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Cheyenne Mize - Among The Grey
Жанр: Pop Rock, Indie Rock, Singer-Songwriter
Страна: USA
Год издания: 2013
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 45:06
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Among The Grey
2. Wait For It
3. Whole Heart
4. Heart Hole
5. Through The Window Pane
6. Raymaker
7. Have You Seen
8. Give It All
9. As It Comes
10. Building
11. Wouldn't Go Back
Cheyenne Marie Mize is an American folk singer-songwriter from Louisville, Kentucky.
Contents
1 Biography
2 Discography
2.1 Studio albums
2.2 EPs
2.3 Collaborations
3 References
4 External links
Biography
Cheyenne Marie Mize's “Before Lately” album was released in 2010 on sonaBLAST! Records as an introspective, meditative affair followed by the “We Don’t Need” EP in 2011 featuring more dynamic moods and experimentation. Cheyenne Marie Mize’s music has been described by the New York Times as “tough, dreamy, cloudy-sky country and chamber pop,” with a “rare voice, sweet without being cloying, and weary without hopelessness.”[1] NPR described Mize in All Songs Considered as “lovely -- very much in that Sharon Van Etten, smoky, pretty folk realm. It was just beautiful.”[2]
Mize is also associated with acts Ben Sollee and Daniel Martin Moore in the Dear Companion tour for their collaborative Sub Pop release in early 2010. Subsequently they performed at Austin’s South By Southwest festival where Cheyenne Marie Mize was chosen as one of NPR’s 10 “Discoveries at SXSW 2011”. Mize also collaborated with Bonnie Prince Billy in a 10” release “Among the Gold” which featured takes on a variety of late 19th century American parlor songs.[3]
Cheyenne Mize’s forthcoming release, Among The Grey (Yep Roc), fulfills the promise hinted at with her debut, Before Lately, and subsequent release, We Don’t Need. Where the former was a slow-burning, introspective, meditative affair and the latter offered an expansion of her sonic palette and left listeners wanting more, Among The Grey stands strong as a cohesive artistic statement.
The songs on Among The Grey were written in a much shorter period of time than any of her prior work, coming together during a period of both explosive creativity and harrowing self-doubt. Says Mize, “In the midst of this generally positive time I was struggling with huge questions about my life. I had the impression when I was younger- and I think this is true of my generation as a whole- that there would be a point in life when all of the sudden I would be ‘grown up’ and have it all figured out. Among the Grey comes from this idea that most of our lives are lived in the in-between places instead of the destinations. Fortunately the good stuff is in the middle, in the process. In that grey area is where you find those little sparks or dashes of color that make it all interesting and worthwhile. The record is like that; it’s dark at times, but has a lot of sparkle to it.”
Mize worked with a group of musicians who had been her touring companions in the previous years: JC Denison on drums and percussion, Emily Hagihara on bass and percussion, and Drew English on guitar. They tracked the core of most songs live, allowing what she calls a “raw and person-driven sound. Having that human element and letting the songs develop organically was very important for me. In a way I forced my musicians to go in somewhat blind. So much energy comes with not being prepared – it allows for more real emotion and music to happen.”
Recording on the compound of the Christ Evangelical United Church in Louisville, the band took advantage of their access to the unique spaces. Using their environment to shape the sounds for each song, they recorded in the gymnasium for soaring guitar tones, the sanctuary for choir-like backing vocals and huge drum sounds, and even the basement where they found the items used for the unsettling percussion on the song “Give It All.” Sonically Among The Grey is finely polished, and flows naturally between soft and intimate, laid back and lilting, stormy and intense. Mize is equally at ease winding melodies around almost ambient shimmering atmospherics as she is belting out lines over a locked and loaded rhythm section.
Lyrically, Among The Grey moves between buoyant positivity, wistful melancholy and proud, almost angry defiance; yet all of the songs share a particular intensity of emotion. Interestingly, Mize sculpts her lyrics to fit the energy of the music she’s written. “Being trained as a music therapist, I play from a really emotional perspective. So most often I am playing with an idea, and once I have those sounds and patterns figured out I start to translate the feelings that are embodied by those sounds- they solidify in my mind from emotions and moods to actual words.”
Though Mize writes from a deeply personal perspective, all the things she speaks to on this record are very much universally human. She feels that “there are no human situations that aren’t either completely universal or at least translatable to many other people who have lived before us. Despite this roller coaster of a life we all live, there have to be moments where we’re truly ok with where we’re at. The last chorus – I wouldn’t go back – kind of sums this up. As much as we look on the past (fondly or not) we don’t want to go back because where we have been is what makes us who we are– at some point we have to be ok with the process that has brought us to this moment.”
Mize introduced herself internationally on the 10″ release Among the Gold with Bonnie “Prince” Billy – an inventive take on a variety of late 19th century American parlor music handpicked by Mize and Oldham. After the release of her debut Before Lately (which The New York Times described as “sweet without being cloying, weary without hopelessness) later that year and subsequent performances at South By Southwest, Mize was chosen by NPR as one of their ten “Discoveries at SXSW 2011.” Among The Grey is her third release. Mize resides in Louisville, KY.
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