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Sarah McLachlan – Touch (1989/2013)

Жанр: Adult Alternative Pop/Rock
Носитель: SACD
Год издания: 1989/2013
Издатель: Audio Fidelity
Номер по каталогу: AFZ 141
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:47:57
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.Out of the Shadows 05:03
02.Vox 04:54
03.Strange World 04:08
04.Trust 04:49
05.Touch 03:15
06.Steaming 04:45
07.Sad Clown 04:32
08.Uphill Battle 04:41
09.Ben’s Song 04:58
10.Vox (Extended version) 06:52

#777#777

Touch is the debut album by Canadian singer-songwriter Sarah McLachlan, released in 1988 and then re-released in 1989.

The album was originally released in 1988 by Nettwerk. McLachlan later signed to Arista Records internationally (although remaining on Nettwerk in Canada), and a revamped version of Touch, with several remixed songs and a new track, was released in 1989 on both labels. The original 1988 release was discontinued by Nettwerk, and is now considered a collector’s item. It is distinguished by its black and sepia cover. The first released single from the album was “Vox” in 1988, followed by “Steaming” in 1989.

The album was popular in alternative rock circles, but McLachlan would not achieve commercial stardom until 1991 in Canada, with Solace, and 1994 (1995 in some countries) internationally, with her 1993 album Fumbling Towards Ecstasy.

In 1993, McLachlan and Nettwerk were sued by Darryl Neudorf, a Vancouver musician and former member of 54-40, who alleged that he had made a significant and uncredited contribution to the songwriting on Touch. Although both McLachlan and Nettwerk acknowledged that Neudorf was involved in the album’s production, both took the position that his contribution had not been primarily in songwriting. The judge in that suit ultimately ruled in McLachlan’s favor.

A largely forgotten album in the wake of Sarah McLachlan’s mainstream success, Touch was the first album anyone heard from the singer. Only 19 at the time, McLachlan had years to go before she would become the seductive songstress of Fumbling Towards Ecstacy or the sensitive balladeer of Surfacing. Instead, she has more of an ethereal sound, enhanced by keyboards and a lush production that gives it a polished feel. Bringing to mind the ’80s incarnations of both Peter Gabriel and Kate Bush, the songs here are moody pop tracks that showcase her incredible range more than anything else. A few tracks, especially “Vox” and “Steaming,” are beautiful tracks that have a light sense of yearning that she would later develop into the sensual crooning of her mid-’90s work. And “Ben’s Song,” a piano ballad, would go on to be included in her live shows long after the other tracks from this album disappeared from them. But Touch is vastly different from the rest of her material (save for maybe a few tracks on Solace), making it a surprise to most curious fans. Her performance is the point where this is most obvious, as her gorgeous voice lacks most of the personality and emotion that she would later develop. But the material isn’t bad, just uncharacteristic of the rest of her career. Some fans might be disappointed by the copious amounts of keyboards and McLachlan’s restrained performance, but Touch is still a winner. Just a flawed winner, coming from a talented artist who was still searching for her artistic voice.

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Список форумов » Hi-Res ФОРМАТЫ, ОЦИФРОВКИ » Hi-Res stereo и многоканальная музыка » Рок-музыка (Hi-Res stereo)

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