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(Indie Pop, Chamber Pop) [CD] St. Vincent - St. Vincent (Japan Edition) - 2014, FLAC (tracks+.cue), lossless

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St. Vincent / St. Vincent (Japan Edition)
Жанр: Indie Pop, Chamber Pop
Носитель: CD
Страна-производитель диска: Japan
Год издания: 2014
Издатель (лейбл): Loma Vista
Номер по каталогу: 37672471
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks .cue
Битрейт аудио: lossless
Продолжительность: 43:10
Источник (релизер): what.cd
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Rattlesnake (3:35)
02. Birth in Reverse (3:16)
03. Prince Johnny (4:37)
04. Huey Newton (4:38)
05. Digital Witness (3:22)
06. I Prefer Your Love (3:36)
07. Regret (3:22)
08. Bring Me Your Loves (3:15)
09. Psychopath (3:33)
10. Every Tear Disappears (3:16)
11. Severed Crossed Fingers (3:42)
**********************
12. Del Rio (2:55)
http://ilovestvincent.com/
http://en.wikipedia.org/wiki/St._Vincent_(musician)

Код:

X Lossless Decoder version 20140427 (146.0)
XLD extraction logfile from 2014-05-03 01:59:25 -0700
St. Vincent / St. Vincent
Used drive : PLEXTOR BDDVDR PX-B310U (revision 1.07)
Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 6
Max retry count         : 100
Gap status              : Analyzed, Appended
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  | 00:00:00 | 03:34:49 |         0    |    16098
        2  | 03:34:49 | 03:15:67 |     16099    |    30790
        3  | 06:50:41 | 04:36:47 |     30791    |    51537
        4  | 11:27:13 | 04:37:68 |     51538    |    72380
        5  | 16:05:06 | 03:22:00 |     72381    |    87530
        6  | 19:27:06 | 03:36:10 |     87531    |   103740
        7  | 23:03:16 | 03:21:57 |    103741    |   118872
        8  | 26:24:73 | 03:15:14 |    118873    |   133511
        9  | 29:40:12 | 03:32:39 |    133512    |   149450
       10  | 33:12:51 | 03:15:47 |    149451    |   164122
       11  | 36:28:23 | 03:52:30 |    164123    |   181552
       12  | 40:20:53 | 02:55:58 |    181553    |   194735
AccurateRip Summary
    Disc not found in AccurateRip DB.
All Tracks
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    Peak                     : 1.000000
    Statistics
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        Jitter error (maybe fixed)           : 0
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Track 01
    Filename : /Volumes/2014 FLAC 2TB/St. Vincent - St. Vincent (2014) [FLAC] {Japan Edition}/01 - Rattlesnake.flac
    Pre-gap length : 00:02:00
    Track gain               : -7.46 dB
    Peak                     : 0.966125
    CRC32 hash (test run)    : 23A8DCC9
    CRC32 hash               : 23A8DCC9
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Track 02
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    Track gain               : -8.30 dB
    Peak                     : 1.000000
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Track 03
    Filename : /Volumes/2014 FLAC 2TB/St. Vincent - St. Vincent (2014) [FLAC] {Japan Edition}/03 - Prince Johnny.flac
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Track 04
    Filename : /Volumes/2014 FLAC 2TB/St. Vincent - St. Vincent (2014) [FLAC] {Japan Edition}/04 - Huey Newton.flac
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    Peak                     : 1.000000
    CRC32 hash (test run)    : FD11D6E8
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Track 05
    Filename : /Volumes/2014 FLAC 2TB/St. Vincent - St. Vincent (2014) [FLAC] {Japan Edition}/05 - Digital Witness.flac
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    Peak                     : 0.975800
    CRC32 hash (test run)    : 894E6B44
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Track 06
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    Track gain               : -6.24 dB
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Track 07
    Filename : /Volumes/2014 FLAC 2TB/St. Vincent - St. Vincent (2014) [FLAC] {Japan Edition}/07 - Regret.flac
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Track 08
    Filename : /Volumes/2014 FLAC 2TB/St. Vincent - St. Vincent (2014) [FLAC] {Japan Edition}/08 - Bring Me Your Loves.flac
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Track 09
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Track 10
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Track 11
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Код:

