(Indie Jazz-Rock) Dakota/Dakota - Shoot In The Dark - 2003, MP3 (tracks), 178-258 Kbps

When it comes to the world of instrumental indie rock, there's two distinct subgenres - the headache-inducing and the headache-soothing. Headache-inducing bands would be ones that have dozens, if not hundreds of twists and turns in each and every song, making you wonder just what the melody was in the first place. See Hella, Iceburn, or the Volta Do Mar for some good points of reference. Headache-soothing bands, on the other hand, are ones that still have fun with the idea of tempo and meter, but understand the presence of a good melody, whether it be hypnotically eerie or beautifully serene. Godspeed You! Black Emperor, The Del Rey, Tristeza, or Pele would be nice places to start. For a long time, I've searched for a group that can not only tread the treacherous waters of both headache-soothing and inducing, but do it well.
Finally, I have found that group. And they are called Dakota/Dakota. This Chicago trio has fused together elements of chaotic discord found in their more math-rocky counterparts along with the sticky-sweet guitar and bass melodies that frequent many a Pele song. It makes for a surprisingly cohesive and fun listen.
The band's sense of humor is evident in their track titles - how many bands could actually get away with announcing "this next song is called 'Don't Pee In My Bed and Tell Me That It's Raining'" without having the audience laugh, scoff, or walk away in disgust? Dakota/Dakota realize that since there's no words, they might as well make as much of an impression as possible, and have fun doing it. Kudos.
The instrumentation of the band is your basic guitar/bass/drums combo, but the group isn't afraid to change things up a little bit. "Bruises Are Buttons For Pain" is only acoustic guitar, and is a nice segue into "No Matter How Hard I Try... I Never Remember The Alamo," which sounds like the best song instrumentally that The Ghost never wrote. The acoustic guitar makes another appearance alongside the full band in "Indian Givers, Cowboy Takers," which gives the track a more textured flavor.
While it's hard to really praise an all-instrumental band due to the obvious lack of lyrics and singing [two things which do take a significant amount of skill], Dakota/Dakota has enough musical chops and a good enough sense of melody to make up for the lost words. Definitely worth checking out.

With the ability to confuse and amaze at the same time, Dakota/Dakota is a dangerous trio that you don't want to cross. Like a musical experiment gone horribly awry, while listening to the bands debut album you wonder to yourself, "How many arms, hands, and/or fingers do these three people posess that give them the ability to put together songs the way they have". Thick instrumental arrangements are what await you on this disc. Arrangements that bring to mind the genius of composers such as Mendelssohn and Mahler more so than any of the modern indie rock groups that they draw comparisons to. The more you listen, the more layers that show themselves and the harder you are sucked into the tunes. The most amazing thing about Dakota/Dakota is that they have created instrumental tracks that speak to the listener. Through the instruments you feel the words coming right at you. Wit, sarcasm and biting satire all from a band that doesn't breath a word. Dakota/Dakota has shared the stage with The Killing Tree, The Casket Lottery, Minus The Bear, Dianogah, Fordirelifesake, Rescue, Chris Broach, Rollo Tomasi, La Mantra De Fhiqria and many others. They feature ex-members of Wolfie and The Like Young. People like to compare them to Sweep The Leg Johnny, Tristeza, Pele, and Yes. This album was recorded at Danderlust studios by Mike Lust (Lustre King, Sweep The Leg Johnny, Lying In States, Ten Grand, Stillwell).