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(Folk-Rock, Contemporary Singer-Songwriter) [CD] Peter Mulvey - The Knuckleball Suite - 2006, FLAC (tracks+.cue), lossless

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Peter Mulvey / The Knuckleball Suite
Жанр: Folk-Rock, Contemporary Singer-Songwriter
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 2006
Издатель (лейбл): Signature Sounds Recording
Номер по каталогу: SIG 1297
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 00:42:53
Источник: собственный рип
Наличие сканов в содержимом раздачи: да

#77701. Old Simon Stimson 02:52
02. Abilene (The Eisenhower Waltz) 03:24
03. The Fly (Bono / U2) 03:59
04. Girl in the Hi-Tops 02:46
05. You and Me and the Ten Thousand Things 03:48
06. Horses 03:12
07. Thorn 03:45
08. Lila Blue (Peter Mulvey / David Goodrich / Tim Gearan) 03:13
09. Marty and Lou 02:16
10. Brady Street Stroll (Peter Mulvey / Paul Cebar) 03:35
11. The Knuckleball Suite 03:42
12. The Fix Is On (Peter Mulvey / David Goodrich) 04:52
13. Coda- Ballymore 01:31
All songs written by Peter Mulvey unless indicated otherwise.

Код:

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 28. November 2019, 22:25
Peter Mulvey / The Knuckleball Suite
Used drive  : ASUS    BW-12D1S-U   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
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    ---------------------------------------------------------
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        8  | 23:44.35 |  3:13.27 |    106835    |   121336
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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     Accurately ripped (confidence 7)  [42AC2281]  (AR v2)
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Track  8
     Filename F:\Torrents of Autumn\Mulvey, Peter [2006] The Knuckleball Suite\08. Lila Blue.wav
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Track  9
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Track 10
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Track 11
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Track 12
     Filename F:\Torrents of Autumn\Mulvey, Peter [2006] The Knuckleball Suite\12. The Fix Is On.wav
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     Accurately ripped (confidence 7)  [36196783]  (AR v2)
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Track 13
     Filename F:\Torrents of Autumn\Mulvey, Peter [2006] The Knuckleball Suite\13. Coda- Ballymore.wav
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All tracks accurately ripped
No errors occurred
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Track | CTDB Status
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  2   | (10/11) Accurately ripped
  3   | (11/11) Accurately ripped
  4   | (10/11) Accurately ripped
  5   | (10/11) Accurately ripped
  6   | (10/11) Accurately ripped
  7   | (10/11) Accurately ripped
  8   | (10/11) Accurately ripped
  9   | (10/11) Accurately ripped
 10   | (10/11) Accurately ripped
 11   | (11/11) Accurately ripped
 12   | (10/11) Accurately ripped
 13   | (10/11) Accurately ripped
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Код:

REM GENRE Folk
REM DATE 2006
REM DISCID A50A0D0D
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Peter Mulvey"
TITLE "The Knuckleball Suite"
REM COMPOSER ""
FILE "01. Old Simon Stimson.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Old Simon Stimson"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey"
    INDEX 01 00:00:00
FILE "02. Abilene (The Eisenhower Waltz).wav" WAVE
  TRACK 02 AUDIO
    TITLE "Abilene (The Eisenhower Waltz)"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey"
    INDEX 01 00:00:00
FILE "03. The Fly.wav" WAVE
  TRACK 03 AUDIO
    TITLE "The Fly"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "U2"
    INDEX 01 00:00:00
FILE "04. Girl in the Hi-Tops.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Girl in the Hi-Tops"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey"
    INDEX 01 00:00:00
FILE "05. You and Me and the Ten Thousand Things.wav" WAVE
  TRACK 05 AUDIO
    TITLE "You and Me and the Ten Thousand Things"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey"
    INDEX 01 00:00:00
FILE "06. Horses.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Horses"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey"
    INDEX 01 00:00:00
FILE "07. Thorn.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Thorn"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey"
    INDEX 01 00:00:00
FILE "08. Lila Blue.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Lila Blue"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey / David Goodrich / Tim Gearan"
    INDEX 01 00:00:00
FILE "09. Marty and Lou.wav" WAVE
  TRACK 09 AUDIO
    TITLE "Marty and Lou"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey"
    INDEX 01 00:00:00
FILE "10. Brady Street Stroll.wav" WAVE
  TRACK 10 AUDIO
    TITLE "Brady Street Stroll"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey / Paul Cebar"
    INDEX 01 00:00:00
FILE "11. The Knuckleball Suite.wav" WAVE
  TRACK 11 AUDIO
    TITLE "The Knuckleball Suite"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey"
    INDEX 01 00:00:00
FILE "12. The Fix Is On.wav" WAVE
  TRACK 12 AUDIO
    TITLE "The Fix Is On"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey / David Goodrich"
    INDEX 01 00:00:00
  TRACK 13 AUDIO
    TITLE "Coda- Ballymore"
    PERFORMER "Peter Mulvey"
    REM COMPOSER "Peter Mulvey"
    INDEX 00 04:49:12
FILE "13. Coda- Ballymore.wav" WAVE
    INDEX 01 00:00:00

