(Art Rock, Jazz-Rock, Prog Rock, Fusion) [LP] [24/96] Bill Bruford - Feels Good To Me - 1978, (Yes, King Crimson, UK, Genesis & others), FLAC (tracks+.cue)

Companies etc▼

Recorded At – Trident Studios
Phonographic Copyright (p) – E.G. Records Ltd.
Manufactured By – Polydor Ltd.
Distributed By – Polydor Ltd.

Credits▼

Bass – Jeff Berlin
Bass [Additional] – Neil Murray
Flugelhorn – Kenny Wheeler
Guitar – Allan Holdsworth
Keyboards, Performer [Reasonably Advanced Harmonic Advice] – Dave Stewart
Percussion [Tuned And Untuned], Drums [Kit], Performer [Tunes And Final Say] – Bill Bruford
Vocals – Annette Peacock

Design [Sleeve Design] – Cream (7)
Engineer – Steve W. Tayler*
Liner Notes – Richard Williams
Other [Equipment] – Pete Revill, Mick Rossi
Other [Polymoog Consultant] – Val Joseph
Photography [Inner Sleeve] – Dick Wallis, Jacquie Deegan
Photography [Sleeve] – Gered Mankowitz
Producer – Bill Bruford, Robin Lumley
Technician [Tape Operator] – Colin Green, John Brand, Stephen Short*

Notes▼

Thanks to Neil Murray: A bass player when I needed one.
The music on this album was written between January and June 1977 rehearsed for three weeks and recorded and mixed at Trident Studios in London, August 1977. It's also a present for Carolyn and Alex.

This sound recording was made for E.G Records Ltd., 63a King's Road, SW3 4NT, and first published in 1977 in the U.K. Manufactured and distributed in the U.K. by Polydor Ltd., 17/18 Stratford Place, London W1B 0BL

Vinyl Ripping Process/Equipment

Turntable: VPI Scoutmaster
Tonearm: Trans-Fi Termninator
Cartridge: Audio-Technica AT33PTG/II
Phone Stage: Cinemag SUT feeding a Marantz 2220B
Digital Interface: E-MU 1212
Recording Software: Adobe Audition 3.01
Recording Bitrate/Sample Rate: 192/24

Post Processing
Run thru ClickRepair at level 10 with
Pitch Protection | off
Reverse | on
Simple
Resample to 96khz in Izotope Rx2 using the default preset
Manually listen to album in Adobe Audition cleaning any clicks/anomalies
Flac with Xrecode II