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Sviatoslav Richter / Святослав Рихтер
Vintage SA-CD Collection vol. 16:
Deutsche Grammophon Concerto Recordings

Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1958,1959,1962/2019
Жанр: Classical/Piano/Orchestral
Издатель (лейбл): Deutsche Grammophon / Tower Records
Продолжительность: 03:39:10
Наличие сканов в содержимом раздачи: Да (сканы)

Треклист (см. подробный ниже):
<DISC1>
1. Robert Schumann: Piano Concerto in A minor, Op.54
2. Same: Prelude and Allegro A passionate in G major Op. 92
3. Wolfgang Amadeus Mozart: Piano Concerto No. 20 in D minor, K.466
<DISC2>
4. Sergei Prokofiev: Piano Concerto No.5 in G major Op.55
5. Ludwig van Beethoven: Piano Concerto No.3 in C minor Op.37
6. Same: Rondo for Piano and Orchestra in B flat major WoO.6
<DISC3>
7. Sergei Rachmaninov: Piano Concerto No.2 in C minor, Op.18
8. Peter Tchaikovsky: Piano Concerto No.1 in B flat minor, Op.23

Musicians:
Sviatoslav Richter (piano)
Warsaw National Philharmonic Orchestra (1-4,7), Vienna Symphony Orchestra (5,6,8)
Wittold Lovitki (conductor) (1,4), Stanislav Wistrock (conductor) (2,3,7),
Kurt Sanderling (conductor) (5,6), Herbert von Karajan (conductor) (8)

Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Tower Records PROC 2196-8 (2019)
Recording:
October 1958 (1), April 1959 (2,3,4,7) Warsaw, September 1962 (5,6,8) Vienna [Master] Deutsche Grammophon
Remastering:
DSD Remastered by Emil Berliner Studios, 2/2019 The latest remastering from original analogue master tapes in Japan in 2019 [Original Recordings]
Recording Producers: Wolfgang Lohse (1,2,4), Hans Weber (1-7), Helmut Najda (1,2,4), Hans-Peter Schweigmann (1,2,4), Otto Ernst Wohlert (8)
Recording Engineers: Helmut Elbl (5), Rolf Peter Schroeder (5), Helmut Najda (5)
Balance Engineers: Harro Hell Michna (1,2), Heinz Wildhagen (1-7), Heinrich Keilholz (4), Gunter Hermanns (8)
Editting: Helmut Najda (3-7), Helmut Elbl (6), Rolf Peter Schroeder (5,6,8)
The First DG LP Releases:
138 077 (Schumann), 138 075 (Mozart, Prokofiev), 138 848 (Beethoven), 138 076 (Rachmaninov), 138 822 (Tchaikovsky)
About the DG sound sources used:
Original analogue master tape is converted to 24bit/192kHz WAV, at Emil Berliner Studios in Germany, then the DSD is made from this 24/192 PCM in Japan.
Источник (релизер): ManWhoCan (PS³SACD)
https://tower.jp/item/4863307/%E3%83%89%E3%82%A4%E3%83%84%E3%83%BB%E3%82%B0%E3%83...5%AE%9A%EF%BC%9E

CD 1:
Schumann: Piano Concerto In A Minor, Op.54
01. 1. Allegro affettuoso
02. 2. Intermezzo (Andantino grazioso)
03. 3. Allegro vivace
04. Introduction & Allegro Appassionato For Piano & Orchestra, Op.92
Mozart: Piano Concerto No.20 In D Minor, K.466
05. 1. Allegro
06. 2. Romance
07. 3. Rondo (Allegro assai)
CD 2:
Prokofiev: Piano Concerto No.5 In G Major, Op.55
01. 1. Allegro con brio
02. 2. Moderato ben accentuato
03. 3. Toccata
04. 4. Larghetto
05. 5. Vivo
Beethoven: Piano Concerto No.3 In C Minor, Op.37
06. 1. Allegro con brio
07. 2. Largo
08. 3. Rondo (Allegro)
09. Fragment, erganzt von Carl Czerny Rondo In B Flat For Piano & Orchestra, WoO6
CD 3:
Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18
01. 1. Moderato
02. 2. Adagio sostenuto
03. 3. Allegro scherzando
Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55
04. 1. Allegro non troppo e molto maestoso - Allegro con spirito
05. 2. Andantino semplice - Prestissimo - Tempo I
06. 3. Allegro con fuoco

