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Richard & Linda Thompson / . . . in Concert, November 1975
Жанр: British Folk-Rock, Singer-Songwriter
Носитель: CD
Страна-производитель диска (релиза): EU
Год издания: 2007
Издатель (лейбл): Universal Island Records
Номер по каталогу: IMCD 327 / 984 824-3
Страна исполнителя (группы): UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 01:17:58
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
01. I Want to See the Bright Lights Tonight 03:15
02. Hard Luck Stories 03:51
03. Night Comes In 10:48
04. Morris Medley: Old Woman Tossed Up in a Blanket / Shepherd's Hey / Bean Setting / Shooting (Trad.) 05:21
05. A Heart Needs a Home 04:21
06. Why Don’t You Love Me (Hank Williams) 02:41
07. Now Be Thankful 02:58
08. Jet Plane in a Rocking Chair 02:56
09. Streets of Paradise 04:28
10. For Shame of Doing Wrong 08:17
11. Calvary Cross 14:01
12. Hokey Pokey (The Ice Cream Song) 04:13
13. Things You Gave Me (Glen D. Hardin) 02:34
14. It’ll Be Me (Jack H. Clement) 04:51
15. Together Again (Buck Owens) 03:24
All songs composed by Richard Thompson, except where indicated otherwise
Код:
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 1. June 2019, 0:32
Richard & Linda Thompson / . . . in Concert, November 1975
Used drive  : ASUS    BW-12D1S-U   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:15.25 |         0    |    14649
        2  |  3:15.25 |  3:51.34 |     14650    |    32008
        3  |  7:06.59 | 10:48.12 |     32009    |    80620
        4  | 17:54.71 |  5:20.56 |     80621    |   104676
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        6  | 27:36.34 |  2:40.58 |    124234    |   136291
        7  | 30:17.17 |  2:57.40 |    136292    |   149606
        8  | 33:14.57 |  2:56.00 |    149607    |   162806
        9  | 36:10.57 |  4:27.39 |    162807    |   182870
       10  | 40:38.21 |  8:16.65 |    182871    |   220135
       11  | 48:55.11 | 14:01.02 |    220136    |   283212
       12  | 62:56.13 |  4:13.35 |    283213    |   302222
       13  | 67:09.48 |  2:33.38 |    302223    |   313735
       14  | 69:43.11 |  4:51.03 |    313736    |   335563
       15  | 74:34.14 |  3:23.61 |    335564    |   350849
Track  1
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\01. I Want to See the Bright Lights Tonight.wav
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     Extraction speed 1.2 X
     Track quality 100.0 %
     Test CRC 1CA8D407
     Copy CRC 1CA8D407
     Accurately ripped (confidence 67)  [A974EF7F]  (AR v2)
     Copy OK
Track  2
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\02. Hard Luck Stories.wav
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     Extraction speed 1.3 X
     Track quality 100.0 %
     Test CRC 082D02F8
     Copy CRC 082D02F8
     Accurately ripped (confidence 67)  [30FA0B62]  (AR v2)
     Copy OK
Track  3
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\03. Night Comes In.wav
     Peak level 95.0 %
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     Track quality 100.0 %
     Test CRC AAE6D869
     Copy CRC AAE6D869
     Accurately ripped (confidence 67)  [5134896C]  (AR v2)
     Copy OK
Track  4
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\04. Morris Medley- Old Woman Tossed Up in a Blanket , Shepherd's Hey , Bean Setting , Shooting.wav
     Peak level 93.8 %
     Extraction speed 6.6 X
     Track quality 100.0 %
     Test CRC 7AB54C34
     Copy CRC 7AB54C34
     Accurately ripped (confidence 67)  [C570063A]  (AR v2)
     Copy OK
Track  5
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\05. A Heart Needs a Home.wav
     Peak level 93.3 %
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     Track quality 100.0 %
     Test CRC 5B8BC9EB
     Copy CRC 5B8BC9EB
     Accurately ripped (confidence 67)  [EBF221EE]  (AR v2)
     Copy OK
Track  6
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\06. Why Don't You Love Me.wav
     Peak level 95.3 %
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     Track quality 100.0 %
     Test CRC 1B33FC4F
     Copy CRC 1B33FC4F
     Accurately ripped (confidence 67)  [79953734]  (AR v2)
