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(Folk-Rock, Blues) [CD] Michael Chapman - Savage Amusement (Deluxe Edition) - 2015 (1976), FLAC (tracks+.cue), lossless

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Michael Chapman / Savage Amusement (Deluxe Edition)
Жанр: Folk-Rock, Blues
Носитель: CD
Страна-производитель диска (релиза): EU
Год издания: 2015 (1976)
Издатель (лейбл): Secret Records Limited
Номер по каталогу: SECCD115
Страна исполнителя (группы): UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 00:53:19
Источник: собственный рип
Наличие сканов в содержимом раздачи: да

01. Shuffleboat River Farewell 04:39
02. Secret of the Locks 03:58
03. Crocky Hill Disaster 04:41
04. Lovin’ Dove 03:33
05. Hobo’s Lament (Meditation) (Jimmie Rogers) 03:17
06. Stranger 07:38
07. How Can a Poor Man (Blind Alfred Reed) 02:41
08. It Didn’t Work Out 05:25
09. Devastation Hotel 05:20
BONUS TRACKS
10. Lovin’ Dove [demo] [bonus track] 02:44
11. Just to Keep You [demo] [bonus track] 03:07
12. Devastation Hotel/Crocky Hill Disaster Idea [demo] [bonus track] 02:54
13. Waiting for a Train (All Around the Water Tank) [demo] [bonus track] (Jimmie Rogers) 03:22
All songs are written by Michael Chapman, except for tracks 5, 7, and 13

Код:

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 29. June 2019, 12:13
Michael Chapman / Savage Amusement (2015 Deluxe Edition)
Used drive  : ASUS    BW-12D1S-U   Adapter: 1  ID: 1
Read mode               : Secure
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Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
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    ---------------------------------------------------------
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        2  |  4:38.40 |  3:58.05 |     20890    |    38744
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        6  | 20:07.49 |  7:38.00 |     90574    |   124923
        7  | 27:45.49 |  2:40.44 |    124924    |   136967
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       10  | 41:12.08 |  2:44.36 |    185408    |   197743
       11  | 43:56.44 |  3:06.71 |    197744    |   211764
       12  | 47:03.40 |  2:53.60 |    211765    |   224799
       13  | 49:57.25 |  3:21.42 |    224800    |   239916
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Track  3
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     Accurately ripped (confidence 2)  [4E1B66D7]  (AR v2)
     Copy OK
Track  4
     Filename E:\Torrents of Autumn\Chapman, Michael [1976] Savage Amusement (2015 Deluxe Edition)\04. Lovin' Dove.wav
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Track  5
     Filename E:\Torrents of Autumn\Chapman, Michael [1976] Savage Amusement (2015 Deluxe Edition)\05. Hobo's Lament (Meditation).wav
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     Copy OK
Track  6
     Filename E:\Torrents of Autumn\Chapman, Michael [1976] Savage Amusement (2015 Deluxe Edition)\06. Stranger.wav
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     Copy CRC 213F9E0E
     Accurately ripped (confidence 2)  [1ADC0FB3]  (AR v2)
     Copy OK
Track  7
     Filename E:\Torrents of Autumn\Chapman, Michael [1976] Savage Amusement (2015 Deluxe Edition)\07. How Can a Poor Man.wav
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     Copy OK
Track  8
     Filename E:\Torrents of Autumn\Chapman, Michael [1976] Savage Amusement (2015 Deluxe Edition)\08. It Didn't Work Out.wav
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     Copy OK
Track  9
     Filename E:\Torrents of Autumn\Chapman, Michael [1976] Savage Amusement (2015 Deluxe Edition)\09. Devastation Hotel.wav
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     Accurately ripped (confidence 2)  [BD3DAEB5]  (AR v2)
     Copy OK
Track 10
     Filename E:\Torrents of Autumn\Chapman, Michael [1976] Savage Amusement (2015 Deluxe Edition)\10. Lovin' Dove [demo] [bonus track].wav
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Track 11
     Filename E:\Torrents of Autumn\Chapman, Michael [1976] Savage Amusement (2015 Deluxe Edition)\11. Just to Keep You [demo] [bonus track].wav
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     Accurately ripped (confidence 2)  [1C1C66BA]  (AR v2)
     Copy OK
Track 12
     Filename E:\Torrents of Autumn\Chapman, Michael [1976] Savage Amusement (2015 Deluxe Edition)\12. Devastation Hotel,Crocky Hill Disaster Idea [demo] [bonus track].wav
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     Copy OK
Track 13
     Filename E:\Torrents of Autumn\Chapman, Michael [1976] Savage Amusement (2015 Deluxe Edition)\13. Waiting for a Train (All Around the Water Tank) [demo] [bonus track].wav
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All tracks accurately ripped
No errors occurred
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  3   | (5/5) Accurately ripped
  4   | (5/5) Accurately ripped
  5   | (5/5) Accurately ripped
  6   | (5/5) Accurately ripped
  7   | (5/5) Accurately ripped
  8   | (5/5) Accurately ripped
  9   | (5/5) Accurately ripped
 10   | (5/5) Accurately ripped
 11   | (5/5) Accurately ripped
 12   | (5/5) Accurately ripped
 13   | (5/5) Accurately ripped
==== Log checksum 13E0D3E0620226F77B2384920EB1A1F16778FEF949C0C41AA194283F5A42FA38 ====

