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(Post Rock, Art Pop, Modern Classical, Minimal) [CD] Wive - Pvll - 2010, FLAC (tracks+.cue), lossless

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Гость

Wive / Pvll
Жанр: Post Rock, Art Pop, Modern Classical, Minimal
Носитель: CD
Страна-производитель диска: USA
Год издания: 2010
Издатель: Exile On Mainstream Records
Номер по каталогу: EOM045
Страна исполнителя: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 39:44
Источник: what.cd
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Toast to Famines [4:19]
02. Teethy [3:29]
03. Langvage [3:58]
04. Lazarvs and Dives [5:24]
05. Come, Join the Sea [4:45]
06. Attrition [4:30]
07. The Day Bvrnt to Death [3:54]
08. Widows [3:13]
09. Tongve of Callvs [3:42]
10. Slvmber's Edit [2:32]

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 31. December 2011, 0:50
Wive / PVLL
Used drive  : TSSTcorpCDDVDW SH-S203D   Adapter: 2  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Users\Felix\Desktop\ÄppZ\Audio Encoders\flac-1.2.1b-icl\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  4:18.45 |         0    |    19394
        2  |  4:18.45 |  3:28.61 |     19395    |    35055
        3  |  7:47.31 |  3:57.63 |     35056    |    52893
        4  | 11:45.19 |  5:24.05 |     52894    |    77198
        5  | 17:09.24 |  4:44.54 |     77199    |    98552
        6  | 21:54.03 |  4:29.58 |     98553    |   118785
        7  | 26:23.61 |  3:53.71 |    118786    |   136331
        8  | 30:17.57 |  3:13.01 |    136332    |   150807
        9  | 33:30.58 |  3:41.65 |    150808    |   167447
       10  | 37:12.48 |  2:31.47 |    167448    |   178819
Track  1
     Filename D:\new rips\- CD\Wive - PVLL (2010)\01. Toast to Famines.wav
     Pre-gap length  0:00:02.00
     Peak level 96.5 %
     Extraction speed 3.6 X
     Track quality 99.9 %
     Test CRC 2A13DBF9
     Copy CRC 2A13DBF9
     Accurately ripped (confidence 4)  [FCCCE43F]  (AR v1)
     Copy OK
Track  2
     Filename D:\new rips\- CD\Wive - PVLL (2010)\02. Teethy.wav
     Pre-gap length  0:00:01.00
     Peak level 96.6 %
     Extraction speed 3.7 X
     Track quality 99.9 %
     Test CRC BC09C7EE
     Copy CRC BC09C7EE
     Accurately ripped (confidence 4)  [78164870]  (AR v1)
     Copy OK
Track  3
     Filename D:\new rips\- CD\Wive - PVLL (2010)\03. Langvage.wav
     Pre-gap length  0:00:01.00
     Peak level 96.5 %
     Extraction speed 5.2 X
     Track quality 100.0 %
     Test CRC 53BCCE97
     Copy CRC 53BCCE97
     Accurately ripped (confidence 4)  [EC10E10F]  (AR v1)
     Copy OK
Track  4
     Filename D:\new rips\- CD\Wive - PVLL (2010)\04. Lazarvs and Dives.wav
     Pre-gap length  0:00:01.00
     Peak level 97.6 %
     Extraction speed 5.7 X
     Track quality 100.0 %
     Test CRC A273F301
     Copy CRC A273F301
     Accurately ripped (confidence 4)  [28291D41]  (AR v1)
     Copy OK
Track  5
     Filename D:\new rips\- CD\Wive - PVLL (2010)\05. Come, Join the Sea.wav
     Pre-gap length  0:00:01.00
     Peak level 96.6 %
     Extraction speed 6.1 X
     Track quality 100.0 %
     Test CRC 5DB96B78
     Copy CRC 5DB96B78
     Accurately ripped (confidence 4)  [1EE3C19C]  (AR v1)
     Copy OK
Track  6
     Filename D:\new rips\- CD\Wive - PVLL (2010)\06. Attrition.wav
     Pre-gap length  0:00:01.00
     Peak level 96.8 %
     Extraction speed 6.4 X
     Track quality 100.0 %
     Test CRC D3F372A6
     Copy CRC D3F372A6
     Accurately ripped (confidence 4)  [7732C33C]  (AR v1)
     Copy OK
Track  7
     Filename D:\new rips\- CD\Wive - PVLL (2010)\07. The Day Bvrnt to Death.wav
     Pre-gap length  0:00:01.00
     Peak level 96.6 %
     Extraction speed 6.6 X
     Track quality 100.0 %
     Test CRC F844316C
     Copy CRC F844316C
     Accurately ripped (confidence 4)  [6C360387]  (AR v1)
     Copy OK
Track  8
     Filename D:\new rips\- CD\Wive - PVLL (2010)\08. Widows.wav
     Pre-gap length  0:00:01.00
     Peak level 96.6 %
     Extraction speed 6.6 X
     Track quality 100.0 %
     Test CRC 0E86CEC2
     Copy CRC 0E86CEC2
     Accurately ripped (confidence 4)  [E5A7198C]  (AR v1)
     Copy OK
Track  9
     Filename D:\new rips\- CD\Wive - PVLL (2010)\09. Tongve of Callvs.wav
     Pre-gap length  0:00:01.00
     Peak level 96.6 %
     Extraction speed 7.0 X
     Track quality 100.0 %
     Test CRC BD4D576C
     Copy CRC BD4D576C
     Accurately ripped (confidence 4)  [E8DD2052]  (AR v1)
     Copy OK
Track 10
     Filename D:\new rips\- CD\Wive - PVLL (2010)\10. Slvmber's Edit.wav
     Pre-gap length  0:00:01.00
     Peak level 92.2 %
     Extraction speed 6.7 X
     Track quality 100.0 %
     Test CRC F37FE029
     Copy CRC F37FE029
     Accurately ripped (confidence 4)  [8277AE94]  (AR v1)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: FS6S.Wwut7MolRCq1n6MM2eEABQ-] disk not present in database, Submit result: FS6S.Wwut7MolRCq1n6MM2eEABQ- has been uploaded
==== Log checksum 1C749C8B580A36BA5B6E4D9EB37D901378134CF89C9ADD177FBB04A66E10A327 ====

