[SACD-R][OF] The Who – My Generation - 1965/2003 (Rock, Pop, Rhythm and Blues)

The Who – My Generation (Recorded 1965, Remaster2003)

Жанр: Rock, pop, rhythm and blues
Год выпуска диска: 2003
Recorded April and 11–15 October 1965 at IBC Studios in London, England
Производитель диска: USA MCA
Аудио кодек: DSD 2.0
Битрейт аудио: 1 bit / 2.8 MHz
Тип рипа: image (ISO)
Продолжительность: 1:31:37
Label: MCA 088 113 182-2
Producer: Shel Talmy

Треклист:
01. Out In The Street 02:32
02. I Don’t Mind 02:34
03. The Good’s Gone 04:00
04. La-La-La Lies 02:19
05. Much Too Much 02:45
06. My Generation 03:22
07. The Kids Are Alright 03:10
08. Please, Please, Please 02:47
09. It’s Not True 02:34
10. I’m A Man 03:23
11. A Legal Matter 02:55
12. The Ox 03:58
13. Circles 03:13
14. I Can’t Explain 02:05
15. Bald Headed Woman 02:32
16. Daddy Rolling Stone 02:57
17. Leaving Here (Alternate) 02:50
18. Lubie (Come Back Home) 03:40
19. Shout and Shimmy 03:20
20. (Love Is Like A) Heat Wave 02:41
21. Motoring 02:52
22. Anytime You Want Me 02:39
23. Anyway, Anyhow, Anywhere (Alternate) 02:43
24. Instant Party Mixture 03:25
25. I Don’t Mind (Full Length Version) 03:44
26. The Good’s Gone (Full Length Version) 04:30
27. My Generation (Instrumental Version) 03:27
28. Anytime You Want Me (A Cappella Version) 02:32
29. A Legal Matter (Mono Version With Guitar Overdubs) 02:49
30. My Generation (Mono Version With Guitar Overdubs) 03:19

Доп. информация:
An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record. Pete Townshend’s exhilarating chord crunches and guitar distortions threaten to leap off the grooves on “My Generation” and “Out in the Street”; Keith Moon attacks the drums with a lightning, ruthless finesse throughout. Some “Maximum R&B” influence lingered in the two James Brown covers, but much of Townshend’s original material fused Beatlesque hooks and power chords with anthemic mod lyrics, with “The Good’s Gone,” “Much Too Much,” “La La La Lies,” and especially “The Kids Are Alright” being highlights. “A Legal Matter” hinted at more ambitious lyrical concerns, and “The Ox” was instrumental mayhem that pushed the envelope of 1965 amplification with its guitar feedback and nonstop crashing drum rolls. While the execution was sometimes crude, and the songwriting not as sophisticated as it would shortly become, the Who never surpassed the pure energy level of this record.

Образ снят: с помощью Sony PlayStation 3 и программы sacd-ripper v0.21