(Experimental, Noise, Sound Art) [CD] Daniel Menche - Eye On The Steel - 2004, FLAC (tracks+.cue), lossless

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Daniel Menche / Eye On The Steel
Жанр: Experimental, Noise, Sound Art
Носитель: CD
Страна-производитель диска (релиза): Canada
Год издания: 2004
Издатель (лейбл): Substractif / Alien8 Recordings
Номер по каталогу: SUBSF07
Страна исполнителя (группы): US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:14:03
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. untitled
2. untitled
3. untitled
4. untitled
5. untitled
6. untitled
7. untitled
8. untitled
9. untitled
10. untitled
11. untitled

Код:

Exact Audio Copy V1.0 beta 4 from 7. December 2014
EAC extraction logfile from 3. May 2015, 21:08
Daniel Menche / Eye On The Steel
Used drive  : ASUS    CRW-5232AS   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  5:53.18 |         0    |    26492
        2  |  5:53.18 |  7:09.21 |     26493    |    58688
        3  | 13:02.39 |  4:52.18 |     58689    |    80606
        4  | 17:54.57 |  4:48.28 |     80607    |   102234
        5  | 22:43.10 |  5:05.50 |    102235    |   125159
        6  | 27:48.60 |  9:25.39 |    125160    |   167573
        7  | 37:14.24 |  6:08.47 |    167574    |   195220
        8  | 43:22.71 |  5:04.18 |    195221    |   218038
        9  | 48:27.14 |  5:12.31 |    218039    |   241469
       10  | 53:39.45 | 10:54.64 |    241470    |   290583
       11  | 64:34.34 |  9:28.25 |    290584    |   333208
Track  1
     Filename D:\zzz\01 - untitled.wav
     Pre-gap length  0:00:02.00
     Peak level 99.9 %
     Extraction speed 3.6 X
     Track quality 99.9 %
     Test CRC B84BC920
     Copy CRC B84BC920
     Accurately ripped (confidence 2)  [BE5B98DD]  (AR v1)
     Copy OK
Track  2
     Filename D:\zzz\02 - untitled.wav
     Peak level 100.0 %
     Extraction speed 4.3 X
     Track quality 99.9 %
     Test CRC 2DE279D0
     Copy CRC 2DE279D0
     Accurately ripped (confidence 2)  [01847557]  (AR v1)
     Copy OK
Track  3
     Filename D:\zzz\03 - untitled.wav
     Peak level 98.9 %
     Extraction speed 4.9 X
     Track quality 100.0 %
     Test CRC 1026AD09
     Copy CRC 1026AD09
     Accurately ripped (confidence 2)  [0B54C1F1]  (AR v1)
     Copy OK
Track  4
     Filename D:\zzz\04 - untitled.wav
     Peak level 99.8 %
     Extraction speed 5.2 X
     Track quality 100.0 %
     Test CRC 75FAACF0
     Copy CRC 75FAACF0
     Accurately ripped (confidence 2)  [33C464C9]  (AR v1)
     Copy OK
Track  5
     Filename D:\zzz\05 - untitled.wav
     Peak level 100.0 %
     Extraction speed 5.6 X
     Track quality 100.0 %
     Test CRC B32367A9
     Copy CRC B32367A9
     Accurately ripped (confidence 2)  [8724F512]  (AR v1)
     Copy OK
Track  6
     Filename D:\zzz\06 - untitled.wav
     Peak level 100.0 %
     Extraction speed 6.2 X
     Track quality 100.0 %
     Test CRC 9D3CA3CD
     Copy CRC 9D3CA3CD
     Accurately ripped (confidence 2)  [1F06D81F]  (AR v1)
     Copy OK
Track  7
     Filename D:\zzz\07 - untitled.wav
     Peak level 100.0 %
     Extraction speed 6.5 X
     Track quality 100.0 %
     Test CRC 915D1710
     Copy CRC 915D1710
     Accurately ripped (confidence 2)  [34791159]  (AR v1)
     Copy OK
Track  8
     Filename D:\zzz\08 - untitled.wav
     Peak level 95.1 %
     Extraction speed 6.7 X
     Track quality 100.0 %
     Test CRC 0ADBD11D
     Copy CRC 0ADBD11D
     Accurately ripped (confidence 2)  [AAD5F9FF]  (AR v1)
     Copy OK
Track  9
     Filename D:\zzz\09 - untitled.wav
     Peak level 97.7 %
     Extraction speed 6.3 X
     Track quality 99.9 %
     Test CRC B26AF73B
     Copy CRC B26AF73B
     Accurately ripped (confidence 2)  [C5739C25]  (AR v1)
     Copy OK
Track 10
     Filename D:\zzz\10 - untitled.wav
     Peak level 100.0 %
     Extraction speed 7.6 X
     Track quality 100.0 %
     Test CRC 4216653F
     Copy CRC 4216653F
     Accurately ripped (confidence 2)  [30E71814]  (AR v1)
     Copy OK
Track 11
     Filename D:\zzz\11 - untitled.wav
     Peak level 100.0 %
     Extraction speed 8.0 X
     Track quality 100.0 %
     Test CRC 2FC1037C
     Copy CRC 2FC1037C
     Accurately ripped (confidence 2)  [7DCD2207]  (AR v1)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum FB3A304395143EC2E5FAA9FEF0BAF3F0FFFF41A7E8F17C5B4702B7D57EF746D8 ====

