[Infinite Skills / Jeff Sengstack] Color Correction with SpeedGrade and Premiere Pro [2014, ENG]

01. Introduction
0101 Who Should Take This Course
0102 Setting Up The Working Files
0103 Premiere Pro And SpeedGrade Workflow
0104 Shooting Video To Minimize Corrections
0105 Examples Of Poorly Exposed And Color Balanced Video
0106 About The Author
0107 How To Access Your Working Files

02. Checking Out Premiere Pro Color Correction Tools
0201 Setting Up The Premiere Pro Color Correction Workspace
0202 Presenting Premiere Pro Color Correction Effects
0203 Viewing The Waveform Monitor
0204 Viewing The Vectorscope
0205 Viewing The RGB Parade
0206 Viewing The YCBCR Parade Scope

03. Adjusting Tonality In Premiere Pro
0301 Using The Waveform Scope To Analyze Tonality
0302 Curves Vs. Numeric Controls
0303 Adjusting Tonality With The Luma Curve Video Effect
0304 Adjusting Tonality With Numeric Controls
0305 Specialized Tonality Adjustments

04. Adjusting Overall Color In Premiere Pro
0401 Basic Color Concepts
0402 Color Wheels Vs. Curves
0403 The Fast Color Corrector
0404 Adjusting Color With RGB Curves
0405 Creating A Film-Like Appearance - Lumetri Looks

05. Secondary Color Correction Techniques In Premiere Pro
0501 Secondary Color Correction Concepts
0502 Using The Track Matte Key Effect
0503 Creating And Animating Traveling Mattes
0504 Adding Vignettes
0505 Changing A Single Color - Three Techniques
0506 Leaving A Single Color And Tinting
0507 Changing And Using Tonal Range Definitions
0508 Using Secondary Correction Controls Within Effects

06. Introducing SpeedGrade And Its Connection To Premiere Pro
0601 Understanding The SpeedGrade Workspace
0602 The Premiere Pro And SpeedGrade Workflow
0603 Examining SpeedGrade Scopes
0604 Explaining SpeedGrade Tonality And Color Controls

07. Primary Tonality And Color Correction In SpeedGrade
0701 Performing Tonality Corrections
0702 Explaining Premiere Pro To SpeedGrade Effects Order
0703 Adjusting Color
0704 Color And Tonality - Auto-Matching
0705 Color And Tonality - Manual Matching

08. Secondary Color Correction In SpeedGrade
0801 Using Masks For Vignettes And Other Color Correction Tasks
0802 Animating Mask Size, Shape, And Position
0803 Using Secondary Layer Masking Techniques

09. Working With Effects, Look-Up Tables, And Looks
0901 Using SpeedGrade Effects
0902 Working With Look-Up Tables - SpeedGrade LUTs
0903 Following The SpeedLooks Workflow
0904 Applying And Adjusting Looks
0905 Creating And Saving Custom Looks
0906 Animating Effects And Color Grading

10. Conclusion
1001 Additional Resources And Goodbye