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Anouk Aïata / La Femme Mangeuse Des Nuages Du Ciel
Жанр: French Chanson, Jazz, Gypsy
Год издания: 2013
Издатель (лейбл): Barclay
Страна: France
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 0:40:57
Источник (релизер): driveKTR <- qobuz
Наличие сканов в содержимом раздачи: нет, буклет .pdf
Треклист:
01. L'Arbre A Plumes (4:43)
02. Lady Western (3:21)
03. Pourquoi Regardes-Tu La Lune ? (4:13)
04. Le Lendemain (3:12)
05. I Forgot To Love (3:34)
06. Errer (4:05)
07. Ce N'Est Pas Une Larme (4:09)
08. Sand Of Spain (4:07)
09. Quoiqu'Il M'En Coute (3:03)
10. Les Ronds De Fumee (3:33)
11. Minuit Sonne (2:57)
Код:
-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.5.1RC3 build 1.5.1.4
Copyright (c) 2008-2010 y-soft. All rights reserved
[url=http://y-soft.org]http://y-soft.org[/url]
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 11 - Minuit Sonne.flac
  Size: 19078407 Hash: 05D8981F08ACCF6FACEE1EB26183CB1E Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 814EF429F1BAEE65445EB00DE03B57E90FF10DF3
FILE: 10 - Les Ronds De Fumée.flac
  Size: 21805842 Hash: 9A7F03980DCB88FF45F9585AB74A101C Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 32CD6687072D652C7186921F2FFD61781954E632
FILE: 09 - Quoiqu'Il M'En Coûte.flac
  Size: 22077594 Hash: 74A5280ABEC22F3BF6E58830C5B42C09 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 7300C39437D1B9E6DBE240BEF950620BC50696A3
FILE: 08 - Sand Of Spain.flac
  Size: 24151876 Hash: 19E95D7D758670F3291A71F5CE244932 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 0DFD4A147EE157B5E70DC9B55E1CBDF343C34670
FILE: 07 - Ce N'Est Pas Une Larme.flac
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  Conclusion: CDDA 100%
  Signature: 40C9D32C4C45ABDD3547F2F4302F4DF5FD322B4A
FILE: 06 - Errer.flac
  Size: 28408774 Hash: 7475036EC9018FD32E5CF04864E71387 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 93AC25367ACFC93E67BA82ABB5AAB2B85ADD7D58
FILE: 05 - I Forgot To Love.flac
  Size: 23431323 Hash: 531A114CA47D8CFA7075A59004294D56 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 6632F40B32B6D32F83568873678D65EB2BAFF3A1
FILE: 04 - Le Lendemain.flac
  Size: 24317357 Hash: 5165537649B807D1DC678459CDD90308 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: 1529DC94581106006ADC359F6A230059C1BD65C2
FILE: 03 - Pourquoi Regardes-Tu La Lune .flac
  Size: 29031494 Hash: E06B781C35E9EF05F3325D380563C6CD Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: C8C7B9CFBE889E44356DD69EDF7C8D80EC3BD74C
FILE: 02 - Lady Western.flac
  Size: 22530076 Hash: C019D8F48D6DEB71197D37301630EC40 Accuracy: -m0
  Conclusion: CDDA 99%
  Signature: 1FF578F58FE0534ED733F6D4F96135A049E365F8
FILE: 01 - L'Arbre A Plumes.flac
  Size: 29163758 Hash: A8B8A8BD8CA58E8D31D61FEAE48D2E08 Accuracy: -m0
  Conclusion: CDDA 100%
  Signature: AE9AD9175FB1F847FE2D0A564729D06EF52DE6D1
After years spent in the obscurity of small Parisian venues, the French singer can finally see the light at the end of the tunnel. When opportunity came knocking a year ago, she grabbed it with both hands. Her vibrant EP, released in October, serves as a prelude to a near-completed album due for release in 2013
Anouk Aïata has something about her. She brings together with virtuosity flamenco, hip-hop, gospel, jazz, and folk and gypsy rhythms in perfect harmony. ‘Finding a pigeonhole to put me in is the record stores’s problem, not mine,’ resolves the artist in a fit of laughter. Anouk Aïata’s voice has a deep, low timbre: ‘It’s my weapon,’ she smiles, while pulling back her long dark hair. The stage name ‘Anouk Aïata’ is Maori for ‘the woman who eats the clouds in the sky’. The name befits her guileless, melancholic and transient lyrics. Above all the singer harbours rock-hard determination and is more than a little eccentric.
