John Martyn / The Apprentice (remastered, expanded reissue) Жанр: Art-Pop, Blue-Eyed Soul, Smooth Jazz Носитель: CD Страна-производитель диска (релиза): UK Год издания: 2007 (1990) Издатель (лейбл): One World Номер по каталогу: OW130CD Страна исполнителя (группы): UK Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 01:12:57 Источник: собственный рип Наличие сканов в содержимом раздачи: да
01. Live on Love 04:30 02. The River 04:03 03. Look at the Girl 04:35 04. Income Town 04:27 05. Send Me One Line 05:36 06. Deny This Love 04:16 07. Hold Me 04:51 08. Upo 03:50 09. The Apprentice 04:29 10. The Moment 03:46 11. Patterns in the Rain (Foster Patterson) 03:45 BONUS TRACKS 12. Deny This Love (remix) [bonus track] 03:53 13. The Apprentice (live) [bonus track] 04:50 14. The River (live) [bonus track] 04:49 15. Send Me One Line (live) [bonus track] 05:47 16. Look at the Girl (live) [bonus track] 05:29 All songs written by John Martyn, except track 11
Код:
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 21. June 2019, 19:09 John Martyn / The Apprentice (2007 remastered, expanded reissue) Used drive : ASUS BW-12D1S-U Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:30.04 | 0 | 20253 2 | 4:30.04 | 4:03.23 | 20254 | 38501 3 | 8:33.27 | 4:34.65 | 38502 | 59116 4 | 13:08.17 | 4:26.68 | 59117 | 79134 5 | 17:35.10 | 5:36.14 | 79135 | 104348 6 | 23:11.24 | 4:15.45 | 104349 | 123518 7 | 27:26.69 | 4:51.21 | 123519 | 145364 8 | 32:18.15 | 3:50.18 | 145365 | 162632 9 | 36:08.33 | 4:29.15 | 162633 | 182822 10 | 40:37.48 | 3:45.63 | 182823 | 199760 11 | 44:23.36 | 3:45.37 | 199761 | 216672 12 | 48:08.73 | 3:53.20 | 216673 | 234167 13 | 52:02.18 | 4:50.05 | 234168 | 255922 14 | 56:52.23 | 4:49.00 | 255923 | 277597 15 | 61:41.23 | 5:46.43 | 277598 | 303590 16 | 67:27.66 | 5:29.26 | 303591 | 328291 Track 1 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\01. Live on Love.wav Pre-gap length 0:00:02.00 Peak level 96.9 % Extraction speed 4.7 X Track quality 100.0 % Test CRC BA418FB6 Copy CRC BA418FB6 Accurately ripped (confidence 3) [326F41AB] (AR v2) Copy OK Track 2 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\02. The River.wav Peak level 91.8 % Extraction speed 5.1 X Track quality 100.0 % Test CRC 2484D65F Copy CRC 2484D65F Accurately ripped (confidence 3) [FD0DC673] (AR v2) Copy OK Track 3 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\03. Look at the Girl.wav Peak level 90.9 % Extraction speed 5.0 X Track quality 99.9 % Test CRC EEC5C026 Copy CRC EEC5C026 Accurately ripped (confidence 3) [E9C00FEB] (AR v2) Copy OK Track 4 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\04. Income Town.wav Peak level 97.7 % Extraction speed 5.3 X Track quality 99.9 % Test CRC 2B258E4A Copy CRC 2B258E4A Accurately ripped (confidence 3) [E09BF58A] (AR v2) Copy OK Track 5 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\05. Send Me One Line.wav Peak level 86.7 % Extraction speed 6.5 X Track quality 100.0 % Test CRC 5AE9C992 Copy CRC 5AE9C992 Accurately ripped (confidence 3) [40298600] (AR v2) Copy OK Track 6 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\06. Deny This Love.wav Peak level 87.5 % Extraction speed 6.1 X Track quality 99.9 % Test CRC 11A07D26 Copy CRC 11A07D26 Accurately ripped (confidence 3) [849C36A6] (AR v2) Copy OK Track 7 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\07. Hold Me.wav Peak level 90.7 % Extraction speed 7.2 X Track quality 100.0 % Test CRC AA1566C8 Copy CRC AA1566C8 Accurately ripped (confidence 3) [DC17554F] (AR v2) Copy OK Track 8 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\08. Upo.wav Peak level 93.6 % Extraction speed 7.3 X Track quality 100.0 % Test CRC 588C6E67 Copy CRC 588C6E67 Accurately ripped (confidence 3) [3753A7B6] (AR v2) Copy OK Track 9 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\09. The Apprentice.wav Peak level 92.7 % Extraction speed 7.6 X Track quality 100.0 % Test CRC C15C2845 Copy CRC C15C2845 Accurately ripped (confidence 3) [D7D11A1B] (AR v2) Copy OK Track 10 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\10. The Moment.wav Peak level 97.7 % Extraction speed 7.4 X Track quality 100.0 % Test CRC BEB9B137 Copy CRC BEB9B137 Accurately ripped (confidence 3) [8C73A17B] (AR v2) Copy OK Track 11 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\11. Patterns in the Rain.wav Peak level 97.7 % Extraction speed 7.6 X Track quality 100.0 % Test CRC D6414183 Copy CRC D6414183 Accurately ripped (confidence 3) [07D907D4] (AR v2) Copy OK Track 12 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\12. Deny This Love (remix) [bonus track].wav Peak level 85.1 % Extraction speed 7.7 X Track quality 100.0 % Test CRC E3723A38 Copy CRC E3723A38 