[SACD-R][OF] Prazak Quartet, Kinsky Trio Prague - Debussy - Chamber music - 2014 (Classical)

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Prazak Quartet, Kinsky Trio Prague / Debussy - Chamber music
#777Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2014
Жанр: Classical
Издатель (лейбл): PRAGA Digitals
Продолжительность: 01:03:48
Треклист:
1. Prélude à L'après-midi D'un Faune - 10:12
Sonata for Cello and Piano in D Minor
2. Prologue: Lent, Sostenuto E Molto Risoluto - 4:33
3. Sérénade: Modérément Animé - 3:19
4. Finale: Animé, Léger Et Nerveux - 3:47
5. Rêverie - 4:47
Sonata for Violin and Piano in G Minor
6. Allegro Vivo - 4:48
7. Intermède: Fantastique Et Léger - 3:58
8. Finale: Très Animé - 4:39
9. La Fille Aux Cheveux de Lin - 2:39
Trio No.1 in G Major for Piano, Violin and Cello
10. Andantino Con Moto Allegro - 8:21
11. Scherzo: Moderato Con Allegro - 3:11
12. Andante Espressivo - 3:54
13. Finale: Appassionato - 5:49
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 2.0, 5.1
Другие дорожки звука: Original Recording Format: DSD64

Код:

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1
log date: 2022-01-03 16:08:12
--------------------------------------------------------------------------------
Analyzed: Chamber Ensemble,Pavel Hula / CLAUDE DEBUSSY-CHAMBER MUSIC (1)
          Kinsky Trio Prague / CLAUDE DEBUSSY-CHAMBER MUSIC (2-5)
          Michal Kanka,Jaromir Klepac / CLAUDE DEBUSSY-CHAMBER MUSIC (6-9)
          Pavel Hula,Slavka Vernerova-Pechocova / CLAUDE DEBUSSY-CHAMBER MUSIC (10-13)
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR14      -6.26 dB   -25.90 dB     10:12 01-PRELUDE A L´APRES-MIDI D´UN FAUNE, Chamber transcription
DR14      -5.54 dB   -25.69 dB      8:21 10-TRIO No.1 in G, for Piano,Violin and Cello-I.Andantino con moto allegro
DR14      -7.97 dB   -26.79 dB      3:11 11-II.Scherzo-intermezzo: Moderato con allegro
DR14      -5.54 dB   -25.56 dB      3:54 12-III.Andante espressivo
DR14      -5.33 dB   -24.41 dB      5:49 13-IV.Finale:Appassionato
DR15      -6.88 dB   -26.82 dB      4:33 02-SONATA FOR CELLO AND PIANO in D minor-I.Prologue
DR14      -9.61 dB   -27.44 dB      3:19 03-II.Serenade
DR14      -5.98 dB   -25.93 dB      3:47 04-III.Finale
DR13     -10.58 dB   -27.22 dB      4:47 05-REVERIE,transcribed for Cello and Piano
DR15      -5.51 dB   -26.08 dB      4:48 06-SONATA FOR VIOLIN AND PIANO in G minor-I.Allegro vivo
DR14      -8.20 dB   -26.85 dB      3:58 07-II.Intermede
DR14      -5.77 dB   -25.80 dB      4:39 08-III.Finale
DR14      -7.91 dB   -27.21 dB      2:39 09-LA FILLE AUX CHEVEUX DE LIN,transcribed for Violin and Piano
--------------------------------------------------------------------------------
Number of tracks:  13
Official DR value: DR14
Samplerate:        2822400 Hz / PCM Samplerate: 352800 Hz
Channels:          6
Bits per sample:   24
Bitrate:           16934 kbps
Codec:             DSD64
================================================================================
foobar2000 1.4.6 / Dynamic Range Meter 1.1.1
log date: 2022-01-03 16:11:52
--------------------------------------------------------------------------------
Analyzed: Chamber Ensemble,Pavel Hula / CLAUDE DEBUSSY-CHAMBER MUSIC (1)
          Kinsky Trio Prague / CLAUDE DEBUSSY-CHAMBER MUSIC (2-5)
          Michal Kanka,Jaromir Klepac / CLAUDE DEBUSSY-CHAMBER MUSIC (6-9)
          Pavel Hula,Slavka Vernerova-Pechocova / CLAUDE DEBUSSY-CHAMBER MUSIC (10-13)
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR14      -6.58 dB   -24.77 dB     10:12 01-PRELUDE A L´APRES-MIDI D´UN FAUNE, Chamber transcription
DR15      -5.66 dB   -24.49 dB      8:21 10-TRIO No.1 in G, for Piano,Violin and Cello-I.Andantino con moto allegro
DR15      -8.18 dB   -26.04 dB      3:11 11-II.Scherzo-intermezzo: Moderato con allegro
DR14      -5.18 dB   -24.59 dB      3:54 12-III.Andante espressivo
DR14      -5.21 dB   -23.08 dB      5:49 13-IV.Finale:Appassionato
DR15      -7.43 dB   -26.16 dB      4:33 02-SONATA FOR CELLO AND PIANO in D minor-I.Prologue
DR14      -9.24 dB   -26.98 dB      3:19 03-II.Serenade
DR15      -6.54 dB   -24.96 dB      3:47 04-III.Finale
DR14     -10.61 dB   -26.58 dB      4:47 05-REVERIE,transcribed for Cello and Piano
DR16      -5.43 dB   -25.19 dB      4:48 06-SONATA FOR VIOLIN AND PIANO in G minor-I.Allegro vivo
DR15      -8.41 dB   -26.10 dB      3:58 07-II.Intermede
DR15      -5.32 dB   -24.79 dB      4:39 08-III.Finale
DR14      -7.89 dB   -26.62 dB      2:39 09-LA FILLE AUX CHEVEUX DE LIN,transcribed for Violin and Piano
--------------------------------------------------------------------------------
Number of tracks:  13
Official DR value: DR15
Samplerate:        2822400 Hz / PCM Samplerate: 352800 Hz
Channels:          2
Bits per sample:   24
Bitrate:           5645 kbps
Codec:             DSD64
================================================================================