     Copy OK
Track  7
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\07. Now Be Thankful.wav
     Peak level 92.5 %
     Extraction speed 6.9 X
     Track quality 100.0 %
     Test CRC 32765F0A
     Copy CRC 32765F0A
     Accurately ripped (confidence 67)  [DBEC9E4A]  (AR v2)
     Copy OK
Track  8
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\08. Jet Plane in a Rocking Chair.wav
     Peak level 94.9 %
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     Track quality 100.0 %
     Test CRC 5EAC7D9E
     Copy CRC 5EAC7D9E
     Accurately ripped (confidence 67)  [5FA43C47]  (AR v2)
     Copy OK
Track  9
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\09. Streets of Paradise.wav
     Peak level 97.0 %
     Extraction speed 7.6 X
     Track quality 100.0 %
     Test CRC C65DB525
     Copy CRC C65DB525
     Accurately ripped (confidence 67)  [9DEC9883]  (AR v2)
     Copy OK
Track 10
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\10. For Shame of Doing Wrong.wav
     Peak level 95.6 %
     Extraction speed 8.4 X
     Track quality 100.0 %
     Test CRC EB648728
     Copy CRC EB648728
     Accurately ripped (confidence 67)  [22B3E747]  (AR v2)
     Copy OK
Track 11
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\11. Calvary Cross.wav
     Peak level 95.6 %
     Extraction speed 9.2 X
     Track quality 100.0 %
     Test CRC 45B82E0E
     Copy CRC 45B82E0E
     Accurately ripped (confidence 67)  [6CF1C1C5]  (AR v2)
     Copy OK
Track 12
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\12. Hokey Pokey (The Ice Cream Song).wav
     Peak level 95.7 %
     Extraction speed 8.7 X
     Track quality 100.0 %
     Test CRC BA391150
     Copy CRC BA391150
     Accurately ripped (confidence 67)  [6AD23DCA]  (AR v2)
     Copy OK
Track 13
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\13. Things You Gave Me.wav
     Peak level 93.6 %
     Extraction speed 8.2 X
     Track quality 100.0 %
     Test CRC C4640303
     Copy CRC C4640303
     Accurately ripped (confidence 67)  [189E098C]  (AR v2)
     Copy OK
Track 14
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\14. It'll Be Me.wav
     Peak level 96.2 %
     Extraction speed 9.2 X
     Track quality 100.0 %
     Test CRC 77EED0E3
     Copy CRC 77EED0E3
     Accurately ripped (confidence 65)  [E3C99FE7]  (AR v2)
     Copy OK
Track 15
     Filename E:\Torrents of Autumn\Thompson, Richard, and Linda Thompson [2007] . . . in Concert, November 1975\15. Together Again.wav
     Peak level 95.8 %
     Extraction speed 5.7 X
     Track quality 100.0 %
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     Copy CRC 85AB9E73
     Accurately ripped (confidence 65)  [B017C870]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
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  5   | (66/67) Accurately ripped
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 12   | (64/67) Accurately ripped
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==== Log checksum A2D869AEA1BC86624C99B4451357ECF5E0E6A8B1311582CE32E9941C79FE5223 ====
Код:
REM GENRE Folk/Rock
REM DATE 2007
REM DISCID F612460F
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Richard & Linda Thompson"
TITLE ". . . in Concert, November 1975"
REM COMPOSER "Richard Thompson"
FILE "01. I Want to See the Bright Lights Tonight.wav" WAVE
  TRACK 01 AUDIO
    TITLE "I Want to See the Bright Lights Tonight"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Richard Thompson"
    INDEX 01 00:00:00
FILE "02. Hard Luck Stories.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Hard Luck Stories"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Richard Thompson"
    INDEX 01 00:00:00
FILE "03. Night Comes In.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Night Comes In"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Richard Thompson"
    INDEX 01 00:00:00
FILE "04. Morris Medley- Old Woman Tossed Up in a Blanket , Shepherd's Hey , Bean Setting , Shooting.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Morris Medley: Old Woman Tossed Up in a Blanket / Shepherd's Hey / Bean Setti..."
