(Post-Bop, Contemporary Jazz, Piano Trio) Ethan Iverson - The Purity of the Turf (with Ron Carter & Nasheet Waits) - 2016, MP3, 320 kbps

Artist Biography by David R. Adler
Jazz pianist Ethan Iverson's classically informed writing and playing have similarities to Brad Mehldau. Claiming influences as disparate as Stravinsky and Ornette Coleman, the Wisconsin-raised Iverson displayed great potential at a rather young age. In 1991, he relocated to New York, eventually beginning private studies with Fred Hersch and Sophia Rosoff. He made his recording debut in 1993 at age 20 with School Work, a disc that featured tenor saxophone giant Dewey Redman. Iverson has since worked extensively with Reid Anderson, Mark Turner, Bill McHenry, and Patrick Zimmerli, among others. In addition, he has served as musical director for the Mark Morris Dance Group, and in that capacity has performed with Mikhail Baryshnikov and Yo-Yo Ma. In 1998, Iverson's trio released Construction Zone (Originals) and Deconstruction Zone (Standards) in tandem, with the latter being hailed by a New York Times critic as a Top Ten pick for that year. A 1999 follow-up, The Minor Passions, featured the famous drummer Billy Hart and was similarly hailed by The Times. After the turn of the millennium, Iverson achieved perhaps his greatest visibility as a member of the Bad Plus, also featuring bassist Anderson and drummer Dave King. In 2013, Iverson collaborated with Albert "Tootie" Heath and Ben Street on Tootie's Tempo and with Lee Konitz, Larry Grenadier, and Jorge Rossy on Costumes Are Mandatory.
http://www.allmusic.com/artist/ethan-iverson-mn0000206470/biography

The Purity of the Turf is kind of a "bucket list" moment for Ethan Iverson, who has always wanted to make a record with famous bassist Ron Carter.
Iverson, pianist of the famous trio "The Bad Plus", chose drummer Nasheet Waits to fill out the trio, because Waits represents the avant-garde as well as swing.
Criss Cross records are level playing field, with everyone recording in the same studio in a single day: Thus the sporting title, "The Purity of the Turf".
The repertoire is mostly originals and jazz classics. A surprise highlight is the solo piano tribute to the late Paul Bley, "So Hard it Hurts" by Annette Peacock.
http://www.crisscrossjazz.com/album/1391.html

Ethan Iverson – piano;
Ron Carter – bass;
Nasheet Waits – drums.