(80's/dreamwave/synthwave) The Midnight - Collection (11 releases) - 2014-2017, MP3, 320 kbps

#77701 The years (prologue) 06:08
02 Gloria 04:49
03 WeMoveForward 08:07
04 Days of thunder 05:24
05 Kick drums & red wine 06:21
06 Los Angeles 06:29
total time: 00:37:18
The Days of Thunder
There is a Japanese term: Mono no aware. It means basically, the sad beauty of seeing time pass - the aching awareness of impermanence. These are the days that we will return to one day in the future only in memories. How do we capture them? How could we possibly be able to fully appreciate them in the present? This project is our attempt to put time under glass.
The Midnight is a marriage between a songwriter from the Deep South and a producer from Denmark who both live in Los Angeles. The songs were written in North Hollywood and Santa Monica over two years and represent the first fruit of The Midnight. This is our love song to our city and a testament to the weight these years can hold.

#77701 Lost & found [The Midnight remix] 05:50
02 Lost & found [The Midnight remix] instrumental 05:50
total time: 00:11:40
The Midnight's official remix of "Lost & Found" from Tyler Lyle's album "The Native Genius of Desert Plants".

#77701 Sunset 05:26
Sunset is the first single from our upcoming album "Endless Summer".

#77701 Vampires 05:17
Vampires is the second single from our upcoming album "Endless Summer".

#77701 Endless summer 06:45
02 Sunset 05:26
03 Daytona 04:52
04 Jason [feat. Nikki Flores] 05:31
05 Synthetic 03:19
06 The equaliser (not alone) 03:49
07 The comeback kid 05:21
8 Vampires 05:17
09 Crockett's revenge 05:22
10 Nighthawks 03:48
11 Lonely city 05:14
12 Memories 06:19
total time: 01:01:03

#77701 Endless summer (instrumental) 06:45
02 Sunset (instrumental) 05:26
03 Jason (instrumental) 05:31
04 Synthetic (instrumental) 03:18
05 The comeback kid (instrumental) 05:21
06 Vampires (instrumental) 05:15
07 Nighthawks (instrumental) 03:48
08 Lonely city 05:14
09 Memories (instrumental) 06:19
total time: 00:46:57

#77701 Sunset [Michael Cassette remix] 03:44
02 Sunset [original mix] 05:26
03 Sunset [Michael Cassette extended mix] 05:38
total time: 00:14:48

#77701 Sunset [Michael Cassette remix] 03:44
02 WeMoveForward [Johan Vilborg remix] 05:19
03 Kick drums & red wine [Dezza remix] 04:38
04 Nighthawks [Lifelike remix] 06:10
05 Days of thunder [PROFF pres. Soultorque remix] 06:02
06 Endless summer [Marsh remix] 06:50
07 The equaliser [Terry Da Libra remix] 06:48
08 Memories [Sundriver remix] 03:43
09 Jason [eleven.five 'Leftfield' remix] 04:05
10 Vampires [Vintage & Morelli remix] 07:00
11 Synthetic [Mango vs. We are all astronauts remix] 07:40
12 WeMoveForward [Talamanca remix] 07:30
13 Sunset [Michael Cassette extended mix] 05:38
14 Kick drums & red wine [Dezza extended mix] 06:49
15 Nighthawks [Lifelike extended mix] 09:00
16 Memories [Sundriver extended mix] 06:51
total time: 01:37:45

#77701 Crystalline 06:02
Crystalline is the first single from our upcoming EP "Nocturnal".

#77701 Shadows 06:27
02 Crystalline 06:02
03 Collateral 05:46
04 River of darkness [feat. Timecop1983] 06:05
05 Nocturnal 07:03
06 Light years [feat. Nikki Flores] 05:21
07 Tokyo night train 05:36
total time: 00:42:20
Music & Lyrics: Tim McEwan & Tyler Lyle.
Except "Light Years" (written by Tim McEwan, Tyler Lyle & Nikki Flores) and "River of Darkness" (written by Tim McEwan, Tyler Lyle & Jordy Leenaerts).
Saxophone: Thomas Edinger
Lead guitar on Crystalline: Pelle Hillström
Synth guitar solo on Collateral: Mads Storm
Crystalline whisper: Kristiane
Nikki Flores on vocals on "Light Years"
Produced & mixed by Tim McEwan
Mastered by Anders Schumann
Artwork by David Legnon

#77701 Synthetic [We are all astronauts & Lost Empire remix] 07:19
02 Synthetic [Mango vs. We are all astronauts vocal remix] 07:40
03 Synthetic [We are all astronauts 'post-rock' vocal remix] 06:00
04 Synthetic [Mango vs. We are all astronauts dub remix] 07:40
05 Synthetic [We are all astronauts 'post-rock' instrumental remix] 06:00
total time: 00:34:39
Finally, We Are All Astronauts offers his own solo interpretation, in which the arrangement is denuded of any percussive elements via a glorious, fully orchestral three-minute intro. The heartrending instrumentation, matched by Tim's affecting vocal performance, sets up a cathartic, 'post-rock' finale, in which ambient-electronic textures provide the underpinning for an edgy and, ultimately, anthemic rock score. As Tim's vocal gently fades into a sea of symphonic sounds, the coda poignantly captures the transience of life's beauty.