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Trad., arr. by Richard Thompson"
    INDEX 01 00:00:00
FILE "05. A Heart Needs a Home.wav" WAVE
  TRACK 05 AUDIO
    TITLE "A Heart Needs a Home"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Richard Thompson"
    INDEX 01 00:00:00
FILE "06. Why Don't You Love Me.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Why Don't You Love Me"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Hank Williams"
    INDEX 01 00:00:00
FILE "07. Now Be Thankful.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Now Be Thankful"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Richard Thompson"
    INDEX 01 00:00:00
FILE "08. Jet Plane in a Rocking Chair.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Jet Plane in a Rocking Chair"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Richard Thompson"
    INDEX 01 00:00:00
FILE "09. Streets of Paradise.wav" WAVE
  TRACK 09 AUDIO
    TITLE "Streets of Paradise"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Richard Thompson"
    INDEX 01 00:00:00
FILE "10. For Shame of Doing Wrong.wav" WAVE
  TRACK 10 AUDIO
    TITLE "For Shame of Doing Wrong"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Richard Thompson"
    INDEX 01 00:00:00
FILE "11. Calvary Cross.wav" WAVE
  TRACK 11 AUDIO
    TITLE "Calvary Cross"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Richard Thompson"
    INDEX 01 00:00:00
FILE "12. Hokey Pokey (The Ice Cream Song).wav" WAVE
  TRACK 12 AUDIO
    TITLE "Hokey Pokey (The Ice Cream Song)"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Richard Thompson"
    INDEX 01 00:00:00
FILE "13. Things You Gave Me.wav" WAVE
  TRACK 13 AUDIO
    TITLE "Things You Gave Me"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Glen D. Hardin"
    INDEX 01 00:00:00
FILE "14. It'll Be Me.wav" WAVE
  TRACK 14 AUDIO
    TITLE "It'll Be Me"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Jack H. Clement"
    INDEX 01 00:00:00
FILE "15. Together Again.wav" WAVE
  TRACK 15 AUDIO
    TITLE "Together Again"
    PERFORMER "Richard & Linda Thompson"
    REM COMPOSER "Buck Owens"
    INDEX 01 00:00:00
For years, Richard Thompson resided in relative obscurity, while at the same time garnering vast critical praise for his magnificent guitar work and the dark wit and richness of his extraordinary songwriting. A founding member of the seminal British folk-rock group Fairport Convention, he remained with the band for five studio albums—Fairport Convention (1968), What We Did on Our Holiday (released as Fairport Convention in the U.S.) (1968), Unhalfbricking (1969), Liege and Lief (1969), and Full House (1970)—and one live recording (Live at the L.A. Troubadour [recorded in September 1970, released 1976], reissued as House Full [1986]). In early 1971, Thompson, feeling that the material he had been writing at the time was not right for the band, decided to leave for a solo career. In between sessions and dates supporting former Fairport mates Sandy Denny and Ian Matthews, he entered the studio to record his first record, Henry the Human Fly (1972), which was a more idiosyncratic version of the British traditional rock & roll mix that he had begun with his old band. During this time, he also contributed to the rock & roll homage The Bunch (1972) as well as the traditional Morris On (1972), both of which featured various members, past and present, of Fairport Convention and their offshoots. None of these did anything to change the general public’s view of Thompson, to the point where Henry the Human Fly gained the notable distinction of being the worst-selling album in the history of Warner Bros. Records.
