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(Avant-Garde Jazz, Free Jazz) [CD] Wadada Leo Smith, Jack DeJohnette, Vijay Iyer - A Love Sonnet for Billie Holiday - 2021, FLAC (tracks+.cue), lossless

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Wadada Leo Smith, Jack DeJohnette, Vijay Iyer - A Love Sonnet for Billie Holiday
#777Жанр: Avant-Garde Jazz, Free Jazz
Носитель: CD
Страна-производитель диска (релиза): Финляндия
Год издания: 2021
Издатель (лейбл): TUM Records
Номер по каталогу: TUM CD 060
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 00:57:45
Источник: bilayer
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Billie Holiday: A Love Sonnet (11:52)
02. Deep Time No.1 (9:20)
03. The A.D. Opera (18:13)
04. Song for World Forgiveness (13:51)
05. Rocket (4:29)
Состав:
Wadada Leo Smith - trumpet
Vijay Iyer - piano, Fender Rhodes, Hammond B-3, electronics
Jack DeJohnette - drums, percussion

Код:

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XLD extraction logfile from 2021-11-18 08:22:01 +0100
Wadada Leo Smith, Jack DeJohnette & Vijay Iyer / A Love Sonnet For Billie Holiday
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        4  | 39:25:31 | 13:51:31 |    177406    |   239761
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Код:

TITLE "A Love Sonnet for Billie Holiday"
PERFORMER "Wadada Leo Smith, Jack DeJohnette, Vijay Iyer"
REM GENRE "Jazz"
REM DATE "2021"
REM DISCID 430D8A05
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REM REPLAYGAIN_ALBUM_PEAK 0.998688
FILE "01 - Billie Holiday- A Love Sonnet.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Billie Holiday: A Love Sonnet"
    ISRC FITU92100069
    REM REPLAYGAIN_TRACK_GAIN -3.14 dB
    REM REPLAYGAIN_TRACK_PEAK 0.998688
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FILE "02 - Deep Time No.1.flac" WAVE
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    TITLE "Deep Time No.1"
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    REM REPLAYGAIN_TRACK_PEAK 0.998260
    INDEX 01 00:00:00
FILE "03 - The A.D. Opera.flac" WAVE
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    TITLE "The A.D. Opera"
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    TITLE "Song for World Forgiveness"
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    REM REPLAYGAIN_TRACK_PEAK 0.997742
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FILE "05 - Rocket.flac" WAVE
    INDEX 01 00:00:00

Код:

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Few artists get the kind of second act renaissance Wadada Leo Smith has enjoyed. It began during the mid-'90s when he issued scores of recordings for labels such as ECM, New World, Tzadik, and Cuneiform. Finland's TUM Records is celebrating the composer/trumpeter's 80th year with new and archival releases. The single-disc A Love Sonnet for Billie Holiday is a trio session simultaneously released with the box set, The Chicago Symphonies, by the trumpeter's Great Lakes Quartet. His collaborators here are longtime associates. Smith and drummer/percussionist Jack DeJohnette have worked together periodically since the '60s. The drummer played in his original Golden Quartet and is a member of the Great Lakes Quartet. Pianist/organist/electronicist Vijay Iyer appeared on Tabligh, Golden Quartet's third album (without DeJohnette) in 2008. They have never worked as a trio before. Smith writes in the booklet's notes that that the musical template for this group lie in his early partnership with Anthony Braxton and Leroy Jenkins on his composition "The Bell," from the saxophonist's 1969 debut album, Three Compositions of New Jazz. It illustrated the concept of the trumpeter's "rhythm units" in balancing sounds, textures, and silences without regard for swing. Smith wrote two pieces here, his collaborators one each, and the final work is a group improvisation.
On the opening title cut, Smith reflects his notion of the vocal influence of his tribute subject. DeJohnette's cymbals and tom-toms introduce its motion in implied but elastic time signatures. Smith enters with a majestic yet moaning bleat at four minutes. Iyer whispers in on the piano before offering contrapuntal block chords as the drummer bridges the conversation with his own articulate utterances. The sparseness and elegant textures are nearly song-like in places, yet the dynamics eventually extend the tune's reach toward the limits of sound itself. Iyer's "Deep Time, No. 1” showcases his Fender Rhodes hovering across Smith's bell-like horn, DeJohnette's mallets, and electronically sampled vocals. The track is a series of clipped statements linked to one another by space, reverbed piano, and disembodied voices before muted trumpet notes express resonant emotion. Making a return appearance is DeJohnette's oft-recorded "Song for World Forgiveness," delivered here as an amorphous, reverential, seemingly out-of-time ballad, balancing hope and sorrow. Closer "Rocket" is introduced by Iyer's roiling, pulsing, and rumbling B-3 atop DeJohnette's syncopated shuffle, feints, and accents as Smith's muscular trumpet initially addresses then responds to his bandmates' choogling groove with dark, punchy vamp-like lines. As it unfolds, each musician asks sonorous questions of the others. Rather than answer directly, each player underscores with curiosity the nebulous spirit inside their exchange to push at the boundaries of tonality, time, and texture. On A Love Sonnet for Billie Holiday these players offer intimacy, economy, and graceful restraint. While tensions rise with sustained insistence across the tunes, the trio's deeply communicative exchanges push the music -- and one another -- ever forward without concern for final resolution; it leaves their dialogue sufficiently open for interpretation.

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