(Classic Rock) [LP] [24/96] James Gang - Bang - 1973, FLAC (tracks+.cue)

Credits▼

Bass [Fuzz], Percussion – Dale Peters
Drums, Percussion – Jim Fox (2)
Guitar, Synthesizer [Moog] – Tommy Bolin
Lead Vocals, Backing Vocals, Percussion – Roy Kenner

Arranged By [Strings] – Jimmy Haskell
Art Direction, Photography By – Ed Caraeff
Design – David Larkham
Engineer – Tom Dowd
Engineer, Remix – Ken Hamann
Producer – James Gang, The*

Vinyl Ripping Process/Equipment

Turntable: VPI Scoutmaster
Tonearm: Trans-Fi Termninator
Cartridge: Audio-Technica AT33PTG/II
Phone Stage: Cinemag SUT feeding a Marantz 2220B
Digital Interface: E-MU 1212
Recording Software: Adobe Audition 3.01
Recording Bitrate/Sample Rate: 192/24

Post Processing
Run thru ClickRepair at level 10 with
Pitch Protection | off
Reverse | on
Simple
Resample to 96khz in Izotope Rx2 using the default preset
Manually listen to album in Adobe Audition cleaning any clicks/anomalies
Flac with Xrecode II

What Exactly Is An "Ultimate Master"

It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly" <cough> named rips now I guess I should explain.
I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent the best source 95% of the time.