from live albums…Recorded with the legendary Wally Heider at the knobs, & with the Raelettes in fine voice, this is an absolute gem.”
~Ken Kessler, Hi-Fi News, July 2012
The Genius In His Prime Live In Concert! Don’t Get No Better!

In the half-century between his earliest recordings in the 1950s & his death in 2004, Ray Charles ascended to icon status by leaving his mark on virtually every form of American popular music that emerged in the latter half of the 20th century. Nowhere was this more evident than in his live performances, where one was likely to hear shades of blues, soul, R&B, jazz, gospel, country & more in a single evening – indeed, sometimes in a single song. To put it simply, the Right Reverend did it all.

All of these subtle shades & styles are evident on Ray Charles Live In Concert. Originally released by ABC-Paramount in early 1965, Live In Concert captured Ray at the Shrine Auditorium in Los Angeles in September 1964. “There could be no more uplifting live musical experience than digging Ray Charles & his mighty orchestra in their prime,” says roots music historian Bill Dahl. Indeed, the 15-piece orchestra backing Ray on this date – assembled just a few years earlier in 1961 – boasted no less than a dozen horns, including formidable saxophonists David “Fathead” Newman, Hank Crawford & Leroy “Hog” Cooper, all of whom had been with Ray since his days as a leader of smaller combos.

A huge piece of the Ray Charles legacy is his mastery of any style he touched, & his ability to make it his own in a way that no other artist could – powers that can only come from an innate sense of adventure & spontaneity that are fully evident in Ray Charles Live In Concert.

AllMusic:
This classic 1964 recording by Ray Charles includes 12 vintage tracks performed to perfection. His voice is in great shape, & the recording by Wally Heider is a marvel for its day; all the instruments are placed nicely with Charles’ voice out front where it belongs. There’s a slinky version of “Hallelujah I Love Her So,” the musicians creating nice little changes behind Charles’ soulful nuances. The singer tells us Miss Lillian Ford of the Raelets “helps out” on “Don’t Set Me Free”; it’s a duet & a nice change of pace. Rick Ward’s tacky liner notes fail to say who is backing up the singer at The Shrine Auditorium in Los Angeles, except for David “Fathead” Newman credited with the tenor solo on “Swing a Little Taste,” the opening track. Not to be confused with the 1973 re-release Ray Charles Live, which is comprised of 1958 & 1959 concerts, this album is called Live in Concert, & is Charles in Los Angeles after a Japanese tour in 1964. “What I’d Say” & a nice version of “Margie” are here, along with a 6-minute take on “I Gotta Woman.” For the finale he has the Ray Charles Choir come out to help close the show with a marching-band version of “Pop Goes the Weasel.” The 12 tracks are priceless Ray Charles, especially the reinvention of “You Don’t Know Me,” stirringly different from his timeless hit version but just as impressive. Excellent photos by Ray Hearne, especially the cover profile.

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