Доп. информация: Label: PRAGA Digitals
PRD/DSD 250 302
Release Date: April 8, 2014
Recording Location: Domovina Studio, Prague 12/14 June 2013
Original Recording Format: DSD64
Recording Type & Bit Rate: DSD64
Источник (релизер): https://www.sa-cd.net/showtitle/9309
Композитор: Claude Debussy (1862-1918)
Исполнитель: Prazak Quartet, Kinsky Trio Prague
and friends

Better known for his works for orchestra or solo piano, Claude Debussy also composed a wealth of beautiful chamber music. This disc featuring the Prazák Quartet and the Kinsky Trio Prague (and invited guests) offers a selection of six works, ranging from the Piano Trio No.1 of 1879, via a fascinating chamber arrangement of the always popular 'Prélude à l'après-midi d'un Faune' to his last work, the Cello Sonata written in 1915. This audiophile quality multi-channel SACD presents these works a unique coupling, not featured on any other disc.
Review:
Audiophile Audition
I have always adored all Debussy. With his trademark whole-tone shimmering harmonies and delicate, transparent instrumentations and what has become such a “French” sound, what’s not to like?
This wonderful collection is of some of his best-known chamber music and a couple of wonderful transcriptions. In the latter category, the opening Prélude to the Afternoon of a Faun is one of his best-known works. For many, it serves as “the” work to introduce music students to Impressionism and to Debussy, specifically. This chamber rendition by Benno Sachs, a student of Schoenberg’s, is beautifully played and the addition of piano and the very unusual addition of harmonium (which can sound deceptively like a saxophone) actually gives the masterwork a new and wholly attractive sound. The great French cellist, Pierre Fournier, transcribed the Rêverie for solo piano for cello and piano and, here too, this works beautifully.
Debussy’s well known piano prelude, Girl with the Flaxen Hair, gets a lovely treatment as well in the transcription for violin and piano by the great Jascha Heifetz.
Debussy’s two Sonatas included here and the somewhat obscure Trio in G major are all wonderful works and performed here with an authentic and clear sound. The Cello Sonata in D-minor was written in 1915 and echoes some of the composer’s early works and the sense of the Baroque he employed in his Suite Bergamasque. I am particularly fond of the central Serenade. The Violin Sonata in G-minor was written shortly after the Cello Sonata and is characterized by a darker, more pensive tone than much Debussy owing, perhaps, to the composer’s battle with cancer.
For me, I found the Trio in G a real find. This was, apparently, Debussy’s only Piano Trio and was written well ahead of many of his much more famous masterworks, in the fall of 1879. Only in 1986 did all three movements get rediscovered, a small section reconstructed and then published. This is a charming work, buoyant and pleasant throughout. However, I agree with the booklet notes that this work may not be immediately recognizable as Debussy. Being an early work, it could be misconstrued as Franck or Lalo. (I heard even some of what could be early D’Indy; whose music calls upon all of these, anyway)
All performances in this set are top notch. The Kinsky Trio of Prague (in the Trio) and the members of the Pražák Quartet and associates are fine instrumentalists with a true affinity to the style. The sound in this SACD is terrific and, while I do not have too many of Praga’s releases, I am continually impressed. Highly recommended!
Daniel Coombs

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