(Modern Creative, Post-Bop, Clean Feed) Chris Lightcap's Bigmouth (Craig Taborn, Tony Malaby, Chris Cheek, Gerald Cleaver) - Epicenter - 2015, MP3, 320 kbps

http://www.allmusic.com/artist/chris-lightcap-mn0000110289/biography
Born 1971 in Latrobe, PA
Pennsylvania-born bassist Chris Lightcap is an up-and-coming improviser who performed on over 20 recordings from 1997-2001. Since the late '90s he has been active in the quartets of guitarist Joe Morris, Rob Brown, and Whit Dickey, as well as in PLK Trio (with saxophonist Lisa Parrot and drummer Heinrich Köbberling) and his own quartet with drummer Gerald Cleaver and tenor saxophonists Tony Malaby and Bill McHenry. This group's first recording, Lay-Up, was a pleasant surprise that came out on the Fresh Sounds New Talent label in 1999. In addition to his recording, Lightcap has worked with a number of esteemed improvisers, including Anthony Braxton, Lawrence "Butch" Morris, Cecil Taylor, and Archie Shepp.

Chris Lightcap is a bassist's bassist. As a sideman to leaders such as Regina Carter, Matt Wilson, Joe Morris, Marc Ribot, and Craig Taborn, his rock-solid timekeeping can be quite inconspicuous. He is a sort of steadfast superglue that leaders and composers hold in high regard.
As a leader and composer, there is another Chris Lightcap. Epicenter, is his third Bigmouth release, following the quintet Deluxe (Clean Feed, 2010) and a quartet Bigmouth (Fresh Sound New Talent, 2002). He continues to display his ability to sculpt music utilizing a two-tenor saxophone lineup. Previously recording with Tony Malaby and Bill McHenry, then Malaby and Andrew D'Angelo, and now Malaby and Chris Cheek.
The first seven tracks here, "Lost And Found: New York" were commissioned by the Chamber Music America New Jazz Works in 2011. Lightcap's writing draws from the old jazz avant-garde that didn't eschew tempo and infectious pulse. The opening track "Nine South," with Craig Taborn reiterating Wurlitzer piano notes, weaves an intricate counterpane of sound. That quilt, perhaps comforter, is a synthesis of the absorbing groove laid down by the bassist and drummer Gerald Cleaver and the two tenor attack. The brusque sound of Malaby is juxtaposed by Cheek's amicable approach. The title track, a take-off on the early music Ornette Coleman, pops with energy and vigor. The music spills both sweet and savory, with the rhythm section set to parboil.
With the keyboards of Taborn, the options available to Lightcap appear endless. He can play circular new music, hammer out a dense cloud of sound, and switch between acoustic and electric piano and organ. "Down East" is a pounding composition that is mulch for his band to attack and "Stillwell" and "Stone By Stone" wind gentler harmonies around each other. Lou Reed's "All Tomorrow's Parties" recalls the majesty of The Velvet Underground. Reminding us how guttersnipes can also be royalty. By MARK CORROTO

Chris Lightcap - bass, acoustic guitars (#2), organ (#2)
Craig Taborn - Wurlitzer electric piano (#1-2, 4, 6-7), piano (#3, 5, 8), organ (#2)
Tony Malaby - tenor saxophone
Chris Cheek - tenor saxophone
Gerald Cleaver - drums, percussion