(Alternative, Indie) The Heavy - Great Vengeance and Furious Fire - 2007, FLAC (image+.cue), lossless

Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
Отчёт EAC об извлечении, выполненном 18. декабря 2008, 7:44
Great Vengeance and Furious Fire / The Heavy
Дисковод: TOSHIBA CD/DVDW SD-R5372 Adapter: 0 ID: 1
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 704
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 2:52.23 | 0 | 12922
2 | 2:52.23 | 3:11.33 | 12923 | 27280
3 | 6:03.56 | 3:37.29 | 27281 | 43584
4 | 9:41.10 | 3:41.04 | 43585 | 60163
5 | 13:22.14 | 4:30.16 | 60164 | 80429
6 | 17:52.30 | 2:38.21 | 80430 | 92300
7 | 20:30.51 | 3:37.25 | 92301 | 108600
8 | 24:08.01 | 2:48.56 | 108601 | 121256
9 | 26:56.57 | 2:51.16 | 121257 | 134097
10 | 29:47.73 | 4:09.19 | 134098 | 152791
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла Y:\_Lossless\The Heavy\2007. Great Vengeance and Furious Fire\Great Vengeance and Furious Fire - The Heavy (2007).wav
Пиковый уровень 98.0 %
Качество диапазона 99.9 %
CRC копии 6D29F473
Копирование... OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 точное извлечение (доверие 3) [70341750]
Трек 2 точное извлечение (доверие 3) [2A5FC45F]
Трек 3 точное извлечение (доверие 3) [899CDDF9]
Трек 4 точное извлечение (доверие 3) [5312B5AA]
Трек 5 точное извлечение (доверие 3) [88E5CAA2]
Трек 6 точное извлечение (доверие 3) [6C10A00A]
Трек 7 точное извлечение (доверие 3) [1980D50D]
Трек 8 точное извлечение (доверие 3) [EFE52277]
Трек 9 точное извлечение (доверие 3) [4C204258]
Трек 10 точное извлечение (доверие 3) [32DCFC6F]
Все треки извлечены точно
Конец отчёта

REM GENRE Alternative
REM DATE 2007
REM DISCID 7F07F50A
REM COMMENT "ExactAudioCopy v0.99pb3"
PERFORMER "The Heavy"
TITLE "Great Vengeance and Furious Fire"
FILE "Great Vengeance and Furious Fire - The Heavy (2007).flac" WAVE
TRACK 01 AUDIO
TITLE "Brukpocket's Lament"
PERFORMER "The Heavy"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Colleen"
PERFORMER "The Heavy"
INDEX 00 02:50:23
INDEX 01 02:52:23
TRACK 03 AUDIO
TITLE "Set Me Free"
PERFORMER "The Heavy"
INDEX 00 06:01:56
INDEX 01 06:03:56
TRACK 04 AUDIO
TITLE "That Kind of Man"
PERFORMER "The Heavy"
INDEX 00 09:39:10
INDEX 01 09:41:10
TRACK 05 AUDIO
TITLE "Doing Fine"
PERFORMER "The Heavy"
INDEX 00 13:20:14
INDEX 01 13:22:14
TRACK 06 AUDIO
TITLE "Dignity"
PERFORMER "The Heavy"
INDEX 00 17:50:30
INDEX 01 17:52:30
TRACK 07 AUDIO
TITLE "Our Special Place"
PERFORMER "The Heavy"
INDEX 00 20:28:51
INDEX 01 20:30:51
TRACK 08 AUDIO
TITLE "Girl"
PERFORMER "The Heavy"
INDEX 00 24:06:01
INDEX 01 24:08:01
TRACK 09 AUDIO
TITLE "In the Morning"
PERFORMER "The Heavy"
INDEX 00 26:54:57
INDEX 01 26:56:57
TRACK 10 AUDIO
TITLE "Who Needs the Sunshine?"
PERFORMER "The Heavy"
INDEX 00 29:45:73
INDEX 01 29:47:73

A co-ed quintet from the outskirts of Bath, England, the Heavy draw influence from funk, soul, blaxploitation film soundtracks, and the gritty garage rock of the Sonics. Guitarist Dan Taylor and vocalist Kelvin Swaby became friends in the 1990s, bonding over a shared appreciation for vintage R&B and Jim Jarmusch films. Joined by bassist Spencer Page, drummer Chris Ellul, and keyboardist Hannah Collins, the two launched their own act -- the Heavy -- and began combining Taylor's distorted guitars with lo-fi samples, horns riffs, stomping percussion, and soulful Prince-styled vocals. The photogenic band made its studio debut in 2007, releasing several singles on the London-based Ninja Tunes label before issuing the full-length Great Vengeance and Furious Fire that fall. An American release followed in early 2008 on the newly minted +1 Records.

Had John Singleton's remake of Shaft been released just a few years later -- say, sometime around 2007, when the Heavy first emerged with their gritty mixture of funk and soul -- then the director would've done well to make Great Vengeance and Furious Fire the movie's soundtrack. Blending horn samples and noisy percussion into some furiously beat-driven songs, the Heavy often sound like the sort of street-smart band that would've ignited a bidding war between Stax and Sire Records in the mid-'60s. They combine Isaac Hayes with Gnarls Barkley, Curtis Mayfield with Jimi Hendrix, Mike Skinner's elastic delivery with Prince's falsetto vocals. For fans of retro-urban music, this sounds like a dream combination -- and during the album's first half, it certainly is. "That Kind of Man" is a blistering dance track, its messy production and blaring riffs contrasted by the cool, sexy vocals of bandleader Kelvin Swaby. The frontman loses his head toward the song's conclusion, screaming a handful of "C'mon!"s and "Yeah!"s while his bandmates strut their way though clouds of distortion, cymbal crashes, horn samples, and wah wah pedals. "Colleen" packs an equal amount of sweaty bump-and-grind into three short minutes, and "Girl" finds Swaby performing a half-rapped serenade over a drum'n'bass beat, attempting to woo the title character by complimenting her jeans and offering her a variety of teas. Undeniably British and unapologetically seedy, "Girl" is a welcome display of the band's light-hearted side, especially after the noisy onslaught of the first two tracks. Unfortunately, it's also the place where the Heavy decide to leave their true strengths behind, as most of the album's latter half relies more on atmosphere than substance and melody. The exception is "Who Needs the Sunshine?," which closes the disc with somber piano chords and the audible hiss of an old vinyl record (a production technique that makes the track sound even more like a soulful R&B single from yesteryear). Great Vengeance and Furious Fire is too uneven to be great, but its handful of fantastic singles makes for an extremely promising debut.