Код:

REM GENRE Folk
REM DATE 1976
REM DISCID C70C7E0D
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Michael Chapman"
TITLE "Savage Amusement (2015 Deluxe Edition)"
REM COMPOSER ""
FILE "01. Shuffleboat River Farewell.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Shuffleboat River Farewell"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Michael Chapman"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Secret of the Locks"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Michael Chapman"
    INDEX 00 04:32:14
FILE "02. Secret of the Locks.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Crocky Hill Disaster"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Michael Chapman"
    INDEX 00 03:54:62
FILE "03. Crocky Hill Disaster.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Lovin' Dove"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Michael Chapman"
    INDEX 00 04:39:31
FILE "04. Lovin' Dove.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Hobo's Lament (Meditation)"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Michael Chapman"
    INDEX 00 03:30:14
FILE "05. Hobo's Lament (Meditation).wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Stranger"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Jimmie Rogers"
    INDEX 00 03:13:27
FILE "06. Stranger.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "How Can a Poor Man"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Blind Alfred Reed"
    INDEX 00 07:35:39
FILE "07. How Can a Poor Man.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "It Didn't Work Out"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Michael Chapman"
    INDEX 00 02:38:08
FILE "08. It Didn't Work Out.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Devastation Hotel"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Michael Chapman"
    INDEX 00 05:23:16
FILE "09. Devastation Hotel.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Lovin' Dove [demo] [bonus track]"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Michael Chapman"
    INDEX 00 05:12:49
FILE "10. Lovin' Dove [demo] [bonus track].wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Just to Keep You [demo] [bonus track]"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Michael Chapman"
    INDEX 00 02:42:23
FILE "11. Just to Keep You [demo] [bonus track].wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "Devastation Hotel/Crocky Hill Disaster Idea [demo] [bonus track]"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Michael Chapman"
    INDEX 00 03:04:67
FILE "12. Devastation Hotel,Crocky Hill Disaster Idea [demo] [bonus track].wav" WAVE
    INDEX 01 00:00:00
  TRACK 13 AUDIO
    TITLE "Waiting for a Train (All Around the Water Tank) [demo] [bonus track]"
    PERFORMER "Michael Chapman"
    REM COMPOSER "Jimmie Rogers"
    INDEX 00 02:51:52
FILE "13. Waiting for a Train (All Around the Water Tank) [demo] [bonus track].wav" WAVE
    INDEX 01 00:00:00

Don Nix, Stax producer, brings a great deal of Dixie to the sound of this record, reminiscent of Leon Russell's productions in the 1970s, while certain lyrics show Dylanesque touches, as seen in “Devastation Hotel”:
“And the only Russian cowboy
Who’s not quite what he seems
For twenty years he rode the range
In other people’s dreams”
According to Michael Chapman, "This record was greatly enhanced by a bottle of wine (or two)."

