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Wojciech Golczewski / Collection
Жанр: 80's/chiptune/soundtrack/synthwave
Страна исполнителя (группы): Poznań, Poland
Год издания: 2015-2017
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 04:31:38
Наличие сканов в содержимом раздачи: нет
Треклист:
#77701 The house 04:45
02 Harry 02:02
03 The Dagmars 03:07
04 Bobby 02:12
05 Cellar 02:58
06 It's not Bobby 05:39
07 The séance 03:05
08 Dagmar's story 02:28
09 The attack 03:46
10 Accept it 04:28
total time: 00:34:30
#77701 Repulse 02:39
02 Overturn 02:14
03 Splinter 02:34
04 Frankentrack 03:57
05 Inertia 02:28
06 Wrecker 02:01
total time: 00:15:53
Written in the early 2014, Horsemen: Hatred is a massive EP of action and powerful cues. Mix of electronic & hybrid trailer music. Artwork by Damian Bajowski.
#77701 400 days 03:59
02 The hatch 01:48
03 The ship 01:46
04 Takeoff 02:35
05 Time 02:53
06 Delusions 01:32
07 We are moving 02:31
08 You and I 02:02
09 Poisoned 01:33
10 Oxygen 03:14
11 The thing 01:49
12 The creature is gone 03:34
13 Exploring the area 04:00
14 Tranquility 01:36
15 Zell 01:36
16 I'll be your host 01:02
17 Bug's vision 02:18
18 Slaughterhouse 03:34
19 I wanted to tell you 02:08
20 It's time to leave 02:26
21 Final flight 03:05
total time: 00:51:01
400 DAYS Directed by Matt Osterman is a psychological sci-fi film centering on four astronauts who are sent on a simulated mission to a distant planet to test the psychological effects of deep space travel. Locked away for 400 days, the crew’s mental state begins to deteriorate when they lose all communication with the outside world. Forced to exit the ship, they discover that this mission may not have been a simulation after all.
“This score was created to set the general mood and atmosphere, especially for the first half of the film,” said Golczewski. “It’s claustrophobic, dizzy and brings all that stuff that can happen while you're locked for so long in small space with few other people to the surface. That is what I tried to underline with the music.”
#77701 She comes 03:57
02 He comes 04:49
total time: 00:08:46
Tonight She Comes is a new indie slasher/horror movie written and directed by Matt Stuertz that veers into the bizarre. The soundtrack is a heavily synth driven and slow paced opus by Wojciech Golczewski, reminiscing of both his previous cinematic scoring and his early works with Whispers (released by Razor 1911 in 2002).
#77701 The puppets dream 04:10
02 Sid vortex 02:34
03 Solitude 03:25
04 Insomnia 03:24
05 Impulse 03:12
06 Check one 01:14
07 Find me 04:00
08 Check two 01:33
09 Being human 05:00
10 Gravity 05:08
11 The void 03:25
12 Reality check 01:55
13 The sham mirrors 02:14
14 The architect 02:31
total time: 00:43:45
Reality Check is a concept album compiled of material composed and inspired by Wojciechs various work for the motion pictures. It can be described as a horror sci fi soundtrack with influences from his previous demoscene and chiptune heritage together with more recent synthwave and electronica. The album comes on a cassette with artwork from the very talented Marie Bergeron from Montreal.
Reality Check will also be available on other formats through Death Waltz. If you are not familiar with Wojciechs previous demoscen work, we strongly recommend that you check out the music disk Whispers released by Razor 1911 back in 2002.
#77701 Transmission 01 03:23
02 Transmission 02 04:36
03 Transmission 03 03:29
04 Transmission 04 02:51
05 Transmission 05 02:03
06 Transmission 06 02:28
07 Transmission 07 02:48
total time: 00:21:37
Polish Film and TV composer, Wojciech Golczewski, delivers his second solo album End of Transmission hot on the heels of his first, Reality Check. Blending his knowledge of film scoring and modern electronic music he created an alluring musical collection that takes the listener on a metaphorical journey through space. Golczewski says, “End of Transmission is about minimal approach and maximum effect of clean sound traveling through space. It’s made entirely with only Minimoog and VSTi Emulator software. I tried not to overcomplicate things although it somehow feels cinematic not unlike my film scores.”
