(Progressive rock) [LP] [24/96] Pink Floyd – Meddle - 1971 (DE reissue 1977), FLAC (tracks+.cue)

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid)
Ultrasonic Cleaning (45-65 kHz) for 60' at 40°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Transfiguration Axia S
PHONO STAGE: Clear Audio Balanced Reference (charge impedance 100 ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC

CABLES:
FONO ACUSTICA ALLEGRO XLR (0,5 m)
AudioQuest Cinnamon USB
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)

AND ALSO...
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
ALLNIC Speednic

SOFTWARE:
Adobe Audition CS6 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)

PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier

RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

Любой трек

foobar2000 1.3.9 / Dynamic Range Meter 1.1.0
log date: 2016-07-23 12:03:34

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Analyzed: Pink Floyd / Meddle {GER}
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DR Peak RMS Duration Track
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DR12 -2.29 dB -18.86 dB 5:51 ?-01 One Of These Days
DR13 -4.17 dB -20.37 dB 5:10 ?-02 A Pillow Of Winds
DR13 -2.09 dB -20.03 dB 6:06 ?-03 Fearless
DR13 -3.76 dB -19.84 dB 3:42 ?-04 San Tropez
DR14 -4.61 dB -23.25 dB 2:12 ?-05 Seamus
DR14 -2.58 dB -21.19 dB 23:18 ?-06 Echoes
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Number of tracks: 6
Official DR value: DR13

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2614 kbps
Codec: FLAC
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Bass, Vocals – Roger Waters
Composed By – Pink Floyd
Design [Cover Design] – Pink Floyd
Engineer – John Leckie, Peter Bown, Rob Black*, Roger Quested
Guitar, Vocals – Dave Gilmour*
Keyboards, Vocals – Rick Wright*
Percussion – Nick Mason
Photography By [Inner Sleeve] – Hipgnosis (2)
Photography By [Outer Sleeve] – Bob Dowling*
Producer – Pink Floyd
Written-By – Gilmour* (tracks: A1 to A3, A5, B), Mason* (tracks: A1, A5, B), Wright* (tracks: A1, A5, B), Waters*

Companies, etc.
Recorded At – Air Studios
Recorded At – EMI Studios
Recorded At – Morgan Studios
Notes
Recorded at Air Studios, EMI Studios, Abbey Road & Morgan Studios, London, 1971.

Track A3 includes "You'll Never Walk Alone" written by <a href=http://www.discogs.com/artist/Rodgers+%26+Hammerstein?anv=Rodgers%2FHammerstein+II>Rodgers/Hammerstein II</a>.

Gatefold sleeve.
Upper right corner of the back cover: Black circle left of the catalog number.
Barcode and Other Identifiers
Rights Society: GEMA
Label Code: LC 1305
Matrix / Runout (Runout Side A): 04 917 A-3
Matrix / Runout (Runout Side B): 04 917 B-3