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(Post-Punk) Wall Of Voodoo - Call Of The West - 1982, FLAC (image+.cue) lossless

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Wall Of Voodoo / Call Of The West
Жанр: Post-Punk
Страна-производитель диска: USA
Год издания диска: 1982
Издатель (лейбл): I.R.S.
Номер по каталогу: CD 70026
Страна: USA
Аудио кодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 40:48
Источник (релизер): AUDELAS
Наличие сканов в содержимом раздачи: да
Треклист:

01. Tomorrow
02. Lost Weekend
03. Factory
04. Look At Their Way
05. Hands Of Love
06. Mexican Radio
07. Spy World
08. They Don't Want Me
09. On Interstate 15
10. Call Of The West

Код:

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 25. March 2011, 10:01
Wall Of Voodoo / Call Of The West
Used drive  : _NEC    DVD_RW ND-3550A   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.32 |  3:04.65 |        32    |    13896
        2  |  3:05.22 |  4:59.55 |     13897    |    36376
        3  |  8:05.02 |  5:33.28 |     36377    |    61379
        4  | 13:38.30 |  3:18.20 |     61380    |    76249
        5  | 16:56.50 |  3:54.42 |     76250    |    93841
        6  | 20:51.17 |  4:11.05 |     93842    |   112671
        7  | 25:02.22 |  2:40.58 |    112672    |   124729
        8  | 27:43.05 |  4:31.27 |    124730    |   145081
        9  | 32:14.32 |  2:45.30 |    145082    |   157486
       10  | 34:59.62 |  5:59.13 |    157487    |   184424
Range status and errors
Selected range
     Filename C:\Atsiuntimas\Wall Of Voodoo - Call Of The West (1982)\Wall Of Voodoo - Call Of The West.wav
     Peak level 97.7 %
     Range quality 100.0 %
     Test CRC 69FC92CD
     Copy CRC 69FC92CD
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 13)  [95CF1625]
Track  2  accurately ripped (confidence 13)  [2BBF622B]
Track  3  accurately ripped (confidence 13)  [5BC5E5EA]
Track  4  accurately ripped (confidence 13)  [490BF76A]
Track  5  accurately ripped (confidence 13)  [7FC97E38]
Track  6  accurately ripped (confidence 13)  [FFDB08E6]
Track  7  accurately ripped (confidence 13)  [F64A6E42]
Track  8  accurately ripped (confidence 13)  [28635A23]
Track  9  accurately ripped (confidence 13)  [136B578C]
Track 10  accurately ripped (confidence 13)  [F9BEB1FF]
All tracks accurately ripped
End of status report

Доп. информация: http://www.youtube.com/watch?v=eyCEexG9xjw

Best known for their alternative radio classic "Mexican Radio," Wall of Voodoo formed in Los Angeles in 1977, originally as a soundtrack company. Led by singer/songwriter Stan Ridgway and rounded out by guitarist Marc Moreland, bassist/keyboardist Bruce Moreland, keyboardist Chas Gray, and drummer Joe Nanni, the group issued their self-titled debut EP in 1980. With the additions of bassist Bruce Moreland and his brother Marc on guitar (replacing Noland), the band's sound crystallized on 1981's full-length Dark Continent, which couched Ridgway's highly stylized and cinematic narratives -- heavily influenced by Westerns and film noir, and sung in the vocalist's distinctively droll, narcoleptic manner -- in atonal, electronically-based settings.
In 1982, following the exit of Bruce Moreland, Wall of Voodoo released Call of the West, which featured "Mexican Radio," their biggest hit. After an appearance at the 1983 US Festival, Ridgway left the group for a solo career. The remaining members enlisted singer Andy Prieboy, and resurfaced in 1985 with the LP Seven Days in Sammystown. Happy Planet followed two years later, while 1988's live effort The Ugly Americans in Australia* (the asterisk denoting that a few tracks were recorded in Bullhead City, Arizona) effectively closed out the Wall of Voodoo story.

Wall of Voodoo's second full-length album, Call of the West, was a noticeably more approachable work than their debut, Dark Continent, and it even scored a fluke hit single, "Mexican Radio," a loopy little number about puzzled American tourists that's easily the catchiest thing on the album. But while Wall of Voodoo's textures had gotten a bit less abrasive with time, the band's oddball minor-key approach was still a long way from synth pop, and frontman Stan Ridgway's songs were Americana at it's darkest and least forgiving, full of tales of ordinary folks with little in the way of hopes or dreams, getting by on illusions that seem more like a willful denial of the truth the closer you get to them. There's a quiet tragedy in the ruined suburbanites of "Lost Weekend" and the emotionally stranded working stiff of "Factory," and the title song, which follows some Middle American sad sack as he chases a vague and hopeless dream in California, is as close as pop music has gotten to capturing the bitter chaos of the final chapter of Nathaniel West's The Day of the Locust. In other words, anyone who bought Call of the West figuring it would feature another nine off-kilter pop tunes like "Mexican Radio" probably recoiled in horror by the time they got to the end of side two. But there's an intelligence and wounded compassion in the album's gallery of lost souls, and there's enough bite in the music that it remains satisfying two decades on. Call of the West is that rare example of a new wave band scoring a fluke success with what was also their most satisfying album.

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