Код:

REM GENRE Rock
REM DATE 2010
REM DISCID 7109500A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Wive"
TITLE "PVLL"
FILE "01. Toast to Famines.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Toast to Famines"
    PERFORMER "Wive"
    ISRC GAgM?0900052
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Teethy"
    PERFORMER "Wive"
    ISRC GAgM?0900053
    INDEX 00 04:17:45
FILE "02. Teethy.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Langvage"
    PERFORMER "Wive"
    ISRC GAgM?0900054
    INDEX 00 03:27:61
FILE "03. Langvage.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Lazarvs and Dives"
    PERFORMER "Wive"
    ISRC GAgM?0900055
    INDEX 00 03:56:63
FILE "04. Lazarvs and Dives.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Come, Join the Sea"
    PERFORMER "Wive"
    ISRC GAgM?0900056
    INDEX 00 05:23:05
FILE "05. Come, Join the Sea.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Attrition"
    PERFORMER "Wive"
    ISRC GAgM?0900057
    INDEX 00 04:43:54
FILE "06. Attrition.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "The Day Bvrnt to Death"
    PERFORMER "Wive"
    ISRC GAgM?0900058
    INDEX 00 04:28:58
FILE "07. The Day Bvrnt to Death.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Widows"
    PERFORMER "Wive"
    ISRC GAgM?0900059
    INDEX 00 03:52:71
FILE "08. Widows.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Tongve of Callvs"
    PERFORMER "Wive"
    ISRC GAgM?0900060
    INDEX 00 03:12:01
FILE "09. Tongve of Callvs.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Slvmber's Edit"
    PERFORMER "Wive"
    ISRC GAgM?0900061
    INDEX 00 03:40:65
FILE "10. Slvmber's Edit.wav" WAVE
    INDEX 01 00:00:00

