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Stefan Grossman's Guitar Workshop - Folk, Blues And Beyond taught by John Renbourn
Страна: England
Тематика: Обучающее видео, демонстрация песен
Тип раздаваемого материала: Видеоурок
Продолжительность: 01:18:00
Год выпуска: 2005
Язык: Английский
Перевод: Отсутствует
Home: www.folkblues.co.uk/artistsrenbourn.htm
Описание: В этом видео, John Renbourn представляет широкий спектр Fingerstyle приёмов, от традиционных блюзовых баллад, до церковных гимнов...
In this lesson, John Renbourn presents a wide variety of fingerstyle arrangements from traditional ballads to country blues, from a Booker T. & the MGs rock instumental to the church hymn Abide With Me. All receive the special touches of John's unique playing, and are explained in detail with the help of split-screen video techniques that allow the student to clearly see and study what each hand is doing.
The title captures the essence of all these players, but it is also a tribute to Davey Graham, as the title is taken from one of his ground breaking album. It starts wit a medley with John Renbourn's tune Judy, and Davey Graham's classic tuning Anji or Angie. Angie is a tune based on what I like to refer to as Spanish progression. White House Blues is not really a blues, but a nice arrangement. Another nice arrangement is Watch the Stars.
Then comes some tunes that have for a very long time been among my favorites. The first is Lord Franklin – the tune Bob Dylan used for Bob Dylan's Dream. John Renbourn has made a sophisticated and far from easy arrangement. The next tune is another favorite: The Booker T Jones tune My Sweet Potato. It is based on a nice swinging lick played in Dropped D-tuning, with solo phrases played in between the licks.
Titles include / Композиции: White House Blues, Judy, Anji, Watch the Stars, Lord Franklin, My Sweet Potato, Abide With Me and Great Dreams Come From Heaven.
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Превью MelBay
I was born in Marylebone, London in 1944, right at the end of the War. My Mother played light-classical pieces on the piano, which also served as the family bomb-shelter during the air raids. I recall her playing with great fondness and still play an arrangement of Schumann's ' Im Wunderschonen Monat Mai' on the guitar. Later on, at school, I took music lessons with a patient man named John Webber who introduced me to Early Music which had yet to become part of the curriculum. At the same time I sat my grade exams on classical guitar at the Guildhall, presided over by Adele Kramer.
An interest in Early Music has remained with me, not least in my approach to arrangement. The classical guitar studies helped a lot in the transition to steel-string fingerpicking styles, ' Faro's Rag’ owes more to Fernando Sor than Madame Kramer would probably care to acknowledge.
In Britain in the late fifties the musical craze was for 'Skiffle', an amalgam of American folk, blues, bluegrass and jugband styles. The big hit was 'Freight Train' which drew attention to Elizabeth Cotten's original, as well as to the work of such musicians as Leadbelly, Jesse Fuller, Josh White, Big Bill Broonzy, Brownie McGhee and Ramblin' Jack Elliot. These players all came over to England and their guitar styles left a strong impression on a generation of young skifflers. As soon as I left school I went hitch-hiking,and met up with others trying to play like them. Mac McCloud, Gerry Lockran, Mick Softly and Wizz Jones were already well on the way,and we were all in awe of Davey Graham.
Around this time I got my first playable steel-string guitar, it cost me a fiver and was an object of wonder and beauty. It was a Scarth and, like Abbott and Aristone, a British-made dance-band instrument having an arched top and tailpiece but with a round sound hole. It had its little idiosyncrasies - the action went up and down according to the weather, which could be counteracted by wedging a lollypop stick under the neck - a feature that merely added to its mystique. You don't see too many like it any more! However, good steel-string guitars were few and far between with Harmony and Levin leading the field. I was living on an old boat on the River Thames and stringing together tunes based on picking patterns, such as 'Down On The Barge’ and that old Scarth served me well - featuring on the cover of my first LP, in the traditional 'folk-singer-on-the-rubbish-dump' pose.
In the early sixties I attended Kingston College of Art fairly frequently. The Art Schools seemed to be turning out more musicians than artists at that time. The Yardbirds were at Kingston, as were Eric Clapton and Sandy Denny. The R'n'B craze had replaced skiffle and the best band was considered to be Alexis Korner's ' Blues Incorporated’. I played in an Art School R'n'B band for a while, ' Hog Snort Rupert's Famous Porkestra’, using a borrowed electric guitar. I found that some of the band's riffs sounded interesting played fingerstyle on an acoustic guitar and pieces like ' The Wildest Pig In Captivity ' came out of that.
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Качество : DVDRip
Формат: AVI
Видео кодек: XviD
Аудио кодек: MP3
Видео: | 720x480 | XVID | ~1199 kbps | NTSC 29.970 fps | Aspect ratio: 1.500 |
Аудио: | MPEG-1 Audio layer 3 | 2 channels | CBR 128 Kbps | 44.1 KHz |
JR - Folk Blues & Beyond-Dvdrip\John Renbourn - Folk Blues & Beyond.avi
Format : AVI
Format/Info : Audio Video Interleave
Format/Family : RIFF
File size : 1.18 GiB
PlayTime : 1h 18mn
Bit rate : 2171 Kbps
StreamSize/String : 24.8 MiB
Video
Codec : XviD
Codec/Family : MPEG-4V
Codec/Info : XviD project
Codec profile : Simple Profile/Level 3
Codec settings, Packet bitstream : No
Codec settings, BVOP : No
Codec settings, QPel : No
Codec settings, GMC : 0
Codec settings, Matrix : Default
PlayTime : 1h 18mn
Bit rate : 1999 Kbps
Width : 720 pixels
Height : 480 pixels
Display Aspect ratio : 1.500
Frame rate : 29.970 fps
Standard : NTSC
Resolution : 8 bits
Chroma : 4:2:0
Interlacement : Progressive
Bits/(Pixel*Frame) : 0.193
StreamSize/String : 1.09 GiB
Writing library : ZJMedia MPEG Encoder
Audio
Codec : MPEG-1 Audio layer 3
Codec profile : Joint stereo
PlayTime : 1h 18mn
Bit rate mode : CBR
Bit rate : 128 Kbps
Channel(s) : 2 channels
Sampling rate : 44.1 KHz
Resolution : 16 bits
StreamSize/String : 71.5 MiB
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