[SACD-R][OF] Bob Dylan and The Band - Before The Flood (Numbered Limited Edition) - 1974/2015 (Rock)

Боб Дилан: гитары, гармоника, фортепиано, вокал
Гарт Хадсон: Lowrey organ, клавинет, фортепиано, синтезатор, саксофон
Ричард Мануэл: фортепиано, электрическое фортепиано, орган, барабаны, вокал
Робби Робертсон: электрическая гитара, вокал
Рик Данко: бас, скрипка, вокал
Левон Хелм: барабаны, мандолина, вокал

Боб Дилан (англ. Bob Dylan, при рождении Роберт Аллен Циммерман, англ. Robert Allen Zimmerman; род. 24 мая 1941, Дулут, Миннесота) — американский автор-исполнитель песен, поэт, художник, киноактёр. Культовая фигура в рок-музыке на протяжении пяти десятилетий. Многие его песни, такие как «Blowin' in the Wind» и «The Times They Are a-Changin'», стали гимнами движения за гражданские права и антивоенного движения в США.
По данным опроса журнала Rolling Stone — является вторым (после The Beatles) по значимости исполнителем в истории музыки.

Before the Flood (рус. «До потопа») — концертный альбом американского автора-исполнителя Боба Дилана и The Band, выпущенный в июне 1974 года на лейбле Asylum Records. Диск записан во время тура Боба Дилана и The Band 1974 года. Альбом поднялся до 3-й позиции в Billboard 200, и 8-й в Великобритании.

Music Direct:

The live reunion of Bob Dylan and The Band during 1973-74 yielded one of the decade's most celebrated, dynamic, and astonishing tours. Captured on Before the Flood, the results portray the two artists' shared chemistry as well as Dylan's instinctive ability to challenge audiences, his group, and himself via inventive rearrangements of classics that simultaneously ward off nostalgia and renew with meaning. Said by noted critic Robert Christgau to be "at its best, [the] craziest and strongest rock and roll ever recorded," Before the Flood crackles with intensity, relevance, and unhinged performances.

Mastered on Mobile Fidelity’s world-renowned mastering system and pressed at RTI, this transparent SACD version cracks wide open the ceiling previously obscuring many of the tonal details, revealing microdynamics, and vocal nuances on the recording. Distinguished with an immediately recognizable sound, The Band comes across in three-dimensional form, while Dylan takes center stage, feet from your listening chair. They play like two souls in communion, a facet displayed here courtesy of the increased airiness, enhanced soundstage depth, and lifelike imaging.

There’s so much new information here, this already-iconic album only gains in stature. As experienced on Mobile Fidelity, Before the Flood now unquestionably takes its place as one of the ten-best concert releases ever made. Notes are rounded, Garth Hudson’s organ claims a tube-like glow, Levon Helm’s drumming possesses its own space, voices are perceptible all the way down the singers’ throats, and Dylan’s awe-inspiring phrasing resonates with palpable urgency. Audiophiles and Dylan fans, prepare to be astonished.

Arriving at a crucial time for both Dylan and The Band, Before the Flood is the furthest thing possible from a nostalgia trip. It’s where Dylan begins his now-trademark feat of turning songs upside-down, taking risks, challenging expectations, and leaving audiences riveted to the edge of their seats in anticipation of what might come next. He sings with unabated passion, the moods spanning bitterness to jubilation. And his willingness to play fast and loose with the music gives way to compelling shifts, under-the-surface textures, complementary intricacies, and a sense of newness and discovery on par with that of an adventurer embracing total freedom.

Before the Flood buries any notion of limits, safeguards, or borders. It is an open map, each song a route begging for exploration without need or concern for exactness or an appointed leader. Collaborative in every sense, it’s a portrait of six inimitable musicians feeding off one another, trusting in their past history as they hurdle towards uncharted territory, using soulfulness as a compass and opportunity as their vehicle.