(Country Pop) Carrie Underwood - Some Hearts, 2005, FLAC (image+.cue), lossless

Biography by Heather Phares
The first country American Idol, Carrie Underwood grew up in the small town of Checotah, OK, and began singing with her church at the tender age of three. Throughout her childhood, she also performed at functions for the Lion's Club and Old Settlers Day, and eventually at festivals in several states. Along with developing her singing, Underwood learned to play guitar and piano. She graduated from high school as her class salutatorian and majored in mass communication at Northeastern State College with an eye on a career in broadcast journalism, but continued her singing career throughout her studies. As a senior just a few credits short of her degree, Underwood heard about the auditions for the 2005 season of American Idol. She tried out for the show at the St. Louis, MO, auditions, and her innocent charm and pure, pretty voice ended up winning her not only a place among the 12 finalists, but the title of 2005's American Idol. Her debut single, Inside Your Heaven, was released that summer, and along with appearing on the American Idols Live! tour, and picking up endorsement deals with Hershey's and Skechers, she began recording her debut album in Nashville. Some Hearts was released late that fall and was a smash hit, selling over 300,000 copies in its first week and eventually going triple platinum. The album's lead single, "Jesus, Take the Wheel," was also a big success, topping Billboard's Hot Country Songs chart for six weeks. Acclaim for the album and single spilled over into 2006, when Some Hearts re-entered Billboard's Top Ten after Underwood's appearance on the 2006 American Idol finale and "Jesus, Take the Wheel" won Single Record of the Year at the Academy of Country Music Awards (where she also won Top Female Vocalist); a Dove Award from the Gospel Music Association; and Breakthrough Video and Best Female Video at the CMT Awards, making her the only double winner at the event. Despite her hectic career as a country music star — which included carrying her Some Hearts tour through the fall of 2006 — Underwood found the time to finish her degree and become a spokesperson for People for the Ethical Treatment of Animals (who named her 2005's World's Sexiest Vegetarian).

Review by Stephen Thomas Erlewine
The pivotal American Idol moment for Carrie Underwood was when she teased her hair to the heavens and sang Heart's "Alone," belting out the power ballad with sincerity and a natural flair for drama. It was the surest sign that Carrie wasn't merely the country star the show gladly pigeonholed her as, that she was a pop star by any measure. Of course, the great irony was that Carrie had little interest in being a pop star; she wanted to be a country singer, but the sheer magnitude of American Idol meant that she was already a pop star who needed to cross over to country, a reverse of the usual crossover move. Underwood pulled off that tricky maneuver with a deceptive ease on her 2005 debut, Some Hearts, which turned into a smash success, turning sextuple platinum at a time when many albums struggle to go gold, even surpassing the sales of the original Idol, Kelly Clarkson. Such success raised the bar for her 2007 follow-up, Carnival Ride. Traditionally, second albums are a place where artists consolidate their strengths or expand their reach, either with an eye toward artistic growth or commercial success, and Carrie chooses the former option, creating a record that is more purely country than her debut. She dials down the pageantry drama that peppered her debut — there are no Diane Warren songs, for instance — and plays up her humble, all-American persona, singing songs about small towns and big dreams, even attempting to kick up some dirt and grit on the one-night-stand anthem "Last Name," which is Miranda Lambert filtered through Shania Twain. And one of the striking things about Carnival Ride is how completely Carrie Underwood has stepped into the void that Shania and Faith Hill left behind: the small-town girl made good but who hasn't left her roots behind. In other words, she hasn't made the big pop diva move that Shania did with Up! or Faith with Cry; she's planted herself firmly within country. Now, Carrie's country is hardly traditionalist — despite the lack of Diane Warren tunes, there are plenty of power ballads here, along with light drum loops that aren't commonly heard in Nashville — but her approach is completely contemporary country, in how it blurs the borders between country and arena rock, something that's perfect for a girl who made her first big splash singing Heart. Sound and feel do mean a lot, but country records really survive on the strength of their songs, and the remarkable thing about Carnival Ride is that it's stronger song for song than Some Hearts, some of this due to Carrie herself, who bears four songwriting credits here, often in conjunction with some permutation of Steve McEwan and Hillary Lindsey, who pen a bunch of other tunes here. The songs may veer just a bit too close to the big power ballads, but they all work as strong pieces of commercial country, built on surging melodies (all the better for Carrie to belt) and lyrics that play into Underwood's small-town girl persona but are also open-ended enough to be relatable. All this very well may be more calculating than it appears, but the appealing thing about Carnival Ride is that it plays so smoothly and assuredly that you just go along for the ride, especially because Carrie sells these songs completely, making the clichés and cornball phrases believable. It's a gift that Shania had, but she always seemed larger than life. In contrast, Carrie Underwood only sounds larger than life, and she still comes across like the girl next door despite her massive success, and this lingering sense of innocence — however constructed for stage it may be — gives an album as big and shiny as Carnival Ride the appearance of a genuine heart, something that no other big country-pop album has had since the glory days of Come on Over.

EAC extraction logfile from 14. June 2007, 21:37 for CD
Carrie Underwood / Some Hearts

Used drive : PIONEER DVD-RW DVR-109 Adapter: 1 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 48
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface

Range status and errors
Selected range
Filename C:\Carrie Underwood - Some Hearts.wav

Peak level 100.0 %
Range quality 100.0 %
CRC BE1825F1
Copy OK

No errors occured

End of status report