Код:

==================================================================================
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-10-26 01:09:53
-------------------------------------------------------------------------------------------------------------------------------------
Analyzed: Sviatoslav Richter / Deutsche Grammophon Concerto Recordings 1
-------------------------------------------------------------------------------------------------------------------------------------
DR           Peak          RMS     Duration       Track
-------------------------------------------------------------------------------------------------------------------------------------
DR12   -6.04 dB   -22.31 dB  14:37   01-Schumann: Piano Concerto In A Minor, Op.54 1. Allegro affettuoso
DR14 -11.10 dB   -28.18 dB    4:56   02-Schumann: Piano Concerto In A Minor, Op.54 2. Intermezzo (Andantino grazioso)
DR13   -6.38 dB   -22.52 dB  10:56   03-Schumann: Piano Concerto In A Minor, Op.54 3. Allegro vivace
DR11   -7.89 dB   -23.36 dB  15:54   04-Schumann: Introduction & Allegro Appassionato For Piano & Orchestra, Op.92
DR11   -7.14 dB   -23.18 dB  14:41   05-Mozart: Piano Concerto 20 In D Minor, K.466 1. Allegro
DR11   -8.64 dB   -24.37 dB  10:18   06-Mozart: Piano Concerto 20 in D minor, K.466 2. Romance
DR11   -6.76 dB   -21.68 dB    8:16   07-Mozart: Piano Concerto 20 In D Minor, K.466 3. Rondo (Allegro assai)
-------------------------------------------------------------------------------------------------------------------------------------
Number of tracks: 7
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DSD64
==================================================================================
=========================================================================================
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-10-26 00:56:41
-------------------------------------------------------------------------------------------------------------------------------------------------
Analyzed: Sviatoslav Richter / Deutsche Grammophon Concerto Recordings 2
-------------------------------------------------------------------------------------------------------------------------------------------------
DR          Peak          RMS     Duration        Track
-------------------------------------------------------------------------------------------------------------------------------------------------
DR13  -7.98 dB   -24.52 dB   5:04   01-Prokofiev: Piano Concerto 5 In G Major, Op.55 1. Allegro con brio
DR11  -6.55 dB   -21.66 dB   4:00   02-Prokofiev: Piano Concerto 5 In G Major, Op.55 2. Moderato ben accentuato
DR11  -7.59 dB   -20.46 dB   1:56   03-Prokofiev: Piano Concerto 5 In G Major, Op.55 3. Toccata
DR11  -8.06 dB   -24.94 dB   6:41   04-Prokofiev: Piano Concerto 5 In G Major, Op.55 4. Larghetto
DR13  -6.61 dB   -24.00 dB   5:15   05-Prokofiev: Piano Concerto 5 In G Major, Op.55 5. Vivo
DR13  -6.87 dB   -24.50 dB 17:15   06-Beethoven: Piano Concerto 3 In C Minor, Op.37 1. Allegro con brio
DR13  -8.05 dB   -27.34 dB 10:01   07-Beethoven: Piano Concerto 3 in C minor, Op.37 2. Largo
DR11  -6.78 dB   -22.54 dB   8:50   08-Beethoven: Piano Concerto 3 in C minor, Op.37 3. Rondo (Allegro)
DR11  -7.56 dB   -24.41 dB   9:22   09-Beethoven: Fragment, erganzt von Carl Czerny Rondo In B Flat For Piano & Orchestra, WoO6
-------------------------------------------------------------------------------------------------------------------------------------------------
Number of tracks: 9
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DSD64
==========================================================================================
============================================================================================================
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-10-26 00:44:52
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Analyzed: Sviatoslav Richter / Deutsche Grammophon Concerto Recordings 3
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
DR          Peak         RMS     Duration       Track
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
DR11  -5.86 dB  -21.85 dB  11:10   01-Rachmaninov: Piano Concerto 2 in C Minor, Op. 18 1. Moderato
DR13  -6.49 dB  -26.29 dB  11:56   02-Rachmaninov: Piano Concerto 2 in C Minor, Op. 18 2. Adagio sostenuto
DR12  -5.88 dB  -23.02 dB  11:45   03-Rachmaninov: Piano Concerto 2 in C Minor, Op. 18 3. Allegro scherzando
DR13  -5.77 dB  -23.60 dB  22:08   04-Tchaikovsky: Piano Concerto 1 in B-Flat Minor, Op. 23, TH 55 1. Allegro non troppo e molto maestoso - Allegro con spirito
DR16  -8.17 dB  -31.92 dB    6:55   05-Tchaikovsky: Piano Concerto 1 in B-Flat Minor, Op. 23, TH 55 2. Andantino semplice - Prestissimo - Tempo I
DR11  -5.93 dB  -21.56 dB    7:12   06-Tchaikovsky: Piano Concerto 1 in B-Flat Minor, Op. 23, TH 55 3. Allegro con fuoco
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Number of tracks: 6
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DSD64
============================================================================================================