Код:

foobar2000 1.4.4 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2019-11-28 22:26:49
--------------------------------------------------------------------------------
Анализ:   Peter Mulvey / The Knuckleball Suite
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR8       -0.01 дБ    -8.87 дБ      2:52 01-Old Simon Stimson
DR9        0.00 дБ   -11.75 дБ      3:24 02-Abilene (The Eisenhower Waltz)
DR9       -0.03 дБ   -10.80 дБ      3:59 03-The Fly
DR7       -0.06 дБ    -8.14 дБ      2:46 04-Girl in the Hi-Tops
DR9       -0.08 дБ   -10.97 дБ      3:48 05-You and Me and the Ten Thousand Things
DR10      -0.09 дБ   -12.85 дБ      3:12 06-Horses
DR12      -0.09 дБ   -15.88 дБ      3:45 07-Thorn
DR7       -0.08 дБ    -8.17 дБ      3:13 08-Lila Blue
DR12      -0.08 дБ   -13.82 дБ      2:16 09-Marty and Lou
DR9       -0.08 дБ   -11.44 дБ      3:35 10-Brady Street Stroll
DR8        0.00 дБ    -9.70 дБ      3:42 11-The Knuckleball Suite
DR7       -0.02 дБ    -9.22 дБ      4:52 12-The Fix Is On
DR12      -0.09 дБ   -15.19 дБ      1:31 13-Coda- Ballymore
--------------------------------------------------------------------------------
Количество треков: 13
Реальные значения DR: DR9
Частота:   44100 Гц
Каналов:   2
Разрядность:   16
Битрейт:   622 кбит/с
Кодек:   FLAC
================================================================================

A contemporary singer/songwriter who draws broadly from folk, rock, and jazz with a propensity for contemporary folk, Peter Mulvey has lived an artist’s life since adolescence—he was a college theater major, spent time busking in Dublin, Ireland, and founded the Milwaukee band Big Sky, all before his early twenties. But his professional music career didn’t really begin until 1991, when he was fired from a job at a Kinko’s copy shop in Boston. Flat broke and in need of immediate cash to entertain his visiting brother, Mulvey starting playing his guitar in the subway. He supported himself that way for a couple of years, working ten-hour days in the smog-drenched underground. In the meantime, he released two CDs on his own, 1992’s Brother Rabbit Speaks and 1993’s Rain.
Mulvey’s rising star hit the accelerator in 1994 when he won the Boston Acoustic Underground competition. In 1995, he signed with Eastern Front Records and recorded the Boston Award-nominated Rapture, which won consistent raves for his dazzlingly funky acoustic fretwork. He tossed off the acoustic EP Goodbye Bob before releasing the much more aggressive acoustic modern rock album Deep Blue (also on Eastern Front) in 1997. As a side project, the prolific guitarist also rejoined his old colleagues from Big Sky in 1997 to record a CD entitled Lately under the band name Little Sky. After Black Walnut Records issued the live solo album Glencree in 1999, he signed with Signature Sounds Recordings, where he stayed for over a decade beginning with The Trouble with Poets in the spring of 2000.
In 2002, Mulvey released the covers album Ten Thousand Mornings, which included works by Paul Simon, Bob Dylan, and Elvis Costello, among others. He returned with originals on 2004’s Kitchen Radio, and 2006’s The Knuckleball Suite included one cover song, U2’s “The Fly.” The next year’s Notes from Elsewhere collected select songs from across his career to that point, with Mulvey re-recording them for just voice and acoustic guitar. Written while in transit to visit his nieces and nephews, 2009’s Letters from a Flying Machine combined songs and readings of letters, and he partnered with composer/guitarist David Goodrich for a record of instrumentals called Nine Days Wonder in 2011. The solo album The Good Stuff followed a year later, and 2014’s Silver Ladder featured drums by frequent Bob Dylan drummer David Kemper.
On June 17, 2015, while Mulvey was on tour opening for Ani DiFranco, he wrote “Take Down Your Flag,” a response to the mass shooting at a church in Charleston, South Carolina (later officially designated a federal hate crime). DiFranco covered the song in her own set in the days that followed, and it was soon reinterpreted by dozens of other singers, including Peter Yarrow and Keb’ Mo’. DiFranco also produced Mulvey’s next album, Are You Listening?, which saw release in 2017 by Righteous Babe Records. (Darryl Cater, AllMusic)