Accurately ripped (confidence 3) [CCC642F9] (AR v2) Copy OK Track 13 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\13. The Apprentice (live) [bonus track].wav Peak level 87.1 % Extraction speed 8.2 X Track quality 100.0 % Test CRC 8581DAD7 Copy CRC 8581DAD7 Accurately ripped (confidence 3) [01861FAD] (AR v2) Copy OK Track 14 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\14. The River (live) [bonus track].wav Peak level 84.9 % Extraction speed 8.4 X Track quality 100.0 % Test CRC 5721DE26 Copy CRC 5721DE26 Accurately ripped (confidence 3) [4A2DBD87] (AR v2) Copy OK Track 15 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\15. Send Me One Line (live) [bonus track].wav Peak level 81.9 % Extraction speed 8.0 X Track quality 99.9 % Test CRC E3063DA8 Copy CRC E3063DA8 Accurately ripped (confidence 3) [C54C0BAF] (AR v2) Copy OK Track 16 Filename E:\Torrents of Autumn\Martyn, John [1990] The Apprentice (2007 remastered, expanded reissue)\16. Look at the Girl (live) [bonus track].wav Peak level 88.5 % Extraction speed 8.2 X Track quality 99.9 % Test CRC C78BBFE5 Copy CRC C78BBFE5 Accurately ripped (confidence 3) [BB6C281C] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: FkaK1BaObHbumzvoMvZt_TZUxu0-] found Submit result: FkaK1BaObHbumzvoMvZt_TZUxu0- has been confirmed Track | CTDB Status 1 | (7/7) Accurately ripped 2 | (7/7) Accurately ripped 3 | (7/7) Accurately ripped 4 | (7/7) Accurately ripped 5 | (7/7) Accurately ripped 6 | (7/7) Accurately ripped 7 | (7/7) Accurately ripped 8 | (7/7) Accurately ripped 9 | (7/7) Accurately ripped 10 | (7/7) Accurately ripped 11 | (7/7) Accurately ripped 12 | (7/7) Accurately ripped 13 | (7/7) Accurately ripped 14 | (7/7) Accurately ripped 15 | (7/7) Accurately ripped 16 | (6/7) Accurately ripped ==== Log checksum DE324CF2882576C0FB87E1923666D8E1BB2E6EE16297489D0DDC57378620201D ====
Код:
REM GENRE Folk REM DATE 1990 REM DISCID DC111910 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "John Martyn" TITLE "The Apprentice (2007 remastered, expanded reissue)" REM COMPOSER "John Martyn" FILE "01. Live on Love.wav" WAVE TRACK 01 AUDIO TITLE "Live on Love" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "02. The River.wav" WAVE TRACK 02 AUDIO TITLE "The River" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "03. Look at the Girl.wav" WAVE TRACK 03 AUDIO TITLE "Look at the Girl" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "04. Income Town.wav" WAVE TRACK 04 AUDIO TITLE "Income Town" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "05. Send Me One Line.wav" WAVE TRACK 05 AUDIO TITLE "Send Me One Line" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "06. Deny This Love.wav" WAVE TRACK 06 AUDIO TITLE "Deny This Love" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "07. Hold Me.wav" WAVE TRACK 07 AUDIO TITLE "Hold Me" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "08. Upo.wav" WAVE TRACK 08 AUDIO TITLE "Upo" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "09. The Apprentice.wav" WAVE TRACK 09 AUDIO TITLE "The Apprentice" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "10. The Moment.wav" WAVE TRACK 10 AUDIO TITLE "The Moment" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "11. Patterns in the Rain.wav" WAVE TRACK 11 AUDIO TITLE "Patterns in the Rain" PERFORMER "John Martyn" REM COMPOSER "Foster Patterson" INDEX 01 00:00:00 FILE "12. Deny This Love (remix) [bonus track].wav" WAVE TRACK 12 AUDIO TITLE "Deny This Love (remix) [bonus track]" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "13. The Apprentice (live) [bonus track].wav" WAVE TRACK 13 AUDIO TITLE "The Apprentice (live) [bonus track]" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "14. The River (live) [bonus track].wav" WAVE TRACK 14 AUDIO TITLE "The River (live) [bonus track]" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "15. Send Me One Line (live) [bonus track].wav" WAVE TRACK 15 AUDIO TITLE "Send Me One Line (live) [bonus track]" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00 FILE "16. Look at the Girl (live) [bonus track].wav" WAVE TRACK 16 AUDIO TITLE "Look at the Girl (live) [bonus track]" PERFORMER "John Martyn" REM COMPOSER "John Martyn" INDEX 01 00:00:00