Tower says:
The process of reproduction itself, including the digitisation & mastering processes, has evolved over the last few years, bringing us new discoveries. Even if the sound source has been converted to SA-CD in the past, recent digital technology is constantly improving, so it has become possible to produce higher-quality, more precise sound sources.
This is a Sviatoslav Richter, special with Wittold Lovitki, Kurt Sanderling, Herbert von Karajan, Warsaw National Philharmonic Orchestra, Vienna Symphony Orchestra, etc.
From the heyday of Richter, all the concertos recorded by DG from 1958 to 62 were assembled into 3 pieces. Except Disc 3, this is their 1st time on SACD.
I did my best to amend google’s translation, but it got the better of me in places:
Richter, who was known as a phantom pianist & rarely performed in the West, recorded a Pictures at an Exhibition in Sofia, Bulgaria in February 1958, which was released in the West as a record. This brought him fame worldwide, Also in 1958, the 1st Tchaikovsky Competition was held & Richter participated as a judge. His influence was growing more & more, such as acclamation from Cliburn. DG, who had already recorded Schumann’s solo work in November 1956, finally started recording a concerto in October 1958 with the DG staff getting into Warsaw. The 1st recording was Schumann, the 1st song of DISC1. In April of the following year, 4 songs were recorded together, including Mozart, Prokofiev, & Rachmaninoff, & the evaluation of Richter was fixed. Among them, Richter (piano sonata No. 7 premiere), who had a close relationship with Prokofiev, was especially loved by No. 5 (recorded in the former EMI with Masere in 1970), & it is also evaluated that there is still no performance beyond this. The Piano Concerto No.2 of Rachmaninov, an absolute masterpiece, became a memorable recording.
In September 1962, a more immortal masterpiece was born with the Vienna Symphony Orchestra in the background. Sandelling was Beethoven’s Piano Concerto No.3 (this song was also re-recorded with Muti in 1977) Rondo, & Karajan was shockingly Tchaikovsky. Beethoven’s respect for the work is richly respected by Richter’s godly attitude & touch that has been honed to the finest details, while the work is the only stereo session recording. Without emphasising the special aspect, the serious attitude of faithfully reproducing the original form of the work behind & the competition with Karajan’s extraordinary tension was sublime, not only Richter, It became 1 of the albums representing this song. In addition, the level of performance of the Vienna Symphony Orchestra, which has undergone considerable rehearsals, is high, & the ultimate performance of the trio of concertos is here. Even after about 60 years, these recordings still sound vivid. In this reproduction, not only the facial expression of the piano & subtle touches, but also the textures & detailed expressions of each instrument, I can now grasp the sense of reality. As a result, the sound that was masked is buried, & it is possible to reproduce a wonderful recording in which a sense of scale & a sound field with a good overall view are fused. In addition to the high quality of performance & rare performances, please enjoy it as the best package work after a reliable process of reproduction.

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