Код:

REM GENRE Noise
REM DATE 2004
REM DISCID 9A115A0B
REM COMMENT "ExactAudioCopy v1.0b4"
PERFORMER "Daniel Menche"
TITLE "Eye On The Steel"
FILE "01 - untitled.wav" WAVE
  TRACK 01 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "02 - untitled.wav" WAVE
  TRACK 02 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "03 - untitled.wav" WAVE
  TRACK 03 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "04 - untitled.wav" WAVE
  TRACK 04 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "05 - untitled.wav" WAVE
  TRACK 05 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "06 - untitled.wav" WAVE
  TRACK 06 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "07 - untitled.wav" WAVE
  TRACK 07 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "08 - untitled.wav" WAVE
  TRACK 08 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "09 - untitled.wav" WAVE
  TRACK 09 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "10 - untitled.wav" WAVE
  TRACK 10 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "11 - untitled.wav" WAVE
  TRACK 11 AUDIO
    TITLE "untitled"
    PERFORMER "Daniel Menche"
    FLAGS DCP
    INDEX 01 00:00:00

Код:

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. untitled.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. untitled.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. untitled.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. untitled.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. untitled.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. untitled.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07. untitled.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08. untitled.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [09. untitled.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [10. untitled.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [11. untitled.wav]
------------------------------------------------------------
Could not qualify the source of this track.
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%

Доп. информация:

Recorded and mixed Summer of 2003 at House Of Menche and Private Studio Recordings
Very special gratitude for the following: Gary Worsley, Tim Stollenwerk, Eric Hoffman, Randy Yau, Scott Arford, Damion Romero, Scott Konzelmann, Kiyoshi Mizutani, Francisco Lopez, Carl Farrow, John Wiese, Vanessa Renwick, Bill Daniel, Zbigniew Karkowski, Seze Devres, Naut Humon and Dimitris Kariofillis.
While many musicians chose to remain quiet, or at least rather vague and theoretical when it comes to the question of intent, Portland, Oregon’s Daniel Menche is a sound artist whose credo is straightforward and distinct. In his music, Menche aims to project pure emotion, making a direct link between spirit and sound. There’s no flaccid improvisational drivel here, or bland new age sounds feigning a deep pathos. Menche’s M.O., though indiscriminately accepting of any and all sounds as worthy source material, is one that’s far more structured than one might expect from an artist of his nature. Comparing his work to storytelling, Menche concentrates on purposeful sound arrangement, with beginnings, middles and ends, each contributing in a specific way to the mood of the piece. He eschews classification as a noise artist, and while many of his techniques suggest similarities to musicians who work within that realm, Menche works within specific structures, with a meticulous sense of the relationships between sounds and the overall development of a piece. Eye on the Steel is Menche’s 13th CD since his 1993 debut and contains far more power than Menche’s relative obscurity would suggest.
While Menche’s detailed compositional techniques aren’t readily apparent, the first of Eye on the Steel’s 11 untitled tracks rises to a roar and moves in a familiar arc before yielding to the second track’s hearty crunch. Transitions in mood and sound are persistent, and while Menche’s work is minimalist to a degree, he’s not content to ride out a single idea for the duration of a piece. A gifted ability to render shifts in timbre, rhythm and texture distinguishes Eye on the Steel, and the natural feel of the changes adds some credence to Menche’s statements about his music as an extension of his being.
Menche, who avoids the use of synthesizers and other advanced technologies, often relies on contact mics as his “instruments,” and his body is a frequent sounding board, literally, upon which the mics are raked and manipulated. Thereby, the human aspect of his music begins in its origins, and while there are no obvious bio-musical signposts to signal it, Menche’s music retains a sense of humanity. It’s something that’s more easily appreciated on a conceptual basis, perhaps, but that isn’t to say that, genesis aside, Menche’s creations are typically mundane. Eye on the Steel is an especially diverse creation, in comparison to some of Menche’s past work, with masses of gristly buzz in stark contrast to cleaner sustained electronic peals and heavy, glitched pulses. The diversity isn’t the result of unfinished explorations or tossed-off experiments, either; Menche’s work on the album is consistently engaging, allowing adequate time for ideas to percolate without letting monotony creep in.
Even without knowledge of Daniel Menche’s theories and techniques, Eye on the Steel is an impressive array of sound. More realistically, however, the intent is as important a part of the product as the performance, and there’s little worth in the separation of the two. If his music is, as Menche says, his blood, we must simply hope that the clotted, curdled masses that infect him don’t pose a threat to his health. - Adam Strohm, DustedMagazine.com

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