Last chance saloon
Anouk has no problem with wearing a coonskin hat in the Why Are You Looking At The Moon (’Pourquoi regardes tu la lune?’) video. Anouk unabashedly changes the subject by confessing that she has just started hypnosis to ‘stop eating - apparently it can work,’ she chuckles. She had her first session just this morning, but by lunchtime the hearty Mediterranean salad doesn’t seem to be reaping the benefits. ‘It must take a while to start working,’ she smirks between mouthfuls. Anouk is hip, hippy and esoteric; anything but staid. In fact she is glowing, and with good reason: this year she signed to the French music label Barclay. But her melting-pot melodies came close to never being heard at all.
‘Three years ago, I was seriously thinking about becoming an interior designer,’ she confides. At that time, Aïata already had seven years of hardship behind her. She prefers to call it seven years ‘at the school of hard knocks’. Those years were spent scouring Parisian venues and being paid in beer. ‘Leading that kind of life, my only prospect was alcoholism,’ she jokes breezily. As she approached her thirties, she started to lose hope of her music one day falling on the right ears. ‘What we were making was lovely,’ she smiles, ‘but in Paris and in this music scene, there are just so many of us making lovely things.’ While waiting for fame to come along, Anouk struggled along with odd jobs. ‘I’d been singing since I first opened my mouth, I didn’t want to give up.’
The indomitable singer gave herself one more chance by putting a stop to all of her projects, giving up on every lead she had been telling herself would get her somewhere, and launching herself headlong into a new venture. This time she was not alone. She decided that if she shared success with the cellist Amos Mâh, then her first album would be called Anouk Aïata and the Last Chance. If it didn’t work, Anouk promised she would never sing again.
Moon child
With a silver moon hanging round her neck and another tattooed on her wrist, Anouk can thank the heavens, or her iron will, that things turned out well for her. Anouk and Amos decided to abandon ‘The Last Chance’ as part of the title of their first EP, which came out in October; it was too depressing. ‘It was like saying ‘buy this disc or I’ll hang myself’,’ she remembers. With an album due for release in early 2013, the duo has no more cause for doubt. And in any case, there isn’t time.
It was not a sure thing that these two artists’ careers would take off. Anouk and Amos met at a workshop when they were singing in an imaginary language (as we said, they are a little eccentric). The defining moment was at a concert in China in June 2011. ‘There were four record companies there that night. I was so worked up that I sang the first song completely out of tune.’ Beneath her chatty exterior, Anouk is sensitive, and when emotions run high her voice suffers.
Today there’s no more question of improvising. Anouk takes singing lessons and spends hours in the studio. She runs on nicotine and works like a maniac, although she professes that she is trying to stop. She is thinking about touring, having already supported the French group Zebda, and she does not count on stopping there. Behind the lightness of her personality and lyrics, Anouk Aïata wants to dig deeper. She is looking for depth and intensity. ‘I cannot write anything if I’m living in a vacuum, if I don’t go out, don’t see anything, don’t listen to anything,’ she explains. She admires the grandes dames of French music: ‘Barbara because her music is beautiful, Dalida because it is fresh,’ and cultivates her appetite for musical journeys. Aïata was raised in Val de Marne on the outskirts of the French capital, exiled to Paris and remains besotted with the north-western Parisian neighbourhood of Belleville. When Anouk sings ‘I forgot to love’, she is thinking about the Mississippi, and when she starts on Errer, she is in Marseille. For a visionary such as Anouk, music is a private jet and her voice is the only baggage she needs.cafebabel.co.uk
The woman who eats the clouds in the sky.
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