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[SACD-R][OF] Billy Joel – Songs In The Attic - 1981/2013 (Rock)

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Billy Joel – Songs In The Attic (2013)

Жанр: Rock
Носитель: SACD
Год издания: 1981/2013
Издатель: Mobile Fidelity
Номер по каталогу: UDSACD 2092
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:48:18
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.Miami 2017 (Seen The Lights Go Out On Broadway) 05:04
02.Summer, Highland Falls 03:07
03.Streetlife Serenader 05:18
04.Los Angelenos 03:46
05.She’s Got A Way 03:02
06.Everybody Loves You Now 03:12
07.Say Goodbye to Hollywood 04:24
08.Captain Jack 07:17
09.You’re My Home 03:07
10.The Ballad of Billy The Kid 05:27
11.I’ve Loved These Days 04:35

Songs in the Attic is the first live album by Billy Joel, released in 1981. At the time of its release, it was unique as being the first widely available appearance of music from his first album, Cold Spring Harbor, originally released in 1971.

Songs in the Attic introduced Billy Joel’s early work to fans who had only come to know his work after The Stranger, according to liner notes written by Joel. In his earlier work, most of the instruments were played by session musicians, but by the late 1970s, Joel had a fairly consistent touring group, and so he wanted to showcase the songs with this band.

Two songs from the album, “Say Goodbye to Hollywood” and “She’s Got a Way,” were released as singles, and both made the top 25. In Australia, “You’re My Home” was also released as a single, but didn’t chart.

Like his three previous efforts, An Innocent Man received a nomination for the 26th Grammy Award for Album of the Year — although it lost to Michael Jackson’s Thriller.

Having scored three multi-platinum hits in a row, Billy Joel took a breather, releasing his first live album, Songs in the Attic, as he worked on his ambitious follow-up to Glass Houses. Joel wisely decided to use the live album as an opportunity to draw attention to songs from his first four albums. Apart from “Piano Man,” none of those songs had been heard by the large audience he had won with The Stranger. Furthermore, he now had a seasoned backing band that helped give his music a specific identity — in short, it was an opportunity to reclaim these songs, now that he had a signature sound. And Joel didn’t botch the opportunity — Songs in the Attic is an excellent album, ranking among his very best work. With the possible exception of the Turnstiles material, every song is given a fuller, better arrangement that makes it all spring to life. “Los Angelenos” and “Everybody Loves You Now” hit harder in the live setting, while ballads like “She’s Got a Way,” “Summer, Highland Falls,” and “I’ve Loved These Days” are richer and warmer in these versions. A few personal favorites from these albums may be missing, but what is here is impeccable, proving that even if Joel wasn’t a celebrity in the early ’70s, his best songs of the era rivaled his biggest hits.

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