TITLE "St. Vincent"
PERFORMER "St. Vincent"
CATALOG 0602537672301
REM GENRE "Indie"
REM DATE "2014"
REM DISCID B40A240C
REM REPLAYGAIN_ALBUM_GAIN -7.88 dB
REM REPLAYGAIN_ALBUM_PEAK 1.000000
FILE "01 - Rattlesnake.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Rattlesnake"
    ISRC USUM71318943
    REM REPLAYGAIN_TRACK_GAIN -7.46 dB
    REM REPLAYGAIN_TRACK_PEAK 0.966125
    INDEX 01 00:00:00
FILE "02 - Birth in Reverse.flac" WAVE
  TRACK 02 AUDIO
    TITLE "Birth in Reverse"
    ISRC USUM71318964
    REM REPLAYGAIN_TRACK_GAIN -8.30 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "03 - Prince Johnny.flac" WAVE
  TRACK 03 AUDIO
    TITLE "Prince Johnny"
    ISRC USUM71318965
    REM REPLAYGAIN_TRACK_GAIN -7.30 dB
    REM REPLAYGAIN_TRACK_PEAK 0.966614
    INDEX 01 00:00:00
FILE "04 - Huey Newton.flac" WAVE
  TRACK 04 AUDIO
    TITLE "Huey Newton"
    ISRC USUM71318942
    REM REPLAYGAIN_TRACK_GAIN -7.56 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "05 - Digital Witness.flac" WAVE
  TRACK 05 AUDIO
    TITLE "Digital Witness"
    ISRC USUM71318966
    REM REPLAYGAIN_TRACK_GAIN -8.32 dB
    REM REPLAYGAIN_TRACK_PEAK 0.975800
    INDEX 01 00:00:00
FILE "06 - I Prefer Your Love.flac" WAVE
  TRACK 06 AUDIO
    TITLE "I Prefer Your Love"
    ISRC USUM71318973
    REM REPLAYGAIN_TRACK_GAIN -6.24 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "07 - Regret.flac" WAVE
  TRACK 07 AUDIO
    TITLE "Regret"
    ISRC USUM71318967
    REM REPLAYGAIN_TRACK_GAIN -8.71 dB
    REM REPLAYGAIN_TRACK_PEAK 0.978485
    INDEX 01 00:00:00
FILE "08 - Bring Me Your Loves.flac" WAVE
  TRACK 08 AUDIO
    TITLE "Bring Me Your Loves"
    ISRC USUM71318968
    REM REPLAYGAIN_TRACK_GAIN -7.30 dB
    REM REPLAYGAIN_TRACK_PEAK 0.965607
    INDEX 01 00:00:00
FILE "09 - Psychopath.flac" WAVE
  TRACK 09 AUDIO
    TITLE "Psychopath"
    ISRC USUM71318969
    REM REPLAYGAIN_TRACK_GAIN -7.75 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "10 - Every Tear Disappears.flac" WAVE
  TRACK 10 AUDIO
    TITLE "Every Tear Disappears"
    ISRC USUM71318970
    REM REPLAYGAIN_TRACK_GAIN -8.19 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 01 00:00:00
FILE "11 - Severed Crossed Fingers.flac" WAVE
  TRACK 11 AUDIO
    TITLE "Severed Crossed Fingers"
    ISRC USUM71318971
    REM REPLAYGAIN_TRACK_GAIN -8.39 dB
    REM REPLAYGAIN_TRACK_PEAK 0.989044
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "Del Rio"
    REM REPLAYGAIN_TRACK_GAIN -8.07 dB
    REM REPLAYGAIN_TRACK_PEAK 1.000000
    INDEX 00 03:42:23
FILE "12 - Del Rio.flac" WAVE
    INDEX 01 00:00:00

Just look at the cover for St. Vincent's new self-titled album; it's overblown, turgid and yet incredibly feminine, gracious even, like it could have been used for the next Katy Perry album. With the initial success of 'Marry Me' and with 'Actress' and 'Strange Mercy' doing their bit to help bring Annie Erin Clark to the fore of indie circles, the multi-talented multi-instrumentalist has endeared herself as an artist and her triumphant cover status suggest bold ideas and even bolder ambitions. In actual fact, 'St. Vincent' isn't as intrepid or empowering as the cover may suggest; it is, however, yet another solid album from Clark.
'Rattlesnake' is a great way to open up the album with its post-punk riffs and consistent 'pews' that sound a lot like TIE fighters which, needless to say, is totally awesome. What else is awesome is that the story found within the lyrics of a naked woman fleeing from the threat of an encroaching rattlesnake is a totally true one! The album's content is, once again, a fleeing array of themes and musical styles, from the story-like 'Rattlesnake' to bubbly indie pop and then wide-open emotion; Annie never hems herself into a corner and is always willing to push herself to further demonstrate her musical prowess.
Her voice is gentile at the right moments and energetic when the pace picks up. Even when she addresses the shocking and mundane on 'Birth In Reverse' - "Oh what an ordinary day/take out the garbage, masturbate" - she sounds as innocent as she does on the gloomier numbers. Yet, when the time calls for it, she can be just as credible as a snarling rock queen as she can be a forlorn pop princess.
'I Prefer Your Love' is a drifting demonstration of Annie's talent as a toned-down songwriter, as she questions her faith in the face of love. Doing her best Kate Bush impression, 'Prince Johnny' is another example of where Annie is at her vulnerable best, swooning over the atmospheric choral backing before bending her voice for the chorus. It is on these two tracks where Annie seems to be pondering her divinity as she "prays to all" on 'Prince Johnny' and sings, "I prefer your love to Jesus" on 'I Prefer You Love'. Whilst her lyrics still contain references to violence, chaos and enjoy a sense of surrealism, these toned down examples heighten Annie's continued growth as a songwriter.
'Huey Newton' at first seems to be heading in a similar direction as these two, before scuzzy desert riffs, angelic choir and Hadean screeches all come together for a menacing glimpse into Annie's darker side. She goes from playfully open, to desperately vulnerable and then threateningly dangerous before the album is even at the halfway point. With her unconventional instrumentation at its eccentric best and her singing at its most confident, this never seems wrong or even unexpected, as every turn and bend of 'St. Vincent' introduces new elements, ideas, themes and musical choices that never sound out of place.
When we reach 'Psychopath', the multiple layers built upon over the course of the album have reached their highest ebb. The steady "aahs" and building synths transform to become echoing guitars and gentle swooning joined by strings and further swoons, which are then altered into a crunching riff before the returning, jubilant chorus consumes the whole thing once again. It defines everything that St. Vincent stands for; it is a smorgasbord of moods and feeling, from exuberance to tender emotion all in one sitting.
Suddenly, it all makes a whole lot more sense where the album cover is concerned. This isn't futurist femininity on a Lady Gaga or Katy Perry scale, this is just more trademark incongruence. Annie still clearly has a knack of using seemingly disparate sounds and styles, pretty abrasive guitars and gentile vocals for example, and still being able make music that is cohesive and completely natural sounding. As with the album cover and its actual content, there is another disparate edge to St. Vincent, one of self-gratifying grandeur and pomposity compared to the hard-earned intricacies and shifting patterns found within.

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