[Lynda.com] [Lynda.com] - Premiere Pro: Color Correction and Enhancement [ENG, 2011] [2011, ENG]

Introduction
Welcome 01m 13s
Using the exercise files 00m 30s
18m 57s
1. Getting Started
Understanding color correction concepts 01m 33s
Presenting the Premiere Pro color correction workflow 05m 14s
Getting it right in the field 07m 16s
Setting up a color correction workspace 04m 54s
38m 37s
2. Scoping Out the Technical Stuff
Understanding scopes and industry standards 02m 15s
Using the Vectorscope 07m 36s
Using the Waveform monitor 07m 21s
Using the RGB Parade scope 04m 52s
Using the YCbCr Parade scope 02m 04s
Previewing color correction effects 04m 49s
Reviewing recommended color correction effects 07m 19s
Putting recommended effects in a custom folder 02m 21s
55m 15s
3. Adjusting Tonality: Brightness and Contrast
Understanding why to adjust tonality 03m 57s
Analyzing clips for tonality issues 07m 35s
Adjusting tonality with levels-style controls 12m 06s
Adjusting tonality using RGB Curves 07m 02s
Fixing overexposed and underexposed clips 13m 09s
Making some specialized tonality edits 11m 26s
49m 26s
4. Adjusting Color
Understanding how Premiere Pro handles color data 04m 28s
Presenting some color concepts 04m 58s
Analyzing clips for color issues 09m 12s
Adjusting color channels using RGB Color Corrector and RGB Curves effects 06m 15s
Getting a grip on the color wheel 10m 05s
Fixing color cast, skin tone, and other color issues 14m 28s
55m 49s
5. Secondary Tonality and Color Correction
Understanding secondary color correction concepts 08m 18s
Using tonality range controls 07m 16s
Using secondary color correction properties within video effects 15m 17s
Using the Track Matte Key effect 09m 15s
Animating track mattes 08m 12s
Compensating for changing lighting conditions within clips 07m 31s
16m 01s
6. Matching Tonality and Color in Multiple Clips
Reviewing the workflow to match tonality and color in multiple clips 01m 19s
Matching tonality in multiple clips 07m 39s
Matching color in multiple clips 07m 03s
58m 46s
7. Enhancing the Look and Feel
Isolating a single color with the Leave Color effect 05m 29s
Changing a single color: Three approaches 09m 03s
Tinting clips 08m 32s
Checking out three cross process effects 05m 39s
Using gradients, vignettes, and other shapes 10m 58s
Creating film-like looks 13m 56s
Working with Magic Bullet Looks 05m 09s
11m 58s
8. Reviewing Two Advanced Color Correction Plug-Ins
Testing Color Finesse in After Effects 05m 57s
Working with Magic Bullet Colorista in Premiere Pro 06m 01s
00m 15s
Conclusion
Goodbye