(Alternative Rock,New Wave) [LP] [24/96] The Police – 2 LP's - 1978, 1983 , FLAC (tracks+.cue)

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30?-60' at 35°C max. with personal blend of wetting agents and surfactants.
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-3000 (+22 dB GAIN, charge impedance 118 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC

CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)

AND ALSO...
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier
ALLNIC Speednic

SOFTWARE:
Adobe Audition CS6 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)

PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier

RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

Любой трек

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2015-10-02 19:30:22

--------------------------------------------------------------------------------
Analyzed: The Police / Outlandos D'Amour {VIVANTE Press}
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -1.28 dB -17.07 dB 2:52 ?-A1 Next To You
DR13 -1.30 dB -18.20 dB 4:51 ?-A2 So Lonely
DR13 -0.91 dB -17.81 dB 3:14 ?-A3 Roxanne
DR15 -2.20 dB -19.23 dB 4:51 ?-A4 Hole In My Life
DR11 -2.41 dB -16.19 dB 3:55 ?-A5 Peanuts
DR13 -1.01 dB -18.13 dB 3:01 ?-B1 Can't Stand Losing You
DR12 -1.57 dB -16.49 dB 2:56 ?-B2 Truth Hits Everybody
DR14 -1.04 dB -17.20 dB 3:43 ?-B3 Born In The 50's
DR12 -2.22 dB -20.14 dB 3:21 ?-B4 Be My Girl - Sally
DR15 -2.12 dB -19.53 dB 5:40 ?-B5 Masoko Tanga
--------------------------------------------------------------------------------

Number of tracks: 10
Official DR value: DR13

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2862 kbps
Codec: FLAC
================================================================================

Arranged By, Producer – The Police
Artwork By [Art Direction] – Michael Ross
Bass, Vocals – Sting
Drums – Stewart Copeland
Engineer – Chris Gray (2), Nigel Gray
Guitar – Andy Summers
Photography – Janette Beckman
Songwriter – Sting (tracks: A1 to A4, B1 to B3, B5)

Notes
Bottom of back jacket reads: A limited Audiophile Pressing by Vivante Productions, Unit 4, High Street, Hampton Wick, Surrey, England KT 1 4DB. Fax: +44 181 977 4445

Band name written in red lettering on the front. Glossy cover, somewhat thicker jacket.
Barcode and Other Identifiers
Barcode: 075021331112
Matrix / Runout: AMLH 68502 S1 320

RIG:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + L’Art du Son Cleaning Fluid + Osage brush)
Ultrasonic Cleaning (40 kHz) for 30′-60' at 45°C max. with personal blend of wetting agents and surfactants.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Dynavector DV DRT XV-1t
PHONO STAGE: Allnic H-1500 II Plus (+22 dB GAIN, charged 177 Ohm)
ADC SYSTEM: Lavry Black AD11 external USB 2.0 ADC

CABLES:
FONO ACUSTICA ALLEGRO Interconnect Cable TS/RCA made expressly for me (for connecting phono preamp and ADC system)
SYNERGISTIC Research USB Active SE Cable with Enigma Tuning Circuits (for connecting ADC system and PC)
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)

AND ALSO...
FURUTECH Destat II, Static charge remover
Onzow Zerodust (to clean the needle)
Platterspeed for iPod Touch (Dr. Feickert) speed verifier

SOFTWARE:
SoundForge Pro 10.0 (record 24/96)
Izotope RX3 Advanced (big clicks repair)
ClickRepair.
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)

PENAUDIO REBEL3 Loudspeakers
HEGEL 100 Amplifier

RIPPING NOTE:
No Equalization, Minor ClickRepair (whenever possible an manual mode), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

Любой трек

foobar2000 1.3.3 / Dynamic Range Meter 1.1.1
log date: 2014-09-23 14:06:10

--------------------------------------------------------------------------------
Analyzed: ? / ?
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -0.46 dB -16.94 dB 3:22 ?-A1 Synchronicity I
DR15 -1.57 dB -21.11 dB 3:36 ?-A2 Walking In Your Footsteps
DR16 -1.71 dB -20.19 dB 4:02 ?-A3 O My God
DR12 -5.27 dB -20.37 dB 3:05 ?-A4 Mother
DR15 -1.87 dB -19.88 dB 2:00 ?-A5 Miss Gradenko
DR14 -2.12 dB -17.84 dB 5:02 ?-A6 Synchronicity II
DR15 -1.61 dB -18.40 dB 4:13 ?-B1 Every Breath You Take
DR15 -0.46 dB -19.44 dB 4:58 ?-B2 King Of Pain
DR15 -1.22 dB -20.02 dB 5:13 ?-B3 Wrapped Around Your Finger
DR15 -4.23 dB -22.04 dB 4:13 ?-B4 Tea In The Sahara
--------------------------------------------------------------------------------

Number of tracks: 10
Official DR value: DR15

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4608 kbps
Codec: PCM
================================================================================

Credits
Art Direction [Direction], Design – Jeff Ayeroff*, Norman Moore
Engineer – Hugh Padgham
Lyrics By, Music By – Sting (tracks: A1 to A3, A6 to B4)
Photography By – Duane Michals
Producer – Hugh Padgham, The Police
Notes
Recorded at Air Studios, Montserrat and le Studio, Quebec.