Following tours of the U.S. (his last for ten years) and the U.K., with Sandy Denny, Thompson ended 1972 by performing dates with singer Linda Peters, who had appeared on both Henry and The Bunch. Richard and Linda got married, and in 1973 they began work on their first recording together, the now classic I Want to See the Bright Lights Tonight (April 1974). The Thompsons went on to release five more records, including Hokey Pokey (March 1975), Pour Down Like Silver (November 1975), First Light (November 1978), Sunnyvista (1979), and Shoot Out the Lights (February 1982). Between 1975 and 1978, however, Richard and Linda all but dropped out of the music scene when they moved into a Muslim community outside of London. During this period, Guitar, Vocal (1976), a collection of outtakes and live recordings from Richard’s career, was released to fill the void. It would also be his final release for Island Records, his U.K. home since 1968. Returning to the music business in 1978, the Thompsons recorded First Light for Chrysalis Records, which showed a definite Islamic and North African influence, along with their characteristic British folk-rock. Sunnyvista followed to more public indifference, and they were dropped by the label.
The early ’80s would prove to be a period of major ups and downs, both professionally and personally, for Richard and Linda. Without a record contract, the pair demoed eight songs in the summer of 1980 before going into the studio for their next project, with singer/songwriter Gerry Rafferty producing. Rafferty had gained a great deal of success during the latter part of the ’70s, and being a huge fan, was looking to bring the Thompsons’ music to a larger audience. The subsequent tracks were dumped due to Richard’s dissatisfaction with the outcome. In the meantime, Richard went back to work by himself in 1981, recording a collection of instrumental tunes entitled Strict Tempo!, which he released independently on his own Elixir label. Richard and Linda eventually ended up back in the studio, with former Fairport manager and producer Joe Boyd, to re-record some of the material from the Rafferty sessions, as well as three new songs. The finished product, Shoot Out the Lights, was the most powerful album in the Thompsons’ oeuvre, as well as their first real breakthrough. Released by Boyd’s own Hannibal Records, it not only received universally glowing reviews, but was also their biggest seller to date. It also marked the end of their marriage, and following a tumultuous tour of America, their musical partnership as well.
Richard remained with Hannibal for 1983’s Hand of Kindness, before leaving for a major-label deal with Polydor the following year. Cajun artist Jo-El Sonnier scored a Top 20 country hit in 1988 with his cover of Thompson’s “Tear-Stained Letter” from that album. A live, solo acoustic set taken from shows recorded in New York City in 1982 entitled Small Town Romance (1984) was released just prior to his departure from Hannibal. With Joe Boyd once again producing, Across a Crowded Room (February 1985) came one year later for Polydor. The record was a success by Thompson’s standards, if not the label’s, and after a disappointing showing by the follow-up, Daring Adventures (October 1986), he was released. A concert video from the Across a Crowded Room tour was issued in 1985.
Once again between labels, Thompson found various side projects to keep him busy, including a soundtrack for the BBC’s The Marksman and a record (Live, Love, Larf & Loaf, 1987) with former Magic Band drummer John French and avant-garde musicians Fred Frith (Henry Cow) and Henry Kaiser. The quartet, called simply French Frith Kaiser Thompson, recorded a second album, Invisible Means, in 1990. Thompson then struck a deal with Capitol Records and released Amnesia (October 1988) with producer Mitchell Froom at the helm for the second of what would be a string of five records. His first release for the label, Amnesia, kept Thompson’s career in a bit of a holding pattern, but it was Rumor and Sigh (May 1991), though not exactly making him a household name, that took him to another level commercially. And though his sound and approach had been picking up more of an American flavor, he continued to retain ties to his traditional roots, from the use of accordion, hurdy-gurdy, mandolin, hammered dulcimer, and various medieval instruments, to songs such as the folk ballad “1952 Vincent Black Lightning” and “Don’t Sit on My Jimmy Shands.”
Throughout the ’90s, Thompson maintained his fervent cult following and recorded three more solo albums for Capitol, including Mirror Blue (1994), the double-disc you? me? us? (1996), and Mock Tudor (1999), as well as working on Hard Cash (1990), a collection of songs inspired by a BBC documentary about the British working class, a soundtrack for the film Sweet Talker (1992), and a concept album about the industrial age (Industry, 1997) with bassist Danny Thompson. Hannibal, which had been purchased by Rykodisc, issued a three-CD retrospective of Thompson’s career in the spring of 1993, entitled Watching the Dark, while also continuing to keep Thompson’s (solo and with Linda) pre-1984 catalog in print. Capitol dropped Thompson from its roster in 2001, shortly after the release of the compilation Action Packed: The Best of the Capitol Years, and in 2003 he returned to the ranks of the independent recording artists with his album The Old Kit Bag, released by Cooking Vinyl in the U.K. and Spinart in the United States. Thompson continued to follow the indie path with his next release, 2005’s Front Parlour Ballads, a primarily acoustic effort that Thompson recorded in his own garage studio.
