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[SACD-R][OF](Folk)Bob Dylan – The Freewheelin’ Bob Dylan - 1963/2012

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Bob Dylan – The Freewheelin’ Bob Dylan (1963/2012)

Жанр: Folk
Носитель: SACD
Год издания: 1963/2012
Издатель: Mobile Fidelity
Номер по каталогу: UDSACD 2081
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:50:23
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.Blowin’ in the Wind 02:49
02.Girl from the North Country 03:23
03.Masters Of War 04:38
04.Down the Highway 03:33
05.Bob Dylan’s Blues Lonesome When You Go 02:29
06.A Hard Rain’s a-Gonna Fall 06:56
07.Don’t Think Twice, It’s All Right 03:41
08.Bob Dylan’s Dream 05:03
09.Oxford Town 01:50
10.Talkin’ World War III Blues 06:28
11.Corrina, Corrina 02:44
12.Honey, Just Allow Me One More Chance 02:01
13.I Shall Be Free 04:48

#777#777

The Freewheelin’ Bob Dylan is the second studio album by American singer-songwriter Bob Dylan, released in May 1963 by Columbia Records.

Whereas his debut album Bob Dylan had contained only two original songs, Freewheelin’ initiated the process of writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are original compositions by Dylan. The album kicks off with “Blowin’ in the Wind”, which would become one of the anthems of the 1960s, and an international hit for folk trio Peter, Paul & Mary soon after the release of Freewheelin’. The album featured several other songs which came to be regarded as amongst Dylan’s best compositions and classics of the 1960s folk scene: “Girl from the North Country”, “Masters of War”, “A Hard Rain’s a-Gonna Fall” and “Don’t Think Twice, It’s All Right”.

Dylan’s lyrics embraced stories ripped from the headlines about civil rights and he articulated anxieties about the fear of nuclear warfare. Balancing this political material were love songs, sometimes bitter and accusatory, and material that features surreal humor. Freewheelin’ showcased Dylan’s songwriting talent for the first time, propelling him to national and international fame. The success of the album and Dylan’s subsequent recognition led to his being named as “Spokesman of a Generation”, a label Dylan came to resent.

The Freewheelin’ Bob Dylan reached number 22 in the US (eventually going platinum), and later became a number one hit in the UK in 1964. In 2003, the album was ranked number 97 on Rolling Stone magazine’s list of the 500 greatest albums of all time. In 2002, Freewheelin’ was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.

verestimate the importance of The Freewheelin’ Bob Dylan, the record that firmly established Dylan as an unparalleled songwriter, one of considerable skill, imagination, and vision. At the time, folk had been quite popular on college campuses and bohemian circles, making headway onto the pop charts in diluted form, and while there certainly were a number of gifted songwriters, nobody had transcended the scene as Dylan did with this record. There are a couple (very good) covers, with “Corrina Corrina” and “Honey Just Allow Me One More Chance,” but they pale with the originals here. At the time, the social protests received the most attention, and deservedly so, since “Blowin’ in the Wind,” “Masters of War,” and “A Hard Rain’s A-Gonna Fall” weren’t just specific in their targets; they were gracefully executed and even melodic. Although they’ve proven resilient throughout the years, if that’s all Freewheelin’ had to offer, it wouldn’t have had its seismic impact, but this also revealed a songwriter who could turn out whimsy (“Don’t Think Twice, It’s All Right”), gorgeous love songs (“Girl From the North Country”), and cheerfully absurdist humor (“Bob Dylan’s Blues,” “Bob Dylan’s Dream”) with equal skill. This is rich, imaginative music, capturing the sound and spirit of America as much as that of Louis Armstrong, Hank Williams, or Elvis Presley. Dylan, in many ways, recorded music that equaled this, but he never topped it.

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