Singer/songwriter/guitarist John Martyn was born Iain David McGeachy on September 11, 1948, in New Malden, Surrey, and raised in Glasgow by his grandmother. He began his innovative and expansive career at the age of 17 with a style influenced by American blues artists such as Robert Johnson and Skip James, the traditional music of his homeland, and the eclectic folk of Davey Graham (Graham remained an influence and idol of Martyn’s throughout his career). With the aid of his mentor, traditional singer Hamish Imlach, Martyn began to make a name for himself and eventually moved to London, where he became a fixture at Cousins, the center for the local folk scene that spawned the likes of Bert Jansch, Ralph McTell, and Al Stewart. Soon after, he caught the attention of Island Records founder Chris Blackwell, who made him the first white solo act to join the roster of his reggae-based label. The subsequent album, London Conversation (February 1968*), only hinted at what was to come in Martyn's career. Although it contained touches of blues along with Martyn’s rhythmic playing and distinctive voice, it was for the most part a fairly straightforward British folk record. With his follow-up later that same year, the Al Stewart-produced The Tumbler, Martyn began to slowly test other waters, employing backup musicians such as jazz reedman Harold McNair, to flesh out his sound. His voice also started to take on a jazzier quality as he began to experiment musically. While on the road, Martyn continued to experiment with his sound, adding various effects to his electrified acoustic. One such effect, the Echoplex, allowed him to play off of the tape loops of his own guitar, enveloping himself in his own playing while continuing to play leads over the swelling sound. This would become an integral part of his recordings and stage performances in the coming years. He also met Beverley Kutner, a singer from Coventry who later became his wife and musical partner. The duo released two records in 1970, Stormbringer and The Road to Ruin, the former recorded in Woodstock, N.Y. with American musicians including members of the Band. For one track on their second album, John and Bev hired Pentangle double bassist Danny Thompson, who remained a constant in John’s career throughout the better part of the ’70s, on-stage and in the studio. John planned his third solo album when Beverley retired to take care of the couple's children, although there was supposedly pressure from Island for him to record on his own. The next couple of years saw Martyn continuing to expand on his unique blend of folk music, drawing on folk, blues, rock, and jazz as well as music from the Middle East, South America, and Jamaica. His voice continued to transform with each album while his playing became more aggressive, yet without losing its gentler side. Bless the Weather (1971) and Solid Air (1973) which helped form the foundation of Martyn’s fan base, featured some of his most mature and enduring songs: “Solid Air,” written for close friend Nick Drake, “May You Never” (recorded by Eric Clapton), and “Head and Heart” (recorded by America). By the time of 1973’s Inside Out, Martyn’s use of the Echoplex had taken on a life of its own while his vocals became more of an instrument: deeper and bluesier, with words slithering into one another, barely decipherable. During this period, Martyn’s well-publicized bouts with alcoholism came to the forefront and began to affect his career somewhat. He became an erratic and at times self-destructive performer. He might perform an evening of electronic guitar experiments for a crowd of folkies or a set of traditional, acoustic ballads when playing to a rock audience. His shows would also range from the odd night of falling over drunk to sheer brilliance, as captured on the independently released Live at Leeds (1975). Following Sunday’s Child (1974), the live record, and a 1977 best-of collection, Martyn, for the most part, abandoned his acoustic guitar on record for a sort of rock, world, and jazz fusion. Although his style was moving away from its folk roots, his songs retained the passion and structure of his best early work. Grace and Danger (1980), his first release since 1977’s One World, painfully and honestly depicted the crumbling of John and Beverley’s marriage in some of his most powerful material in years. It also seemed to garner interest in Martyn’s sagging career. With this new momentum and the help of friend Phil Collins, Martyn signed to WEA, where he recorded two records, Glorious Fool (1981) and Well Kept Secret (1982). Glorious Fool, a superb effort, produced by Collins and featuring Eric Clapton on guitar and Collins on drums, piano, and vocals, looked to be his best shot at mainstream success, but failed to extend his cult status. Martyn released his second independent live record, the magnificent Philentropy, before returning to Island Records for two studio releases, a live album and a 12" single which featured a version of Bob Dylan’s “Tight Connection to My Heart.” He was dropped by the label in 1988. Continuing to battle his alcoholism, Martyn resumed his career in 1990 with The Apprentice