(Neofolk / Ambient / Post-Rock / Depressive Black Metal) VA - Der Wanderer über dem Nebelmeer (uber) - 2010, MP3 (tracks), 320 kbps

1. October Falls - Usva [03:02]
2. Nechochwen - Winterstrife [06:46]
3. Musk Ox - The Face of Patience [05:10]
4. Agalloch & Mathias Grassow - Nebelmeer [08:57]
5. Gallowbraid - Earthen Throne [09:21]
6. Oskoreien - Ode to Arinbjorn [04:20]
7. Thayer Cabin - The Painting Moves [03:14]
8. Dämmerfarben - Oktobersturm [06:39]
9. Kauan - Vmesto Slez [04:33]
10. Wandar - Waldgänger [09:15]
11. Schwarze Heimat - Verlorener Glanz [04:48]
12. Underjordiska - Ej Hit Kommen [06:44]
13. A Death Cinematic - In the Tumbeling Dawn Light, Their Eyes Fall Frozen Through the Mist and Rain [06:54]

1. Fen - The Wind Whispers of Loss [08:22]
2. Äldresjäl - Through Fire the Serpent Uncoils [07:27]
3. Nachtreich - In Gedanken [06:17]
4. Vindensång - The Reaper and The Seed [07:28]
5. Nebelung - Graue Nacht [07:28]
6. Enmerkar - Of Mist and Memories [05:09]
7. Stroszek - Land des Schweigens und Dunkelheit [05:15]
8. Kehrä - Valo [06:53]
9. Quellenthal - Winterreise [03:00]
10. Spectral Lore - Pilgrimage [06:05]
11. Carved In Stone - Night [02:33]
12. Velnias - Sovereign Nocturnal 13:01

Since this is a compilation, a track-by-crack review seems reasonable:
October Falls - Usva = Neofolk -> instrumental, just like Marras: Eight Hymns for Scheol and Nature.
Nechochwen - Winterslife = Neofolk -> a little bit progressive with an Agalloch-esque metal fragment.
Musk Ox - The Face of Patience = Neofolk, dark with piano and violin.
Agalloch & Mathias Grassow - Nebelmeer = Ambient/Drone, winter is here.
Gallowbraid - Earthen Throne = Atmospheric Black Metal, pure Agalloch worship actually, with piano.
Oskoreien - Ode to Arinbjorn = Neofolk, typical acoustic guitars all the way.
Thayer Cabin - The Painting Moves = Neofolk/Avant-Folk, weird shit.
Dämmerfarben - Oktobersturm = Melodic Black Metal/Post-Rock, think about Agalloch again.
Kauan - Vmesto Slez = Post-Rock/Neofolk - not unlike Kauan, in Russian.
Wandar - Waldgänger = Atmospheric Black Metal/Post-Rock, Agalloch is fucking everywhere.
Schwarze Heimat - Verlorener Glanz = Neofolk/Neoclassical Darkwave - acoustic intro, synth-driven neoclassical, acoustic outro
Underjordiska - Ej Hit Kommen = Shoegaze/Post-Rock - you know, the "atmospheric black metal without black metal" kind of music, instrumental piece which is basically one long tremolo solo.
A Death Cinematic - In the Tumbeling Dawn Light, Their Eyes Fall Frozen Through the Mist and Rain = Drone/Ambient/Post-Rock, starts with drone and ends with post-rock with ambient in between.
Fen - The Wind Whispers of Loss = Neofolk, mostly instrumental with epic yawning
Äldresjäl - Through Fire the Serpent Uncoils = Atmospheric Black Metal, with Agalloch (not surprisingly) and neofolk/ambient influence
Nachtreich - Graue Nacht = Neoclassical Darkwave, insanely influenced by classical music
Vindensång - The Reaper and The Seed = Neofolk, hearing voices, Agalloch influences even in non-metal ("The Desolation Song", that's right)
Nebelung - Graue Nacht = Neofolk, exactly what you could expect from dark folk.
Enmerkar - Of Mist and Memories = Atmospheric Black Metal, with hints of blackened lo-fi depressive post-doom metal lullaby.
Stroszek - Land des Schweigens und Dunkelheit = Neofolk, the band is Italian and you can easily tell it from the sound; I do hear Spiritual Front, but without nihilist pop (or rather: with nihilist, but not pop).
Kehrä - Valo = Atmospheric/Depressive Black Metal, a neofolkish acoustic interlude included.
Quellenthal - Winterreise = Neofolk, Germans know how to make neofolk, ethereal female voices for the last 2 minutes
Spectral Lore - Pilgrimage = Neofolk/Drone, where am I?
Carved in Stone - Night = Neofolk, ethereal folk, 'nuff said.
Velnias - Sovereign Nocturnal = Death Doom Metal/Atmospheric Black Metal, the longest track and the most doomy one as well.
In a nutshell, this is supposed to be a tribute to the famous painting and its author, but musically it sounds like a compilation that Agalloch would release in 20 years. Agalloch influences are everywhere, in black metal riffs, in acoustic guitars blended with metal, in post-rock interludes, in vocals, even in drone tracks. But this is not only about the greatest (metal-related) band ever, there is just as much dark folk here, which, even though not original anymore, is the best kind of music in the world. One may call this compilation generic, predictable and excessive, but I don't care. I don't care for the magnificent beauty exuding and emanating solitariness and breathtaking atmosphere. Let it consume you and it will literally make you feel like a Wanderer above the Sea of Fog - that's all that matters now, when I'm standing there alone thinking about my miserable existence and how to express my emotions lost in desolation of life... this path that I walk.