[SACD-R][OF] The Byrds - Mr. Tambourine Man - 1967/2005 (Folk Rock, Pop)

The Byrds - Mr. Tambourine Man (2005 MFSL Remaster)

Жанр: Folk Rock, Pop
Год выхода альбома: 1965
Год выпуска диска: 2005
Производитель диска: USA - Mobile Fidelity - UDSACD 2014
Аудио кодек: DSD 2.0
Тип рипа: image (ISO)
Битрейт аудио: 2,8224 MHz
Продолжительность: 48:33

Треклист:

Mono Tracks:

1. Mr. Tambourine Man - 2:17
2. I’ll Feel A Whole Lot Better - 2:32
3. Spanish Harlem Incident - 1:57
4. You Won’t Have To Cry - 2:06
5. Here Without You - 2:36
6. Bells Of Rhymney - 3:30
7. All I Really Want To Do - 2:02
8. I Knew I’d Want To - 2:13
9. It’s No Use - 2:22
10. Don’t Doubt Yourself, Babe - 2:55
11. Chimes Of Freedom - 3:50
12. We’ll Meet Again - 2:07

Stereo Tracks:

13. She Has A Way - 2:25
14. I’ll Feel A Whole Lot Better (Alternate Version) - 2:28
15. It’s No Use (Alternate Version) - 2:24
16. You Won’t Have To Cry (Alternate Version) - 2:07
17. All I Really Want To Do (Single Version) - 2:02
18. You And Me (Instrumental) - 2:11

Описание:
Mr. Tambourine Man is the debut album by the American folk rock band The Byrds and was released in June 1965 on Columbia Records.
The album, along with the single of the same name, established the band as an internationally successful rock act and was also influential in originating the musical style known as folk rock. The term “folk rock” was, in fact, first coined by the U.S. music press to describe the band’s sound in mid-1965, at around the same time that the “Mr. Tambourine Man” single reached the top of the Billboard chart. The single and album also represented the first effective American challenge to the dominance of The Beatles and the British Invasion during the mid-1960s.
The album peaked at #6 on the Billboard Top LPs chart and reached #7 in the United Kingdom. The Bob Dylan penned “Mr. Tambourine Man” single was released ahead of the album in April 1965, reaching #1 on both the Billboard Hot 100 and the UK Singles Chart. A second single from the album, “All I Really Want to Do”, also a Dylan cover, was moderately successful in the U.S. but fared better in the United Kingdom, where it reached the Top 10.

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