Since emerging from the folk scene in Yorkshire, England in 1967, guitarist, and singer Michael Chapman has gained a dual reputation as one of England’s finest original singer/songwriters and most restless guitar players, equally comfortable in folk, rock, free improvisation, global music styles, blues, and jazz. With over 40 albums to his credit, this former art and photography teacher has, in the 21st century, been embraced by a host of boundary-crossing younger musicians who credit his influence on their work including Thurston Moore, Steve Gunn, Ryley Walker, Meg Baird, and many more. No two albums in his catalog are alike, and, over different decades, certain recordings from his shelf have alternated as influential, beginning with his 1969 fingerpicking Brit folk classic Rainmaker and his 1970 singer/songwriter masterpiece Fully Qualified Survivor (featuring Mick Ronson on lead guitar). Later recordings, including 1976’s rock & roll outing Savage Amusement, his proto-new age 1987 offering Heartbeat, and his instrumental forays in the 21st century including the “guitar travelscapes” of Americana and Words Fail Me, as well as Pachyderm and The Resurrection and Revenge of the Clayton Peacock, showcase the full range of his playing, composing, and improvising styles.
Chapman attended art school in Leeds. After graduating, he worked as an art and photography teacher in Lancashire. Playing guitar form his teens on, he developed a style that wove jazz, folk, blues, and ragtime, and his repertoire at the time time was primarily comprised of jazz guitar standards. In the middle of the ’60s he began listening to the new wave of British folk revivalists such as Ralph McTell, Bert Jansch, Davy Graham, and John Renbourn. By adapting what he already knew to what he was learning, Chapman developed a distinctive playing style that incorporated all of his chosen styles as well as East Indian modalism.
He first appeared on the London and Cornwall folk music circuits in 1967, including at the Piper’s Folk Club in Penzance on a bill with John Martyn and Roy Harper. His incendiary live perfomances resonated not only with club audiences but also with A&R men. He accepted a contract offer from Harvest (EMI’s “underground” boutique label) that led to the release of his debut long-player Rainmaker in 1969. The album featured the support of Rick Kemp (who played bass with Chapman for many years) and Danny Thompson. Window followed in short order, with Fully Qualified Survivor completing a debut triptych that sent waves of critical appreciation through the music industry—influential BBC disc jockey John Peel supported Chapman whenever possible. Sales, however, did not match the critical acclaim for Chapman’s work, leaving Fully Qualified Survivor as a high point, with “Postcards of Scarborough” generally being the one cut most often remembered when Chapman is discussed.
After the release of Wrecked Again, Chapman parted company with Harvest, choosing to sign to Decca’s Deram subsidiary, where he altered course somewhat, adding electric guitar and harder rhythms to his work. The first result, Millstone Grit, offered Chapman’s trademark gloomy writing mixed with a couple of lively instrumentals, some almost experimental, and the country-styled “Expressway in the Rain.” Deal Gone Down, and the live Pleasures of the Street followed. Don Nix produced Savage Amusement, which reworked a couple of earlier songs; the album’s title would be used in the mid-’80s for a band featuring Chapman and Kemp.
Chapman’s Decca deal ended in 1977, and he began an association with Criminal Records the following year; both labels released versions of The Man Who Hated Mornings. Chapman then turned his hand to the release of a guitar instruction record entitled Playing Guitar the Easy Way in 1978. He continued to gig and record consistently, varying styles and sounds, sometimes working with a full group but more often working with Kemp alone. After the release of Heartbeat in 1987, Chapman experimented with self-released albums, and as of the 1997 release of Dreaming Out Loud, he was issuing albums at the rate of one every two years, continuing to attract high praise, if not great sales.
His prolific release schedule continued unabated in the 21st century with both song-based and instrumental albums, as well as numerous reissues of his catalog by various labels. The first notable entry in the new millennium was the instrumental offering Americana in 2000, which showcased Chapman’s fascination with, and mastery of, Southern blues, folk, and ragtime jazz styles. It was followed by a second collection—this one with masterful slide entries as well—entitled Americana II in 2002. A self-released album, 2005’s Plaindealer featured the guitarist playing solo or in small groups, performing original songs and folk standards. It was later reissued by Honest Jon’s.
Chapman toured with the No-Neck Blues Band and Jack Rose in 2006. Drenched in acid folk and free improvisation, he returned to England inspired and recorded the double-disc Words Fail Me, recorded completely solo on acoustic and electric guitars. He ripped through utterly rearranged older songs as well as brave new compositions in a 100-minute, live-in-the-studio performance with no overdubs. On 2007’s The Wedding Band, Chapman returned to all-electric guitar; it was his first digitally recorded release, while 2008’s Sweet Powder was drenched in sounds that reflected the blues, folk, and modern country music the guitarist loved, from R.L. Burnside to Steve Eagles to Neil Young and more. On 2010’s ambitious Wry Tree Drift, named after an old mine near his farm, he played both electric and acoustic guitars, performing folk ballads, languid instrumental dubs, dark electric blues, and solo guitar workouts.
In 2011, Chapman released the instrumental double set Train Song: Guitar Compositions, 1967-2010, which featured all newly recorded material. Later in the year, the guitarist issued his most expansive and controversial album, The Resurrection and Revenge of the Clayton Peacock (titled after a track on John Fahey’s 1965 offering The Transfiguration of Blind Joe Death). It featured two side-long improvisations involving drones, delay, and loop effects. It was issued by Blast First Petite as the first part of a trilogy. Its second part, Pachyderm, was released in 2012, followed by The Polar Bear in 2014; Blast First Petite announced plans to reissue the trilogy as a special box set. Also in 2012, a tribute album entitled Oh Michael, Look What You’ve Done: Friends Play Michael Chapman was released by Tompkins Square and featured performances from Hiss Golden Messenger, Meg Baird, Black Twig Piers, Maddy Prior, and more. In 2015, Chapman returned with a new album of guitar pieces, Fish. January 2017 saw the release of 50, his debut for Paradise of Bachelors, which found Chapman embracing past and present, with guest artists including celebrated British folksinger Bridget St. John and gifted indie rock guitarist Steve Gunn. The following year, Blast First Petite issued Live VPRO 71. Recorded by Dutch underground radio station VPRO on May 6 of 1971, it was the earliest known live recording of Chapman’s—some two years after Fully Qualified Survivor, his debut for Harvest. Accompanied on the date by bassist Rick Kemp, the audio disc contained a healthy selection of tunes from the show, but the release was also accompanied by a download card that contained video of the entire concert. Later in 2017 he issued the duet offering EB=MC2 with Israeli guitarist Ehud Banai. While Chapman basically lived on the road for most of 2018, he was able to enter Mwnci Studios in rural West Wales with a host of friends including Bridget St. John, cellist Sarah Smout, pedal steel legend BJ Cole, and guitarist/producer Steve Gunn. The finished album was titled True North and released by Paradise of Bachelors in February 2019. (Steven McDonald, AllMusic)