Boston singer-songwriter Peter Mulvey’s solo effort conjures shades of Van Morrison’s early freewheeling musical attitude; his eclectic musical approach is immediately apparent on this ambitious collection of songs, which is presented in a loosely improvisational style by a talented pool of musicians whose performances rely on empathy as much as on musical charts (AllMusic)
Peter Mulvey’s The Knuckleball Suite Not Your Typical Folk Music
Singer-songwriters come in many different types. Some are always political. Others write mainly love songs. Some are serious. Others witty or plainspoken. And some, like Peter Mulvey, are a mixture of all of those.
The Knuckleball Suite, Peter Mulvey’s ninth solo album, opens with “Old Simon Stimson,” a song that drew varied and immediate responses when it was first played on VOA’s Roots and Branches program.
In short order VOA received two emails: One from someone saying, “I love that song. It makes me very happy.” And somebody else saying, “Is that man very sad?”
“That is exactly what I was going for,” Mulvey said. “I establish the guy. Right away, the guy speaking in the song establishes himself as an unreliable narrator. He starts saying these things that make no sense. He says, “but that was then, now ?” And he proceeds to say a bunch of things that again make no sense. So, that’s [the reaction] good. That’s exactly perfect.”
Peter Mulvey grew up in Wisconsin, and spent his college years playing in bands and studying theater. After graduation, he went to Ireland, and spent some time working as a street musician, or busker. After a few years, he returned to the U.S. and settled in Boston, a town known for producing successful musicians. He now lives back in Wisconsin, and spends most of his time touring all over the country and in Europe.
“I do about 150 shows in a year, and that takes me about 180 days,” Mulvey said. “So, about half of any given year I am gone. I believe that I’ve driven something like 600,000 miles [960,000 kilometers] in the last 10 or 15 years. That’s to the moon and back. It’s a long way. It’s many times to the center of the earth, if you were doing either of those things.”
How can he write when he’s traveling like that?
“When I write, I can write anywhere,” he said. “When an idea pops into my head, I carry a notebook with me, and a tiny little tape recorder. But it really comes in waves. I just put a record out. So, I’m not really feeling the pull to write songs right now. I mean, I’m always writing down ideas, and I’m always writing and cataloging stuff. But as long as you’re aware of them, they kind of grow on their own. At least it seems like that.”
“The Knuckleball Suite” is the title track to Peter Mulvey’s latest album. If you like what you hear, Peter suggests a few other contemporary writers for you to investigate.
“Chris Smither a huge influence on me. And Jeffrey Foucault,” he says. “It would astonish you how many great writers there are in the world. It’s a bustling, bustling scene down here, under the rock at the roots of the tree.”
And, how does he suggest people go about finding these things that are “under the rock?”
“Well, you know, the Internet is great tool,” he says. “A great tool for that. On my webpage, I have [links] to their websites. That’s thing one. And thing two, just asking people and being inquisitive. A big record for me was Emmylou Harris’ Wrecking Ball. And there are songs on that record by Neil Young, and Bob Dylan, and Jimi Hendrix, and Kate and Anna McGarrigle, and it’s produced by Daniel Lanois. So [you ask], what else has Daniel Lanois produced? Larry Mullen, Jr., plays on it. He’s in that band called U2. It goes on and on and on. Steve Earle is on it. So then you get a Steve Earle record, and he rages about Kelly Joe Phelps, and how good he is. Soon you cultivate it in yourself, being the kind of person who just asks ‘Well, if I like this, what do they listen to?’ It’s as simple as that, and bang!, you’re moving out on the spiderweb, and pretty soon you’re spending all your money on books and records, and people are starting to worry about you.”
While you can find Peter Mulvey’s albums listed under “folk” in the catalogs, this is not your typical “guy and his guitar” kind of record. The other songs on The Knuckleball Suite include an electric guitar-based love song and a country waltz. Peter Mulvey wrote 11 of the 12 songs on The Knuckleball Suite. The sole cover is a jazzy take on U2’s “The Fly.” (Katherine Cole, Voice of America, 27 Oct. 2009; https://www.voanews.com/archive/peter-mulveys-knuckleball-suite-not-your-typical-folk-music)

Peter Mulvey: vocals, guitar
David “Goody” Goodrich : guitars, banjo, live ambience
Lou Ulrich: bass
Mike Piehl: drums
WITH:
Sean Staples: banjo, vocals
Jazer Giles: accordion, piano
Kris Delmhorst: fiddle, vocals
Produced by David “Goody” Goodrich

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