[TR24][OF] Bugge Wesseltoft - Everybody Loves Angels - 2017 (modern creative, norwegian jazz, piano solo)

Легендарный норвежский пианист и композитор Бугге Вессельтофт – один из самых ярких представителей норвежского джаза. Он приходится сыном гитаристу Эрику Вессельтофту. Бугге рано приобщился к музыке, играл на тубе и бас-барабане в школе и на клавишных в местных группах. В 16 лет он начал выступать в панк-группе, но влияние отца был сильнее, и с середины 80-х годов он в основном сосредоточился на джазовой музыке. Бугге Вессельтофт стал одним из родоначальников направления Future Jazz. На счету Бугге работа со многими известнейшими представителями европейского джаза, среди которых Ян Гарбарек, Нильс Петтер Молвер, Терье Рипдал, Арилд Андерсен и многие другие. Пианист является обладателем нескольких престижных премий Spellemannprisen, которые являются аналогом Грэмми в Норвегии, а также основателем культового лейбла «JazzLand», на котором издавались Beady Belle, Sidsel Endresen, Mari Boine, Torun Eriksen, Eivind Aarset, Live Maria Roggen, Ola Kvernberg, Dhafer Youssef, Jon Balke и многие другие. Музыкант сосредотачивается не только на интернациональных проектах – альбомы ОК World (2014), Bugge & Friends (2015), но и на демонстрации своих возможностей как исполнителя-пианиста – альбомы It's Snowing On My Piano (1997), Last Spring (2012), Everybody Loves Angels (2017).
https://en.wikipedia.org/wiki/Bugge_Wesseltoft

#777Jens Christian Bugge Wesseltoft (born 1 February 1964) is a Norwegian jazz musician, pianist, composer and producer, son of the jazz guitarist Erik Wesseltoft.
Wesseltoft was born in Porsgrunn. After high school in Skien, where he was involved in the school brass band and dance orchestras, he became a professional musician in 1983 only 19 years old. By the age of 16, he joined a punk rock band, but the influence of the jazz guitarist father, stalked on him. After moving to his father in Oslo (1984), it was mostly music with roots in jazz that mattered, although he also worked as a back-up musician and producer for the pop and rock elite in Norway. He had originally intended to study music, but the gigs were too many, and therefore he never got any further formal musical education. Towards the end of the 1980s Bugge Wesseltoft was involved in a variety of pop, rock and jazz bands like the "U and Z", "Et Cetera" and most important the Oslo Groove Company, and he was recognised as a coming musical genius with a great talent for the piano.[citation needed] This led to collaborations within the Knut Riisnæs Quartet in 1989, and he was soon after contacted by Arild Andersen to join in on the commissioned work for Vossajazz - released on the album Sagn (1990) - and the follow up Arv (1993), and Jan Garbarek for his Molde Canticle (1990), a commission from the Moldejazz, released on the album I Took Up the Runes (1990).
Bugge Wesseltoft had a great impact on the Norwegian Jazz scene at the beginning of the 1990s, while going through a transition from Nordic jazz traditions exemplified by the ECM label to a style sometimes referred to as "future jazz" or nu jazz. There after he toured extensively on the international Jazz scenes, performing both jazz and rock concerts to live audiences, and on a series of recordings on his own Jazzland label. Bugge Wesseltoft collaborated with a series artists in this period, like the guitarists Terje Rypdal and Jon Eberson, and in the mid-90's he toured and recorded the album Billy Cobham presents Nordic – Off Color (1999) together with Billy Cobham. For many years he collaborated with the experimental jazz vocalist Sidsel Endresen, and was in the lineup for her commissioned work at the Moldejazz in 1993, which was released on the album Exile (1994). His own commissioned work A Little War Story for the Vossajazz was also performed in 1993. Bugge Wesseltoft formed his own band the 'New Conception of Jazz' in 1995, and their first album New Conception of Jazz (1996), was awarded a Spellemannprisen in 1996.
During the 1990s the music of Bugge Wesseltoft found an audience on the Norwegian techno and dance music scenes. The connection with the club world led to the 2000 release of Jazzland Remixed, which enhanced his reputation even more with the younger audience. Firmly committed to electronic music, he completely eschews acoustic forms and is just as adamant that he will not be tied by genre boundaries, bringing hip-hop and other contemporary dance music forms into his concept of contemporary jazz. On the album Sharing (1998) many were taken by surprise by his extensive use of club DJ's and scratchers.
The track "Existence" could be heard in Philippe Harel's movie Extension du domaine de la lutte, an adaptation of Michel Houellebecq's 1994 novel.
John Kellman of the All About Jazz magazine recognized Bugge Wesseltoft Solo appearance at The Punkt Festival, Kristiansand, Norway, September 2013, as one of his 25 "Best Live Shows of 2013".
https://en.wikipedia.org/wiki/Bugge_Wesseltoft

There can be very few musicians who are capable of making silence as audibly vivid as the Norwegian Bugge Wesseltoft, in particular in his solo piano recordings. For twenty years, the most successful of these, “It’s Snowing On My Piano”, has been treasured as a haven of wintry stillness and contemplation.
It is a classic album. Listeners all over Europe have responded to it by giving it a permanent place in their lives. So now Bugge Wesseltoft and producer Siggi Loch have returned to the original concept of “Snowing” in “Everybody Loves Angels”. The title is a metaphor for the kind of weightless ease which the music conveys; and this time it's not just for winter...
The success story started in 1997. Bugge Wesseltoft had just released the album “New Conception Of Jazz” on his own newly-founded label Jazzland. That album broke new ground...
https://www.actmusic.com/en/Artists/Bugge-Wesseltoft/Everybody-Loves-Angels/Every...-Loves-Angels-CD

Bugge Wesseltoft / piano
Produced by Siggi Loch
Recorded at LofotKatedralen, Lofoten, Norway,
Recording date: February 24 – 26, 2017
Recording Engineer: Asle Karstad.
Piano technician: Eric Schandall
Mixed and mastered by Ulf Holand at Holand Sound
Cover art by Amy Simon, 2014