(Rock, Blues) [LP] [24/96] J.J. Cale – 3 LP's - 1972 - 1979, FLAC (tracks+.cue)

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid)
Ultrasonic Cleaning (45-65 kHz) for 60' at 40°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Transfiguration Axia S
PHONO STAGE: Clear Audio Balanced Reference (charge impedance 100 ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC

CABLES:
FONO ACUSTICA ALLEGRO XLR (0,5 m)
AudioQuest Cinnamon USB
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)

AND ALSO...
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
ALLNIC Speednic

SOFTWARE:
Adobe Audition CC 2015 (record 32/96 with ASIO4ALL)
Izotope RX5 Advanced
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)

PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier

RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.

Любой трек

foobar2000 1.3.9 / Dynamic Range Meter 1.1.0
log date: 2016-08-24 19:21:18

--------------------------------------------------------------------------------
Analyzed: J.J. Cale / Really {HOL}
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -3.39 dB -20.41 dB 2:56 ?-A1 Lies
DR11 -2.73 dB -16.72 dB 3:14 ?-A2 Everything Will Be Alright
DR11 -3.37 dB -17.45 dB 1:47 ?-A3 I'll Kiss The World Goodbye
DR12 -3.39 dB -18.72 dB 2:26 ?-A4 Changes
DR13 -2.44 dB -18.76 dB 3:19 ?-A5 Right Down Here
DR12 -2.57 dB -17.21 dB 2:05 ?-A6 If You're Ever In Oklahoma
DR13 -1.89 dB -17.76 dB 2:39 ?-B1 Ridin' Home
DR12 -1.43 dB -17.79 dB 3:02 ?-B2 Going Down
DR14 -3.64 dB -20.48 dB 2:21 ?-B3 Soulin'
DR12 -2.15 dB -18.19 dB 1:53 ?-B4 Playing In The Street
DR13 -2.49 dB -19.36 dB 2:28 ?-B5 Mo Jo
DR13 -2.19 dB -18.31 dB 3:00 ?-B6 Louisiana Women
--------------------------------------------------------------------------------

Number of tracks: 12
Official DR value: DR12

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2791 kbps
Codec: FLAC
================================================================================

Producer – Audie Ashworth
Written-By – J.J. Cale (tracks: A1 to A6, B1, B3, B4, B6)

Phonographic Copyright (p) – Phonogram International B.V.
Copyright (c) – Phonogram International B.V.
Published By – Audigram Inc.
Published By – Deerwood Music

Notes
Belongs to a series of 6 J.J. Cale albums, 6302 205 to 210, reissued in 1982.

Printed in West Germany (on sleeve).
Made in Holland (on labels).
Barcode and Other Identifiers
Rights Society: STEMRA
Matrix / Runout (On label side A): 6302 206. 1
Matrix / Runout (On label side B): 6302 206. 2
Matrix / Runout (Side A): 6302 206 1Y2 ℗1972 670 04 114
Matrix / Runout (Side B): 6302 206 2Y 1 ℗1972 670 114 06
Label Code: LC 0268

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + goat hair brush)
Ultrasonic Cleaning (65 kHz) for 30′-60' at 35°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Transfiguration Axia S
PHONO STAGE: Allnic H-3000 (+28 dB GAIN, charge impedance 70 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC

CABLES:
FONO ACUSTICA ALLEGRO Interconnect balanced Cable XLR 0,5 m (for connecting phono preamp and ADC system)
AudioQuest Cinnamon USB
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)

AND ALSO...
Onzow Zerodust stylus tip cleaner
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPhone (Dr. Feickert) speed verifier
ALLNIC Speednic

SOFTWARE:
Adobe Audition CC 2015 (record 32/96)/ASIO4ALL 2.13
Izotope RX5 Advanced (manual clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)

PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier

RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

Любой трек

foobar2000 1.3.9 / Dynamic Range Meter 1.1.0
log date: 2016-06-29 10:31:17

--------------------------------------------------------------------------------
Analyzed: ? / ?
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR15 -2.33 dB -20.82 dB 3:22 ?-01 Hey baby
DR12 -5.32 dB -19.80 dB 2:56 ?-02 Travelin' light
DR12 -3.51 dB -18.30 dB 4:08 ?-03 You got something
DR12 -3.64 dB -19.02 dB 3:43 ?-04 Ride me high
DR12 -4.59 dB -19.31 dB 2:09 ?-05 Old on
DR12 -2.94 dB -16.25 dB 2:54 ?-06 Cocaine
DR12 -4.16 dB -19.77 dB 2:49 ?-07 I'm A Gypsy Man
DR13 -3.02 dB -18.69 dB 2:58 ?-08 The Woman That Got Away
DR12 -3.72 dB -20.43 dB 2:45 ?-09 Super blue
DR15 -2.76 dB -20.20 dB 3:04 ?-10 Let me do it to you
DR14 -3.12 dB -21.46 dB 3:32 ?-11 Cherry
DR13 -3.75 dB -20.17 dB 3:20 ?-12 You got me on so bad
--------------------------------------------------------------------------------

Number of tracks: 12
Official DR value: DR13

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2568 kbps
Codec: FLAC
================================================================================

Art Direction, Design – Vigon Nashas Vigon
Illustration – Charles E. White III
Producer – Audie Ashworth
Written-By – J.J. Cale (tracks: A1 to A6, B2 to B6)

Licensed From – Shelter Recording Company Inc.
Made in Holland
Rights Society: STEMRA
discogs

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid)
Ultrasonic Cleaning (45-65 kHz) for 60' at 40°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Transfiguration Axia S
PHONO STAGE: Clear Audio Balanced Reference (charge impedance 100 ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC

CABLES:
FONO ACUSTICA ALLEGRO XLR (0,5 m)
AudioQuest Cinnamon USB
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)

AND ALSO...
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
ALLNIC Speednic

SOFTWARE:
Adobe Audition CC 2015 (record 32/96 with ASIO4ALL)
Izotope RX5 Advanced
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)

PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier

RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.

Любой трек

foobar2000 1.3.9 / Dynamic Range Meter 1.1.0
log date: 2016-08-23 23:00:59

--------------------------------------------------------------------------------
Analyzed: J.J. Cale / 5 {GER}
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR16 -1.01 dB -19.97 dB 2:53 ?-A1 Thirteen Days
DR16 -3.08 dB -22.79 dB 2:54 ?-A2 Boilin' Pot
DR13 -6.09 dB -22.46 dB 3:15 ?-A3 I'll Make Love To You Anytime
DR14 -2.25 dB -19.48 dB 2:18 ?-A4 Don't Cry Sister
DR12 -6.31 dB -21.81 dB 3:19 ?-A5 Too Much For Me
DR14 -3.30 dB -20.58 dB 5:08 ?-A6 Sensitive Kind
DR14 -2.33 dB -20.09 dB 4:18 ?-B1 Friday
DR14 -0.76 dB -18.34 dB 2:53 ?-B2 Lou-Easy-Ann
DR13 -2.19 dB -19.86 dB 2:58 ?-B3 Let's Go To Tahiti
DR12 -7.16 dB -23.62 dB 2:28 ?-B4 Katy Kool Lady
DR18 -3.37 dB -27.82 dB 2:55 ?-B5 Fate Of A Fool
DR13 -2.26 dB -18.99 dB 3:16 ?-B6 Mona
--------------------------------------------------------------------------------

Number of tracks: 12
Official DR value: DR14

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2737 kbps
Codec: FLAC
================================================================================

Design, Art Direction – Kosh*
Guitar, Vocals – J.J.*
Mastered By – Jerry Watson
Producer – Audie Ashworth, J.J. Cale
Words By, Music By – J.J. Cale (tracks: A1 to B2, B4 to B6)

Record Company – Shelter Recording Company Inc.
Phonographic Copyright (p) – Shelter Recording Company Inc.
Copyright (c) – Shelter Recording Company Inc.
Recorded At – Crazy Mama's Studios
Mixed At – The Lakehouse
Recorded At – The Lakehouse
Recorded At – Columbia Studios, Nashville
Mixed At – Crazy Mama's Studios
Mixed At – Jack Clement Recording Studios
Recorded At – Woodland Studios
Mastered At – CBS Studios, Nashville
Printed By – Mohndruck Graphische Betriebe GmbH
Distributed By – Ariola
Record Company – Ariola Eurodisc GmbH