#77701 DATA-01 03:33
02 DATA-02 01:34
03 DATA-03 02:14
04 DATA-04 02:36
05 DATA-05 02:41
06 DATA-06 02:12
07 DATA-07 02:27
08 DATA-08 02:16
total time: 00:19:33
Relay_Sat_01 is a bonus EP with take outs, demos and alternative parts from Wojciech's Reality Check and The Signal albums.
#77701 Orbiting 02:28
02 Childhood dream 04:09
03 The signal 01:53
04 Magnetic storm 02:26
05 Robotic assist module 01:40
06 Spectre 02:57
07 Timeline 04:06
08 Command 64 02:21
09 Setting up 02:07
10 Superunknown 03:39
11 13480000 miles 12:31
total time: 00:40:17
The Signal is written as a prequel to Wojciech Golczewski's acclaimed Reality Check album. It is a stripped down electronic compositions reminiscing both of analog synthesizes and primal digital soundwaves that brings us to a more undraped and intimate take on the authors previous space exploration themes. Reminding us of the wast cold emptiness of space and the things we are prepared to sacrifice to escape loneliness.
#77701 Summer 1992 01:37
02 Back to store 01:48
03 Getting weird 02:02
04 At the gates 02:10
05 Home 01:25
06 The game 01:49
07 Hello there 02:08
08 It's not on you 01:40
09 Stories 03:29
10 Let me in 03:25
11 Sup dad 02:23
12 Gordons dream 02:12
13 Hey son 01:28
14 Margo possessed 01:37
15 Checking the basement 01:18
16 I am done with this 00:56
17 Under the bed 02:48
18 Take care 02:01
total time: 00:36:16
Wojciech Golczewski's score for Jackson Stewart's indie horror cult film Beyond The Gates is a synth driven homage to horror music in the early days of VHS. It saw Golczewski getting a 2nd consecutive nomination for the Fngoria Chainsaw Award - Best Score. For Golczewski fans, who enjoyed his compositions for movies like Tonight She Comes and Dark Souls, Beyond The Gates is a must.
Vinyl version of this album will be available later this year, through the good people at Death Waltz Records.
"Jackson Stewart has created a brilliant but deadly game for audiences to play with the great Barbara Crampton, a seductive new monster as iconic as Freddy Krueger. Not to be missed." – Stuart Gordon (Re-Animator, From Beyond)
"A gutbucket load of gory fun, and a love letter to fans of a bygone era of horror, expertly resurrected by the filmmakers. Nostalgic and witty.” – Don Mancini (Child's Play)
Welcome, curious viewers…have you the courage to go Beyond The Gates?
After their father's unexplained disappearance, two estranged brothers – responsible Gordon (Graham Skipper) and reckless John (Chase Williamson) – reunite to sift through the contents of his stubbornly anachronistic VHS rental store. Among the inventory, they find an old interactive VCR board game. Intrigued, the brothers pop in the tape… and soon discover that this video is no ordinary game, but a portal to a nightmarish alternate reality – one with deadly consequences for anyone who dares to press "play."
Featuring horror legend Barbara Crampton (Re-Animator, From Beyond), Beyond The Gates is a retro-cool tale of "hex, dies, and videotape" from director Jackson Stewart!
Born in 1980, Wojciech Golczewski is a polish composer who began writing music in his teenage years. Though he studied fine arts, both at an arts high school and at the Academy of Fine Arts in Poznan, he decided to focus his professional efforts entirely on music.
Golczewski’s musical career started in the European demoscene, an art subculture where artists show off their programming and musical skills. Following a career in composing for video games including PlayStation 3 titles like LINGER IN SHADOWS and DATURA, the composer scored his first feature film with ERASER CHILDREN, an Australian sci-fi. His other recent scores include the Norwegian thriller DARK SOULS, the Icelandic crime thriller CITY STATE, werewolf film LATE PHASES and last year’s WE ARE STILL HERE, which was nominated for the 2016 Fangoria Chainsaw Award for the Best Horror Score.
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