Not quite what you’d come to a Chapman album looking for, perhaps, but he’s generally enjoyable here. Produced by Don Nix (known for soul / gospel / blues work, which gives you an idea of Savage Amusement’s influences), it was obviously targeting a larger market.
“Shuffleboat River Farewell” (originally on Wrecked Again) features the female choir backing singers and chunters along nicely in a mid-’70s rock’n’roll way (with a great guitar riff elevating the track). “Secret of the Locks” meanders forward in an undistinguished way. “Crocky Hill Disaster” is more what you would expect from past efforts. “Lovin’ Dove,” featuring the girls as well, is a catchy number with a shuffling beat. “Hobo’s Meditation” is just that, a spoken word piece with pedal steel guitar backing before Chapman groans away, it’s not terribly enjoyable.
“Stranger” uses a synth backing with a swirling wind dramatic effect that gives the album quite a different feel (for what would have been the start of side two); it’s quite Floyd-like in a way, crossed with early ’90s electronica / Eno and not entirely unsuccessful! There are brave arrangements on this album, no doubt about it.
He’s certainly immersed in Americana by this time in his career, as evident on “How Can a Poor Man,” with its country twang and backing singers. Only his gruff Yorkshire tones keeps it on this side of the Atlantic.
“It Didn’t Work Out” is a reworking of the opening track from Rainmaker and here it’s in full glammed up choir mode. Suffice to say, I prefer the original, but maybe the last minute or two are quite enjoyable if you imagine a jammed extended coda to the original.
“Devastation Hotel” ends the album strongly and provides the most effective and subtle use of the backing choir in between verses.
You will either warm to his gnarly voice or you won’t. I'm used to singers with great voices who aren’t particularly good singers, so I am more concerned with how it conveys the feeling behind the song and works with the songs. If the voice puts you off DO stray towards his recent collection of instrumentals Trainsong: Guitar Compositions; it’s magic. He’s a great guitarist, even if that isn’t to the fore in electric form on this album. (ijkidd, “Daring if not entirely successful,” RateYourMusic, 7 March, 2013, lightly edited by the uploader)
https://rateyourmusic.com/release/album/michael_chapman/savage_amusement/

Michael Chapman: vocals and guitar
Rick Kemp: bass and Air Sea Rescue
Keef Hartley: drums and Undersee Research
Tim Renwick: guitar
Andy Latimer: guitar
Peter Wood: keyboards
Leo Le Blanc : pedal steel guitar
Liza Strike, Claudette Houchen,
Mutt, Stevie, and Fuzzy: backing vocals
Produced by Don Nix
BONUS TRACKS
Michael Chapman: vocals and guitar

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Список форумов » РОК-МУЗЫКА » Зарубежный Rock » Folk-Rock (lossless)

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