and 1992’s Cooltide. He also released an album of his classic songs re-recorded with an all-star cast featuring Phil Collins, David Gilmour of Pink Floyd, and Levon Helm of the Band, as well as various compilations and live recordings. After a four-year layoff, Martyn issued And, an album with strong jazz, trip-hop, and funk overtones, followed in 1998 by The Church with One Bell, a collection of diverse covers. In 1999 he also released a live double album which documented a classic concert at London’s Shaw Theatre in 1990 entitled Dirty, Down & Live. Martyn recorded a surprise studio comeback effort called Glasgow Walker at the turn of the century that was very well received, and had his entire Island catalog remastered and reissued—two of his albums, One World, and Grace and Danger, were given the Universal “deluxe” treatment with bonus discs**. In 2003, a cyst burst in Martyn’s leg due to septicemia brought on by diabetes. The end result was an amputation, but he continued to tour the world with the same tireless energy and restlessness, performing with his band from a wheelchair. Martyn, shrugged it all off, typified by this infamous quote: “I’ve been mugged in New York, and luckily I fought my way out of it. I’ve been shot a couple of times as well, but I just lay down and pretended to be dead.” In 2007 two DVDs appeared, a Live at the BBC set recorded in the 1970s, and Voiceprint’s The Man Upstairs documentary. 2008 saw Martyn’s name surface once more with some real regularity due to a flurry of activity by the man and his touring schedule, but also because of new releases. His One World label issued a pair of catalogued live dates, the best of these being Simmer Dim, and, in December, Universal/Island released a four-disc retrospective box entitled Ain’t No Saint. In January, 2009 Martyn was awarded the OBE (Order of the British Empire)—an irony since he was the most rebellious of Scotsmen. Martyn’s health, however, was in real decline as a result of a lifetime of substance abuse issues; in the early morning hours of January 29, 2009, he passed away at the age of 60 after a third bout with pneumonia. With his characteristic backslap acoustic guitar playing, his effects-driven experimental journeys, or his catalog of excellent songs, as well as his jazz-inflected singing style, John Martyn will remain an important and influential figure in both British folk and rock. (Brett Hartenbach, AllMusic) *October 1967 is listed as the release date of the debute LP, according to another source (see the enclosed booklet) **Two more releases have been issued as “deluxe”: Solid Air (2009) and Live at Leeds (2006)
The Apprentice was mostly completed a full two years before it was released. Martyn’s record label, Island, rejected the tapes of the songs in 1988, even though artistically they were not too far removed from his previous release, Piece by Piece. In fact, this album turned out to be the more cohesive of the two. Eventually released by Permanent Records, it’s by and large a well-crafted collection of songs. Its only weaknesses are the sometimes too-strong dependence on synthesizers and the song “Deny This Love,” which is Martyn doing bad dance music (and featuring a truly horrible a cappella introduction). Otherwise, it’s an enjoyable album. “Look at the Girl” is a wistful follow-up to his 1974 song “My Baby Girl,” while the haunting and moving “Patterns in the Rain” features Martyn’s first recorded acoustic guitar playing in years (even though it’s not very predominant). “Income Town” is an upbeat, more rock-oriented track, which has a sort of obscure in-joke added to it. Loud arena applause accompanies the beginning, though listeners will notice in the LP liner notes that the song is credited as being recorded at a club called the Green Banana in Toronto. Longtime fans will recognize this mythical club as a recurring Martyn joke. The Apprentice, along with Cooltide, caps off the smooth jazz sound of his ’80s albums, and is one of the best of this series of works. (Rob Caldwell, AllMusic)
John Martyn: vocals, guitars Foster Patterson: keyboards Arran Ahmun: drums Dave “Taif” Ball: bass on “Live On Love,” “The River” Cohn Tully: saxophones on “The River,” “Upo” Andy Shepherd: saxophone on “Deny This Love,” “Send Me One Line,” “Look at the Girl” Danny Cummings: percussion, backing vocals Danusia: backing vocals Taj Wyzgowski: rhythm guitar on “Live On Love,” “The Apprentice” Produced by Brian Young and John Martyn Live Recordings, 1990: John Martyn: guitar, vocals Alan Thomson: bass guitar Spencer Cozens: keyboards Arran Ahmun: drums and percussion Dave Lewis: saxophone
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