(Synth-pop, Minimal Wave) [LP] [16/44] VA - Soft Selection 84 - 1983, FLAC (tracks)

The rarity of this LP, released on the mysterious Soft label, is matched only by its astounding quality. Each song is a wonderful little nugget of minimal-wave, beginning with clä-sick's lilting Chinoiserie intro "Morning in China". La Sellrose Can Can kicks things up a notch with a bouncy minimal-synth-pop number featuring oddball English lyrics about physical training.
Everyone do a flying saucer
Take the train and say hello.
Linolium's sole contribution is another Chinese-themed minimal-synth jam (what are the odds?), though this time with a sort of Picky Picnic-esque canned-sample technique going on over a snappy drum machine rhythm. The picnickers themselves take up the torch here with a demo version of Ha! Ha! Tarachine's "Sume ba Miyako", featuring all the squiggly, brain-damaged zolo we've all come to expect from these masterminds. The mood shifts for Pink Label's track "Good Luck", a sparsely-produced techno-kayo gem with a lovely chorus. Things take a slightly darker turn with NAME's "N.H.K.", a very weird little track with vocal samples in English and Japanese. The coda "play it backwards again" appears before Picky Picnic show back up with another goofball ballad, this time with a ukelele, syncopated hand claps and more frustrated grunting (I don't think this track was released elsewhere, but I might be wrong). Another very weird minimal song courtesy of ReveR, featuring a lot of wacky, reverb-y voices speaking English(?). Really dumb/great.
Side two kicks off with another NAME track, this time more pop-like with moody vocals about exhaustion with love.
Sometimes I feel so tired
Every time you make me saying 'I love you'
Sometime I feel so sad
Every time you stop me making love with you
Do we all need love?
And do I really know how to love you?
Following "Do We All Need Love?" is "Pearl", by Classic Pearl, which I first heard long ago on a CD compilation. It's very excellent and quite catchy. Then La Sellrose Can Can is back with another super fun English-language pop song whose lyrics I can't quite decipher. Something about candy and mercy and merry-go-rounds? Anyways, album-openers clä-sick return, book-ending Soft Selection 84 with another moody minimal synth tune ("Every Night") and the twinkling, dub-tinged "Black Nile".
The only thing not-great about this LP is how obscure every band besides Picky Picnic is.