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(Alternative Rock, Indie-Pop, Lo-Fi) [CD] Sean Croghan - From Burnt Orange to Midnight Blue - 2001, FLAC (tracks+.cue), lossless

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Sean Croghan / From Burnt Orange to Midnight Blue
Жанр: Alternative Rock, Indie-Pop, Lo-Fi
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 2001
Издатель (лейбл): In Music We Trust
Номер по каталогу: IMWT 001CD
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 00:45:50
Источник: собственный рип
Наличие сканов в содержимом раздачи: да

01. Gweneveire 06:28
02. Cupid’s Credit Card 04:43
03. Friday’s Face in Sunday’s Suit 05:59
04. Tom R. 01:27
05. Little Miss Whiplash 04:41
06. John McConnell’s Ghost 06:33
07. Space Room 04:38
08. It’s Gonna Be Alright 05:12
09. Otis Tolstoy 06:06
All songs written by Sean Croghan. All apostrophes have been added to the original titles by DoobieBro for clarity.

Код:

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 14. August 2019, 8:36
Sean Croghan / From Burnt Orange to Midnight Blue
Used drive  : ASUS    BW-12D1S-U   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
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    ---------------------------------------------------------
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Track  1
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     Copy CRC 145D5780
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Track  2
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Track  3
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Track  4
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Track  5
     Filename G:\Torrents of Autumn\Croghan, Sean [2001] From Burnt Orange to Midnight Blue\05. Little Miss Whiplash.wav
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     Extraction speed 2.4 X
     Track quality 100.0 %
     Copy CRC E4C20803
     Copy OK
Track  6
     Filename G:\Torrents of Autumn\Croghan, Sean [2001] From Burnt Orange to Midnight Blue\06. John McConnells Ghost.wav
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     Extraction speed 2.7 X
     Track quality 100.0 %
     Copy CRC A9C09B96
     Copy OK
Track  7
     Filename G:\Torrents of Autumn\Croghan, Sean [2001] From Burnt Orange to Midnight Blue\07. Space Room.wav
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     Extraction speed 2.8 X
     Track quality 100.0 %
     Copy CRC 1D13D2BF
     Copy OK
Track  8
     Filename G:\Torrents of Autumn\Croghan, Sean [2001] From Burnt Orange to Midnight Blue\08. It's Gonna Be Alright.wav
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     Extraction speed 2.9 X
     Track quality 100.0 %
     Copy CRC D49A83AA
     Copy OK
Track  9
     Filename G:\Torrents of Autumn\Croghan, Sean [2001] From Burnt Orange to Midnight Blue\09. Otis Tolstoy.wav
     Pre-gap length  0:00:01.71
     Peak level 99.2 %
     Extraction speed 3.1 X
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     Copy CRC 2E1DAD06
     Copy OK
No errors occurred
End of status report
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Submit result: GfbNHf4nSvajy9aKzojxxy98i_o- has been confirmed
Track | CTDB Status
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  2   | (1/1) Accurately ripped
  3   | (1/1) Accurately ripped
  4   | (1/1) Accurately ripped
  5   | (1/1) Accurately ripped
  6   | (1/1) Accurately ripped
  7   | (1/1) Accurately ripped
  8   | (1/1) Accurately ripped
  9   | (1/1) Accurately ripped
==== Log checksum EA4B1988AE5C28F78D7A8A5B5123D57793359993132EE069EB7CB22421B57601 ====

Код:

REM GENRE Lo-Fi
REM DATE 2001
REM DISCID 6D0ABC09
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Sean Croghan"
TITLE "From Burnt Orange to Midnight Blue"
REM COMPOSER ""
FILE "01. Gweneveire.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Gweneveire"
    PERFORMER "Sean Croghan"
    REM COMPOSER "Sean Croghan"
    FLAGS DCP
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Cupids Credit Card"
    PERFORMER "Sean Croghan"
    REM COMPOSER "Sean Croghan"
    FLAGS DCP
    INDEX 00 06:27:45
FILE "02. Cupids Credit Card.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Fridays Face in Sundays Suit"
    PERFORMER "Sean Croghan"
    REM COMPOSER "Sean Croghan"
    FLAGS DCP
    INDEX 00 04:40:64
FILE "03. Fridays Face in Sundays Suit.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Tom R"
    PERFORMER "Sean Croghan"
    REM COMPOSER "Sean Croghan"
    FLAGS DCP
    INDEX 00 05:57:53
FILE "04. Tom R.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Little Miss Whiplash"
    PERFORMER "Sean Croghan"
    REM COMPOSER "Sean Croghan"
    FLAGS DCP
    INDEX 00 01:26:48
FILE "05. Little Miss Whiplash.wav" WAVE
    INDEX 01 00:00:00
FILE "06. John McConnells Ghost.wav" WAVE
  TRACK 06 AUDIO
    TITLE "John McConnells Ghost"
    PERFORMER "Sean Croghan"
    REM COMPOSER "Sean Croghan"
    FLAGS DCP
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Space Room"
    PERFORMER "Sean Croghan"
    REM COMPOSER "Sean Croghan"
    FLAGS DCP
    INDEX 00 06:31:73
FILE "07. Space Room.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "It's Gonna Be Alright"
    PERFORMER "Sean Croghan"
    REM COMPOSER "Sean Croghan"
    FLAGS DCP
    INDEX 00 04:37:31
FILE "08. It's Gonna Be Alright.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Otis Tolstoy"
    PERFORMER "Sean Croghan"
    REM COMPOSER "Sean Croghan"
    FLAGS DCP
    INDEX 00 05:09:68
FILE "09. Otis Tolstoy.wav" WAVE
    INDEX 01 00:00:00

