[Digital Tutors / Pluralsight.com / Matt Skonicki] Moving Character Morphs in NUKE [2016, ENG]

1
Introduction and project overview
00:55
2
Examining the Scene in NUKE
02:56
3
Using Color Matching Between Morph Targets
06:19
4
Color Matching the Hats
02:04
5
Implementing a Transform Node
02:32
6
Using a GridWarp to Match the Shoulder Lines
04:54
7
Retiming the Shots Using Oflow
11:15
8
Planar Tracking the Collar Area
03:37
9
Recreating the Collar Area
02:00
10
Painting the Collar Area
04:46
11
Adding Grain to the Collar Area
02:12
12
Removing the Blink in the Eye
11:49
13
Finessing the Blinking Eye Correction
10:48
14
Color Matching to Original Plate
08:58
15
Planar Tracking the Shoulder Area
06:49
16
Gridwarping the Shoulder Down
09:59
17
Rebuilding the Chin of the Character
08:32
18
Rebuilding the Neck of the Character
07:02
19
Introduction to the Spline Warp Tool
03:48
20
Adding Edge Splines
06:58
21
Contrast Methods of Edge Splines
05:40
22
Aligning the Edge Splines on the A Side
08:25
23
Animating a Still Frame Morph
07:16
24
Introduction to Correspondence Points
07:07
25
Adding and Modifying Our Splines
07:37
26
Finessing the Hairline Area
03:02
27
Animating Our Splines on the B Spline
07:23
28
Animating Our Splines on the A Spline
01:04
29
Final Tweaks on the Splines
05:46
30
Adding a background and Final Review
01:58

Matt Skonicki started out as a Cinematics Artist at Netherrealm Studios working on game franchises including Blitz: The League, Ballers, and Mortal Kombat. He also worked as a Character Technical Artist for John Woo’s Stranglehold and Wheelman. In the last decade he has taught at various institutions including Columbia College and The Illinois Institute of Art. Matt is currently a full-time visual effects instructor at Tribeca Flashpoint Academy located in the heart of Chicago.