If I am honest, I have found writing this review quite difficult. And I really don’t know why, as it is not that difficult to like this record very, very much indeed.
It has been a constant favourite for me now for the past few weeks, in direct competition, on my rotation of favourites, with Goldmund ‘Famous Places’ (see review below), Ulises Conti and the new Nils Frahm & Anne Müller record. As well as ‘I’ll Fight’ by Wilco, which appears to be lodged in my brain permanently at the moment. Never can get enough of Wilco though.
Anyways, Itunes describes this as “avant-garde”. I guess if you take that to mean forward thinking rather than “out there” then I can understand where they are coming from. But what is it that makes this record so good?
Well, for one thing there really is an awful lot going on with this record but what is so good, for me, is what it doesn’t say, as much as what it does. The songs do seem stripped of unneccessary instrumentation – basing most of the record around the piano, acoustic guitar, violin, glitch rhythms and sparse drumming. Take opening track ‘Toast To Famine’ for example. It takes a while to reach where it’s going, but all the while it builds interest on its journey and then, all too sudden, it’s over. But not to worry ‘Teethy’ kicks in quick smart and drives the record forward in some style. The vocals on this track, the way the male and female vocals combine, are just perfect.
‘Langvage’ doesn’t really appear to go anywhere fast, as is the case with much of this record, yet the atmosphere and tension built around the vocal line is superb. This, more than anything I can think of, sounds like a song constructed, deconstructed and reconstructed and it works well. In fact, much of this record has the deconstructed/reconstructed feel to it.
Then comes one of the album higlights ‘Lazarvs and Dives’. Piano and glitch rhythms combining with the wonderful interplay of the vocals building to the moment when full drums enter and lift the song to new heights. Brilliant.
‘Come Join The Sea’ is a beautiful piano lament complimented by lovely strings. Simple as that. Whilst ‘Attrition’ brings back in the electronic element with yet another excellent and memorable vocal melody leading the song forward.
‘The Day Bvrnt To Death’ is just stunning. The violin leading the way on this song. However, possibly the moment of the album comes when the vocals which, for the majority of the record, have been front and centre suddenly fade to the background with a solitary piano and eerie violin. It is a stunning end the song, and a wonderful bit of production and composition. ‘Widows’ is a wonderful mess. Whilst ‘Tongve of Callvs’ is driven forward by imaginative drumming.
In a similar manner to Ulises Conti, album closer ‘Slvumber’s Edit’ is a complete surprise. Vocals stripped away, making way for piano and soundscapes and ending the record in a memorable fashion. I like albums that do that. Memorable start. Memorable end. Fortunately, in this instance, brilliant in between also.
You know, without all the glitch rhythms, beats, field recordings and madness, this record could be very pop indeed. It really could be a polished affair but for me, in the process, it would lose much of what makes it so appealing.
The friend who introduced me to this record told me it was the most original thing he’d heard in ages. I’m not sure I totally agree with that. I think this is ground that has been trodden before. The Notwist, for example, are a band I would suggest have similar tendencies and style. However, I would highly recommend this record as it is more and more rewarding with each listen. Often what it doesn’t say being as important as what it does say. A great debut record.

Following their departure from A Whisper in the Noise at the in 2008, drummer/programmer Matt Irwin and violinist Hannah Murray had begun talk of a new project. With much enthusiasm and support from the whole Exile on Mainstream Records/Southern records family, the project that was to become WIVE slowly began to unfold.
Matt called on longtime friend and music/art collaborator Isaac Everhart with the proposition of working out a few tracks, and perhaps using these as the basis for this new project. Isaac quickly returned with numerous rough demos and thus the work began. Dustin Marks was enlisted to helm the faders and sliders for the recording process, as well as to contribute additional guitar work. Rounding out the players was Matt's wife, Meghan Irwin, who would handle second vocal duties as well as piano and synths.
WIVE comes from a strong DIY background and handles every element in-house, from recording and mixing to design and screen printing.

Isaac Everhart - vocals
Meghan Irwin - vocals
Dustin Marks - guitar
Hannah Murray - violin
Matt Irwin- drums, programming

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