(Hard Rock) [LP] [24/96] AC/DC - Highway To Hell (1979) - 2003, FLAC (tracks+.cue)

Credits▼

Bass – Cliff Williams
Drums – Phil Rudd
Guitar – Angus Young, Malcolm Young
Vocals – Bon Scott

Art Direction [Original Art Direction] – Bob Defrin
Design [Reissue Booklet Design] – SMAY Vision
Engineer [Assistant] – Kevin Dallimore
Engineer [Mixing] – Tony Platt
Engineer [Recording] – Mark Dearnley
Mastered By [Mastering Supervision] – Al Quaglieri, Mike Fraser
Mastered By [Remastering] – George Marino
Other [Additional Artifacts] – Albert Productions, Arnaud Durieux
Photography – Barry Plummer, Bob Alford/Star File, Bob King/Redferns, Fin Costello/Redferns, GAB Archives/Shooting
Star, Larry Hulst/Retna, London Features, Mike Prior/Redferns, Neil Zlozower, Paul Canty/London Features, Philip

Morris, Steve Joester/Star Files
Photography [Courtesy Of] – Albert Productions
Photography [Original Photography] – Jim Houghton
Producer – Robert John "Mutt" Lange*
Technician [Digital Assembly] – UE Nastasi

Written-By – A. Young*, B. Scott*, M. Young*

Notes▼

The AC/DC LP Collection - 180-Gram Vinyl Reissue.
Originally released as Atlantic 19244 on August 3, 1979.
© 1979, 2003 J. Albert & Son (Pty.) Ltd. (p) 1979 J. Albert & Son (Pty.) Ltd. Distributed By Columbia House. Made in
the EU. BIEM / GEMA. All tracks published by J. Albert & Son (USA) Inc. (ASCAP).
Recorded at Roundhouse Studios, London. Mixed at Basing Street Studios, London. Digitally remastered from the
original master tapes at Sterling Sound.

Barcode and Other Identifiers▼

Barcode: 5099751076414

Technical Informations

Hannl"limited" Record Cleaning Machine with Rotating Brush
Music Hall MMF 9.1 Turntable
Tonearm Pro-Ject 9cc Evo with Pure Silver Wires
Nagaoka MP-500
Brocksieper Phonomax (Tube Phono-PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Silent Wire NF 5
Wavelab 6.1 recording software
iZotope RX Advanced 2.0

Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal
analyze (no clipping, no DC Bias offset) > split into individual Tracks
> resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.

Personal Note (from aksman)

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-
processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do
an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant
ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the
process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records
recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In
some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria,
which is IMO quite high.

Dynamic Range analyzis
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Analyzed folder: D:\*****\AC DC - Highway To Hell (1979) [flac] {Sony 180g LP; CD-format}\
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DR Peak RMS Filename
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DR10 -1.19 dB -13.62 dB A1 - Highway to Hell.wav
DR10 -0.91 dB -12.78 dB A2 - Girls Got Rhythm.wav
DR10 -1.51 dB -13.72 dB A3 - Walk All Over You.wav
DR11 -0.11 dB -12.91 dB A4 - Touch Too Much.wav
DR10 -1.33 dB -14.02 dB A5 - Beating Around the Bush.wav
DR10 -0.55 dB -13.06 dB B1 - Shot Down in Flames.wav
DR10 -0.96 dB -12.95 dB B2 - Get It Hot.wav
DR9 -0.41 dB -13.04 dB B3 - If You Want Blood (You've Got It).wav
DR10 -1.29 dB -13.62 dB B4 - Love Hungry Man.wav
DR11 -0.35 dB -14.18 dB B5 - Night Prowler.wav
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Number of files: 10
Official DR value: DR10

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