Conceiving original indie pop inspiring melodies, Sean Croghan brings forth distinct compositions of tuneful rock themes, especially illuminated by his undiminished vocal capabilities. A singer/songwriter, Croghan initiated his path in the music world as a member of Portland’s Moustache in the midst of the ’80s. During the following years, he formed the Hellcows, and in 1989, he decided on assembling yet another band, the punk rock crew Crackerbash. Croghan remained with the band until 1993, the year he decided to constitute yet another alternative rock outfit, Jr. High, with whom he released one album. In 2001 and after a series of solo experiences, the Oregon State musician finally released his debut solo album. From Burnt Orange to Midnight Blue hit record stores in 2001, featuring guest appearances by the Minders’ Martyn Leaper and Rebecca Cole, and former Freewheelers’ mentor Luther Russel. Enjoying unanimous acclaim within the local underground scene, the record eventually granted him even more exposure. (Mesquita Borges, AllMusic)

Sean Croghan’s amazing first solo offering is a desolate, razor-burned troubadour’s record loaded with confessional angst both real and artistic, a few full revolutions from the music he made with Crackerbash and Jr. High. His outpouring of woeful emotion runs the gamut, from an almost whimsical kind of feigned misery (“Gweneveire”) to the adamant, resentful sort that sounds genuinely hurt. By mixing up the approach, the tenor of the album never seems like too much or too little of a painful thing. It isn’t strictly an open wound, although there’s an element of that. But Croghan is also smart enough to know that, as messy as love may be, there is an element of silliness that comes with investing so much into a single venture. The gloom, after all, will eventually pass, and when it does, you’ll only be left with the memory of how pathetic it made you look. That is the beauty of From Burnt Orange to Midnight Blue. Stark, haunting songs like “Fridays Face in Sundays Suit” and the bleak cabaret of “Tom R.” strip the drama down to its naked core while others, like the wonderfully jovial “Little Miss Whiplash” and “Its Gonna Be Alright,” build it right back up. The music is as frayed as Croghan’s singing, which jumps from its normal register up into a strained falsetto that falls just a few whiskey’s shy of a tearful (or comical) bender, wandering into and out of tune. But the lo-fi atmosphere paints the music all the appropriate hues, whether shadow-colored or brilliant, whether it is a warped, bottom-heavy Western saga (“John McConnells Ghost”) or a raw plea. And he pulls out all the stops on “Otis Tolstoy,” an over-the-top rock on which he conjures Prince’s pleading scream over and over until you start to reach for the handkerchief, to offer to the singer if not to use yourself. It is a wonderful album that leaves you wondering why you loved it so much, until you realize that Croghan covers the range of human frailties and failings with so much feeling that you have to catch up with the insights. The comparisons to Elvis Costello don’t seem far off base at all. (Stanton Swihart, AllMusic)
I get nervous whenever I realize Sean Croghan has been quiet for a while. Though only in his 30s, Croghan is an elder statesman of the Northwest music scene, and his influential talent—evident in his early-’90s punk band Crackerbash, the power-pop explosion Jr. High, and even the infamous and short-lived Moustache—is the kind that threatens to disappear as loudly and profoundly as it existed. Croghan fans like me, who no longer live in Portland and don’t get to see the lovably cranky singer’s music thriving, fear it might just roll up and disappear someday, and in its place will assemble a hundred lesser pretenders. Croghan sings honestly and un-self-consciously. His voice cracks and his falsettos don’t always work, but his lyrics are deadeye and accessible, stunning in their bald simplicity. In Croghan’s songs, girls don’t love him because they’re happier dating assholes. But Croghan knows that’s no reason to quit trying. Members of the Minders and No. 2 lend hands musically, but it’s the singer’s impassioned vocals—to see him perform live is to truly understand “impassioned”—and good-natured grumpiness that lends such texture and weight to his beautifully candid songwriting. (Kathleen Wilson, The Stranger, 28 June 2001. https://www.thestranger.com/seattle/cd-review-revue/Content?oid=7865)
Ex-Crackerbash and Jr. High guy joins the solo pack with satisfying results.
Portland’s defining songwriters of the past decade or so would have to be Elliott Smith (moved on to bigger things), Pete Krebs (still here and perfecting his craft), and Sean Croghan. While Smith and Krebs have established themselves as productive solo artists, Croghan—formerly of Crackerbash and Jr. High—is just now getting around to his first record without a true band behind him. Fortunately, it was worth the wait. Croghan does not possess Smith’s arsenal of pop smarts and he’s not as versatile a musician as Krebs, but he’s unrelentingly soulful, and for perhaps the first time, he’s really got his voice trained to respond to his demands. In the past, Croghan’s voice has been a tricky beast that occasionally got away from him, overwhelming the material with buckets of emotional fireworks. On Burnt Orange he displays an able range and a firm grip. The first two tracks, “Gweneveire” and “Cupid’s Credit Card” are first-rate lost-love anthems, aching and yearning like a post-punk Smokey Robinson. On “Little Miss Whiplash,” Croghan maintains a quivery falsetto that at times trails off into thin air during this tale of carnival seduction and regret. By the time we get to “Otis Tolstoy,” Croghan is testifying his ass off like a sweaty, sexed-up revival preacher. It’s a definite high moment in the Croghan catalog. Hopefully there’s more where that came from. (John Chandler, Seattle Weekly, 9 October 2006. https://www.seattleweekly.com/music/cd-reviews-120/)

For the track-by-track contributors, please see the enclosed booklet.
Produced by Larry Crane and Sean Croghan.

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