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Toto Bona Lokua (Gerald Toto, Richard Bona, Lokua Kanza) / Bondeko
Жанр: Vocal Jazz, World Fusion
Страна исполнителя (группы): France | Cameroon | Congo
Год издания: 2017
Издатель (лейбл): NØ FØRMAT!
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 00:40:51
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Ma mama
2. Naleki
3. Youwile
4. Je kango
5. Love train
6. Ngum nya ko
7. Thitae
8. Tann tanbou a
9. M'aa kiana
10. Bukavu
11. Awo
Тизер (видеоанонс) альбома
Доп. информация: https://www.facebook.com/toto.bona.lokua/
Gerald Toto (born 1967, Saint-Cloud, France) is a French lyricist, composer, performer, multi-instrumentalist and artistic director.
Part of the underground scene in the middle of the 1990s, he chose a new direction by becoming the artistic director and composer of the first album of the well known Faudel (writing songs such as "Tellement je t'aime")
On the heels of the commercial success Gerald Toto released his first album, Les Premiers Jours (Warner, 1998), a mix between cashew music and the music of Daniel Lanois.
Then came Middle Eastern electro with the band Smadj and the vocal improvisations of "Toto Bona Lokua" with Richard Bona and Lokua Kanza (No Format!, 2004).
In 2006 Toto came back with a new album, Kitchenette (V2music). He also contributed to Nouvelle Vague's album Bande à Part (Peacefrog, 2006), for which he did the covers "Don't Go" and "Heart of Glass".
His third album, Spring Fruits, with English lyrics, was released in 2011.
https://en.wikipedia.org/wiki/Gerald_Toto
Richard Bona (born 28 October 1967 in Minta, Cameroon) is a Grammy Award-winning jazz bassist.
Bona Pinder Yayumayalolo was born into a family of musicians, which enabled him to start learning music from a young age. His grandfather was a griot – a West African singer of praise and storyteller – and percussionist, and his mother was a singer. At 4 years old, Bona started to play the balafon. At the age of 5, he began performing at his village church. Not being wealthy, Bona made many of his own instruments: including flutes and guitars (with cords strung over an old motorcycle tank).
Bona emigrated to Germany at the age of 22 to study music in Düsseldorf, soon relocating to France, where he furthered his studies in music.
Whilst in France, he regularly played in various jazz clubs, sometimes with players such as Manu Dibango, Salif Keita, Jacques Higelin and Didier Lockwood.
In 1995, Richard left France and established himself in New York, where he still lives and works. In New York he played bass guitar with artists like Joe Zawinul, Larry Coryell, Michael and Randy Brecker, Mike Stern, George Benson, Branford Marsalis, Chaka Khan, Bobby McFerrin, and Steve Gadd.
In 1998, Richard was the Musical Director on Harry Belafonte's European Tour.
His debut solo album, Scenes from My Life, was released in 1999. He has also been prominently featured in Jaco Pastorius Big Band albums, as well as many other albums by various top-tier jazz musicians.
In 2002 Bona went on a world tour with the Pat Metheny Group. The release of the successful Speaking of Now album that year had marked a profound change in the group's direction by adding younger musicians to the band, notably with Bona as bassist, vocalist, guitarist and percussionist, along with drummer Antonio Sanchez and trumpet player Cuong Vu.
In 2005 Bona released his fourth solo album Tiki, which included a collaboration with John Legend on one track, entitled "Please Don't Stop." The album was nominated for Best Contemporary World Music Album at the 49th Grammy Awards.
He held a professorship of jazz music at New York University.
In 2015, with restaurateur Laurent Dantonioin, he opened Club Bonafide.
Richard Bona's music took on a distinctive Afro-Cuban flavor with the 2016 release of the Heritage album with Cuban band Mandekan Cubano. The album was released under Quincy Jones' Qwest label.
His talent was quickly noticed, and he was often invited to perform at festivals and ceremonies. Bona began learning to play the guitar at age 11, and in 1980 aged just 13, he assembled his first ensemble for a French jazz club in Douala. The owner befriended him and helped him discover jazz music, in particular that of Jaco Pastorius, which inspired Bona to switch his focus to the electric bass.
https://en.wikipedia.org/wiki/Richard_Bona
Lokua Kanza (born April 1958) is a singer-songwriter from the Democratic Republic of the Congo. He is known for his soulful, folksy sound.
Lokua Kanza was born Pascal Lokua Kanza in Bukavu in the province of Sud-Kivu, in the eastern part of the Democratic Republic of Congo. He is the eldest of eight children, with a Mongo father and a Tutsi mother from Rwanda. In 1964, the family went to live in Kinshasa in a middle class area, until the day when Pascal's father, a ship's captain, died. His mother then moved to a much poorer area of the city, and Pascal had to work to feed the family. As well as singing in churches[clarification needed]. Lokua Kanza sings in French, Swahili, Lingala, Portuguese, and English. He is coach in The voice Afrique francophone 2016-2017
https://en.wikipedia.org/wiki/Lokua_Kanza
Bondeko is the second album of trio Toto Bona Lokua. This is a studio album by French songwriter and multi-instrumentalist Gerald Toto, Cameroonian jazz musician Richard Bona, and Congolese singer-songwriter Lokua Kanza. It was released on 3 November, 2017 through No Format!
Gerald Toto – Vocal, Acoustic Guitar, Whistle, Finger Snaps
Lokua Kanza – Vocal, Acoustic Guitar, Piano
Richard Bona – Vocal, Bass, Acoustic Guitar, Percussion, Keyboards, Bouzouki
Producer – Laurent Bizot
Это взрыв невероятного артистизма и просто красоты. Вы не сможете оторваться от этой музыки. На этот раз такое для вас приготовили Ришар Бона из Камеруна, Локуа Канза из Конго и парижанин Жеральд Тото, родители которого, правда, родом из солнечных Кариб. И, надо сказать, данное «сотрудничество» абсолютно беспрецедентно и невероятно. В 2005 году трио выпустило дебютный, удачный во всех отношениях альбом Toto Bona Lokua, с промоцией которого музыканты выступили на самых крупных джазовых фестивалях планеты. Данный проект не похож ни на одну из сольных работ участников этого неожиданного трио. Они оставили в треках необходимый музыкальный минимум, такой, как гармония и мелодические ряды, но включили три попеременно сменяющиеся вокальные партии, добавили ритмы стаккато. «Обычные» же инструменты (такие как гитара, бас, перкуссия и другие) появляются лишь эпизодически, создавая тем не менее довольно интересный бэкграунд. Но все же основной акцент в треках делается на вокал. И эта душевная смесь голосов и глубоко западающее в сердце звучание каллиоп показывают нам всё разнообразие и богатство африканского континента.
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