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[SACD-R][OF] Hugo Montenegro - Others by Brothers & Scenes and Themes - 1972, 1975 / 2015 (Easy Listening, Jazz, Pop)

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Hugo Montenegro / Others by Brothers & Scenes and Themes

Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1972, 1975 / 2015
Жанр: Easy Listening, Jazz, Pop
Издатель(лейбл): Vocalion CDSML8518
Продолжительность: 01:05:36
Наличие сканов в содержимом раздачи: Да (сканы)

Треклист:

Others By Brothers 1975

01. Caravan
02. Never Can Say Goodbye
03. Noah's Arp
04. Feel Like Makin' Love
05. What's Goin' On
06. Nothing From Nothing
07. Creepin'
08. I Heard It Through The Grapevine
09. Ain't No Mountain High Enough

Scenes & Themes 1972

10. Lost Horizon
11. A Man And A Woman (Un Homme Et Un Femme)
12. Love Story
13. Lara's Theme
14. The Shadow Of Your Smile (Love Theme From "The Sandpiper)
15. Tara Theme
16. Alfie
17. The Look Of Love
18. Romeo & Juliet (Love Theme)
19. Learn To Say Goodbye

Контейнер: ISO (*.iso)
Тип рипа: image

Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 2.0 & 4.0

Код:

foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2016-04-25 01:16:10

--------------------------------------------------------------------------------
Analyzed: Hugo Montenegro / ?
--------------------------------------------------------------------------------

DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR17      -3.01 dB   -21.04 dB      4:45 01-Caravan
DR9       -3.00 dB   -21.81 dB      3:18 02-Never can Say Goodbye
DR9       -3.01 dB   -20.30 dB      4:27 03-Noah's Arp
DR9       -3.00 dB   -20.99 dB      4:19 04-Feel Like Makin Love
DR9       -3.01 dB   -21.01 dB      3:42 05-Whats Going On
DR9       -3.01 dB   -21.73 dB      7:25 06-Nothing From Nothing Suite
DR9       -3.41 dB   -22.62 dB      3:25 07-Creeping
DR8       -4.81 dB   -23.72 dB      3:21 08-I Heard it Through the Grapevine
DR9       -4.41 dB   -22.89 dB      3:49 09-Aint No Mountain High Enough
DR9       -3.01 dB   -19.18 dB      2:52 10-Lost Horizon
DR10      -3.32 dB   -22.94 dB      3:01 11-A man and A Woman
DR10      -4.74 dB   -24.19 dB      2:59 12-Love Story
DR9       -4.52 dB   -21.93 dB      2:22 13-Lara's Theme
DR9       -4.63 dB   -23.67 dB      2:22 14-The Shadow of your Smile
DR10      -3.16 dB   -20.91 dB      3:01 15-Tara's Theme
DR10      -3.94 dB   -24.07 dB      2:25 16-Alfie
DR10      -3.02 dB   -21.14 dB      2:39 17-The Look of Love
DR9       -4.02 dB   -22.71 dB      2:21 18-Love theme from Romeo & Juliet
DR18      -4.81 dB   -22.53 dB      3:02 19-Learn to Say Goodbye
--------------------------------------------------------------------------------

Number of tracks:  19
Official DR value: DR10

Samplerate:        88200 Hz
Channels:          6
Bits per sample:   24
Bitrate:           16934 kbps
Codec:             DST64
================================================================================

--------------------------------------------------------------------------------
Analyzed: Hugo Montenegro / ?
--------------------------------------------------------------------------------

DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12      -5.84 dB   -20.22 dB      4:45 01-Caravan
DR12      -5.88 dB   -21.26 dB      3:18 02-Never can Say Goodbye
DR12      -5.43 dB   -19.19 dB      4:27 03-Noah's Arp
DR12      -5.86 dB   -20.46 dB      4:19 04-Feel Like Makin Love
DR12      -5.26 dB   -19.97 dB      3:42 05-Whats Going On
DR12      -5.17 dB   -20.49 dB      7:25 06-Nothing From Nothing Suite
DR13      -5.13 dB   -20.56 dB      3:25 07-Creeping
DR12      -5.83 dB   -21.12 dB      3:21 08-I Heard it Through the Grapevine
DR13      -5.19 dB   -20.88 dB      3:49 09-Aint No Mountain High Enough
DR11      -6.59 dB   -20.85 dB      2:52 10-Lost Horizon
DR12      -5.46 dB   -21.60 dB      3:01 11-A man and A Woman
DR11      -7.37 dB   -22.89 dB      2:59 12-Love Story
DR11      -7.14 dB   -21.34 dB      2:22 13-Lara's Theme
DR11      -8.61 dB   -23.52 dB      2:22 14-The Shadow of your Smile
DR11      -7.87 dB   -21.10 dB      3:01 15-Tara's Theme
DR11      -7.78 dB   -22.00 dB      2:25 16-Alfie
DR13      -7.39 dB   -23.03 dB      2:39 17-The Look of Love
DR11      -7.52 dB   -22.72 dB      2:21 18-Love theme from Romeo & Juliet
DR12      -7.45 dB   -23.13 dB      3:02 19-Learn to Say Goodbye
--------------------------------------------------------------------------------

Number of tracks:  19
Official DR value: DR12

Samplerate:        88200 Hz
Channels:          2
Bits per sample:   24
Bitrate:           5645 kbps
Codec:             DST64
================================================================================

Источник (релизер): KingCrim https://www.jpc.de/jpcng/poprock/detail/-/art/hugo-montenegro-others-by-brothers-...and/hnum/8493703

Ray Codrington, Gary Barone (trumpets/flugelhorns)
Dave Sears (trombone);
Ernie Watts, Don Menza (woodwinds)
Larry Muhoberac, Dave Sears (keyboards)
Larry Muhoberac (ARP synthesizer)
Bob Rose, Larry Carlton (guitars)
James Jamerson (bass guitar);
Hal Blaine (drums)
Bobbye Hall (percussion)
ARP Synthesizer programmer: John Montenegro

Hugo Mario Montenegro (September 2, 1925 – February 6, 1981) was an American orchestra leader and composer of film soundtracks. His best known work is derived from interpretations of the music from Spaghetti Westerns, especially his cover version of Ennio Morricone's main theme from the 1966 film The Good, the Bad and the Ugly. He composed the musical score for the 1969 Western Charro! which starred Elvis Presley.

With Vocalion’s Christmas 2015 release, a new world of audio is opened up. Remember the Quadraphonic boom of the 1970s? It was when many of the major record companies decided that stereo was no longer enough and launched four-channel (quadraphonic) sound. For that section of the record-buying public fortunate enough to own a hi-fi system capable of reproducing four-channel recordings, they were able to hear music literally in a new dimension, because now not only did the sound come at them from front-left and front-right (as it would in conventional stereo), but also from back-left and back-right too.

This “surround” effect placed the listener in the centre of the music instead of just in front of it, and as a result new meaning, depth and clarity was brought to the music that emanated from the LP spinning on the turntable or the 8-track cartridge whirring in the tape player. Thankfully, many of the artists who appear so regularly on Vocalion were originally recorded in glorious quadraphonic sound, and we’re excited to present twelve quadraphonic albums across six discs in the SACD – Super Audio Compact Disc – format. (These SACDs also play on any standard CD player, in which they’ll yield full stereo sound.) The artists involved are among the giants of the easy listening field and, we’re very glad to say, have become fixtures on the Vocalion label.

American conductor-arranger-composer Hugo Montenegro is featured on an SACD compiling two remarkable albums he recorded in the early and mid-70s. Others by Brothers (1975) saw him blending his bank of ARP synthesizers with conventional instrumentation in arrangements of soul, jazz and funk hits. The Duke Ellington staple Caravan comes up shining anew in this funky, electric version, and you’ve certainly never heard the soul classics What’s Going On and Nothing from Nothing in such inventive and colourful orchestrations as you will do here – and adding to the excitement is their rendering in quadraphonic sound. Scenes and Themes (1972) presents a selection of popular film themes in Montenegro arrangements designed specifically for the four-channel recording process.

Now for the technical bit. Vocalion’s Hybrid SACDs consist of three layers: a standard stereo CD layer at 16-bit 44.1khz, and two separate high-resolution layers, each of which have been mastered at 24-bit 352khz – one in stereo, the other in four-channel 4.0. Michael J. Dutton remastered both the stereo and four-channel elements from the original analogue tapes: for the stereo element the original ¼” stereo masters were used, and for the four-channel element the original four-channel “discrete” masters were used. These were used respectively to cut the original stereo and quadraphonic vinyl LPs.

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