(Progressive/Gothic Metal) [CD] Tragodia - Mythmaker - 2013, FLAC (image+.cue), lossless

Progressive Power Metal was a genre popularized by titans such as ICED EARTH and NEVERMORE, combining the technicality, speed and fantastical lyrics of power, and the complexity and maturity of Prog. TRAGODIA, a Progressive Power Metal band from Italy, have proved once again why the genre is in such a strong position in the metal world, and why it is nigh-faultless. Writing music that exudes heavy influence from the aforementioned bands, TRAGODIA add their own brand of catchiness and groove to make it their own. After all, the whole point of a progressive band is to be progressive and push genre boundaries.
Their new album, "Mythmaker", contains almost all of the great qualities of such an album: it's heavy, it's melodic, it's progressive, it's catchy, it's heavy, it's groovy, it's… Heavy. It is by no means calm and jazzy, such as some of the work from the penultimate DREAM THEATER. In the mixing, the heavily over-driven guitars, and the drums, are at the forefront, adding vertebrae to the heavyweight backbone that drives this album. "A Cry Among the Stars", the opening, and one of my favorite song on the album, begins with an epic buildup reminiscent of SERENITY, cuts in with riffage worthy of neck snapping headbanging which paves the way for verses that contain an obvious DREAM THEATER note of trippy syncopation. Lucas Meloni, proves to have some vocal versatility, often switching between majestic, powerful notes, and Thrash-like yells. The twin guitarists have already proven, in the song's solo, that they are capable of an incredible dual-axe attack. "The Oracle" is one of the heaviest tracks on the album with crushing riffage all around, supplemented by guitar harmony that is on a Scandinavian level; best solo on the album, and there are many to choose from. "A Temple in Time" is a relatively chilled-out track in comparison, with an incredibly catchy guitar / keyboard harmony. I am hearing a lot of old FIREWIND in this track. The next track, "Wisdom in the Meadows of Sorrow" comes across as a highly versatile track, combining riffage reminiscent of AMON AMARTH, and the wails of JUDAS PRIEST; overall, this creates an incredibly driving track. "Tidal Waves of Greatness" is exactly that; smooth, yet anxious transitions between acoustic passages and grandiose and dramatic choruses. "Once In Arcadia" is another dominating heavyweight with riffage that is not only devastating, but also extremely catchy; very reminiscent of IN FLAMES; another standout track for me. "The Stone and the Idol" is the longest track on the record, though only capping out at 6:21. It starts with an allusion to yet even more epicenes with a tasteful symphonic intro, and leads into extremely groovy riffage, and ends with the best outro riff on the entire record.
"Born Under Niobe" may be constituted as the heaviest track, which is definitely saying something. The song begins with a downright battery and harsh, thrashy vocals, and riffage so heavy that leaves your brain pulsing with the force of the kicks. The chorus' vocal melody is extremely catchy, and Meloni proves his excellent vocal capabilities. It leaves you completely unprepared for a repeat of the previous bombard, and soon we hear a classic gallop passage that leaves one with the urge to windmill the beards off that the song has just made us grow. "Mythmaker" is an interesting track, opening with an unexpected tapping bass solo that paves the way for some pounding, driving groove riffage that constitutes the majority of the song, and leads seamlessly into the fantastic instrumental, "The Weeping Rock Of Seriphus". Arguably, this song doubles as both an outro and an extension of "Mythmaker", concluding the album in a dramatic, lengthy fashion. Finally, the bonus track, "Downfall Of The Ancients"; I struggle to see why this song was left out as a bonus track, for it most definitely deserves to be on the record. The atmospheric keyboard tracking is absolutely gorgeous, and complements the song very fittingly; with the rugged vocal work, combines to make a highly engaging track.
To sum up this work of metal mastery, TRAGODIA are simply one of the reasons Progressive and Power Metal are my two favorite genres of Metal, and do their home country of Italy proud; absolutely deserving of more publicity, and I believe would make an unforgettable live performance.

Daniele Valseriati Drums
Luca Paderno Bass
Luca Meloni Vocals
Riccardo Tonoli Guitars
Francesco Lupi Guitars