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New Wave) Rachel Sweet - B.A.B.Y. - The Best of Rachel Sweet ['78-'80] - 2001, FLAC (image+.cue), lossless

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Rachel Sweet / B.A.B.Y. - The Best of Rachel Sweet

Жанр: Pop / Contemporary / New Wave
Страна-производитель диска: EU
Год издания диска: 2001
Издатель (лейбл): Metro
Номер по каталогу: METRCD048
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 62:27
Источник (релизер): AUDELAS KINGDOM
Наличие сканов в содержимом раздачи: да
Треклист:

01. B-A-B-Y
02. New Rose
03. Who Does Lisa Like?
04. Baby Let's Play House
05. I Go to Pieces
06. Spellbound
07. Stranger in the House
08. Foul Play
09. Suspended Animation
10. Fool's Gold
11. Lover's Lane
12. Pin a Medal on Mary
13. Sad Song
14. Take Good Care of Me
15. Wildwood Saloon
16. Stay Awhile
17. Cuckoo Clock
18. New Age
19. Tonight Ricky
20. Be Stiff

Код:

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 7. January 2012, 9:47

Rachel Sweet / B.A.B.Y.: The Best of Rachel Sweet

Used drive  : _NEC    DVD_RW ND-3550A   Adapter: 1  ID: 0

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No

Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000

Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--ta

TOC of the extracted CD

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    ---------------------------------------------------------
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Range status and errors

Selected range

     Filename C:\FINISH\Rachel Sweet - B.A.B.Y - The Best Of Rachel Sweet (2001)\Rachel Sweet - B.A.B.Y.- The Best of Rachel Sweet.wav

     Peak level 97.7 %
     Extraction speed 5.3 X
     Range quality 100.0 %
     Test CRC BAC1460D
     Copy CRC BAC1460D
     Copy OK

No errors occurred

AccurateRip summary

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Track  2  accurately ripped (confidence 2)  [DF3CD911]  (AR v2)
Track  3  accurately ripped (confidence 2)  [C8545477]  (AR v2)
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Track 10  accurately ripped (confidence 2)  [8C11E7A9]  (AR v2)
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Track 16  accurately ripped (confidence 2)  [59F7DCEC]  (AR v2)
Track 17  accurately ripped (confidence 2)  [7C415DFC]  (AR v2)
Track 18  accurately ripped (confidence 2)  [460FD1CA]  (AR v2)
Track 19  accurately ripped (confidence 2)  [2EAF2F57]  (AR v2)
Track 20  accurately ripped (confidence 2)  [B611CA2A]  (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 2D37275ABB1931AD9111A07CF16131B0F6C9A3471678EEABAED451F0A17A93F2 ====

Доп. информация: http://www.youtube.com/watch?v=bmh_WINgvcg&feature=related

At Stiff Records, nothing was sacred; often the label's slogans and unorthodox promotion were as memorable as the truly inspired music they released. With teenage Rachel Sweet, whom they marketed as a "jailbait" country singer (and later as a leather-clad child abductor), it would seem that their perverse humor had finally gone too far. One listen to her albums, however, and all questionable images and in-jokes fall into the background; "the little girl with the big voice" made some terrific music, holding her own on a roster that had no shortage of talent.

Akron-born Rachel Sweet began her singing career at age six, doing everything from singing commercial jingles to touring with Mickey Rooney and opening for Bill Cosby's Las Vegas act. Between 1976 and 1978 she recorded a few failed straight-ahead country singles for the local Derrick label ("Any Port in a Storm," "Paper Airplane," and "The Ballad of Mable Ruth Miller and John Wesley Pritchett") and a handful of demos for songwriter Liam Sternberg, who shopped them to Stiff Records. Stiff signed the young singer and debuted her on The Akron Compilation. She recorded her first album, Fool Around, with backing from the Rumour in 1978. She promoted the album on the Stiff package tour (The Be Stiff Tour) using the Records as her band. The album didn't sell particularly well, but it did receive a fair amount of critical praise.

The attention was short-lived, though, and Protect the Innocent, released through Stiff/Columbia, went virtually ignored the following year. She switched to Columbia in 1981 for ...And Then He Kissed Me, an uneven album that nevertheless featured the Top 40 hit "Everlasting Love," a duet with Rex Smith. After one more album, 1982's Blame It on Love, Sweet retired from the music business to pursue an education, returning sporadically, most notably to sing the title track to John Waters' Hairspray, as well as Cry-Baby. Her focus later turned to acting.

It's very easy to remember Rachel Sweet as little more than a juvenile novelty within the Stiff Records canon, one more in a long line of headline-grabbing oddities who vanished from the radar around the same time as people stopped caring what the label itself was up to. To do so, however, serves up a dreadful injustice, to Sweet of course, but also to anyone who actually sits down to listen to Sweet's Stiff Records output and discovers there a treasure trove of excellence. Her Fool Around debut album, in particular, was a masterpiece, a country-new wave hybrid a decade ahead of its time, and littered with some sensational performances -- "Who Does Lisa Like" is only the most obvious, the almost shockingly mature "Wildwood Saloon" only the most surprising. Of course there were a few obligatory bubblegum boppers in there, but when the novelty factor gets too grating, it's the songs ("Cuckoo Clock," "Girl with a Synthesizer") that jar, not the singer. Sweet's second album, Protect the Innocent, was less enthralling, although a lovely cover of the Velvet Underground's "New Age" and a strange take on the Damned's "New Rose" both thrill, while Sweet also unleashed a positively beautiful take on the oldie "I Go to Pieces." All of which lines B.A.B.Y. up as an excellent collection, and a fitting tribute to a singer who should never have been allowed to fade away as she did. At her best, she really was one of the best.

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