In 2000, Island Records released the single-disc The Best of Richard & Linda Thompson: The Island Years, culled from Richard and Linda’s time with the label. As a testament to Richard Thompson’s reputation as one of the era’s finest songwriters, as well as a guitarist nonpareil, two tribute albums were released: The World Is a Wonderful Place (1993) (Victoria Williams, Christine Collister, Tom Robinson, Plainsong, and others) and Beat the Retreat (October 1994) (R.E.M., Bob Mould, X, June Tabor, Bonnie Raitt, Dinosaur Jr., Martin Carthy, and others). The former also includes a previously unreleased song/recording of Richard and Linda’s. In 2006, Free Reed released RT: The Life and Music of Richard Thompson, a five-disc set of outtakes, live recordings, and album cuts, many of which were pulled from Thompson’s personal collection. A new studio album, Sweet Warrior, arrived in 2007, followed by another collection of brand-new songs (performed live) called Dream Attic in 2010.
Over the next few years, Thompson continued to tour regularly and in 2012 he headed into Buddy Miller’s home studio in Nashville to record a new album. Released early in 2013, the resulting record was called Electric and, appropriately enough, showcased Thompson’s electric guitar skills. He also appeared on his ex-wife Linda’s fourth studio album, Won’t Be Long Now, on the track “Love’s for Babies and Fools” later that year. In July 2014, he released an acoustic collection of his well-known songs entitled Acoustic Classics. For his 2015 album Still, Thompson traveled to Chicago, where Jeff Tweedy of Wilco served as producer for the sessions; Tweedy also added musical accents to several songs, recorded at Wilco’s private recording studio, the Loft. Following up his 2014 acoustic release, Thompson issued Acoustic Classics II in 2017, offering more stripped-down and reimagined versions of songs from his back catalog. (Brett Hartenbach, AllMusic)
Thirty-two years after the fact, this live album presents a full-length version of the shows performed by Richard & Linda Thompson to promote their 1975 album Pour Down Like Silver, their third LP, following Hokey Pokey released earlier in 1975, and 1974’s I Want to See the Bright Lights Tonight. They are accompanied by John Kirkpatrick on accordion and concertina, Dave Pegg on bass, and Dave Mattacks on drums. The recordings have not been released previously, except for “Calvary Cross” and “It’ll Be Me,” which were included on Richard Thompson’s 1976 compilation Guitar, Vocal, but which have been remixed for this album. The selections come mostly from the Thompsons’ three albums, of course, with special emphasis on Pour Down Like Silver, and the performances are often stretched out with lengthy guitar solos. A nod to Richard Thompson’s tenure in Fairport Convention is made with a version of “Now Be Thankful,” and since the instrumental lineup mirrors that found on the album of traditional music Morris On, the players give Linda Thompson a break and perform a set of instrumental reels. The cover songs are all American country and country-rock numbers, Hank Williams’ “Why Don’t You Love Me” (with Linda Thompson on lead vocals), “Things You Gave Me” (learned from a Rick Nelson album), the Jerry Lee Lewis hit “It’ll Be Me,” and Buck Owens’ “Together Again.” This was a recording worth excavating from the vault, and it confirms Richard & Linda Thompson’s reputation as a major folk-rock act of the ’70s, making it all the more regrettable that they broke up, professionally and romantically, in the early ’80s. (William Rulmann, AllMusic)
Richard Thompson: vocals, guitar
Linda Thompson: vocals
Dave Mattacks: drums
Dave Pegg: bass
John Kirkpatrick: Anglo concertina and accordion
Recorded by John Wood
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