Guitar World - Mastering Fretboard Harmony [2009, Обучающее видео, интенсивная теория муз. для гитары, DVD5, ENG] (Видеоурок)

The Foundation
• The Musical Alphabet Up and Down Each String
• The Major Scale Formula
• The Major Scale Up and Down Each String
Two-Part Harmony
• The Major Scale Harmonized in Thirds on Adjacent Strings
• The Major Scale Harmonized in Sixths, “Mandolin Style”
• Sixths Played on Non-Adjacent Strings
The Essential Guitar Keys
• E Major, G Major and the “Friendliest” Major Keys
• Harmonizing the Major Scale in Fifths on Adjacent Strings, Key of C
• Fifths, Played on Non-Adjacent Strings
• The Major Scale Harmonized in Fourths
Three-Part Harmony
• The Major Scale Harmonized in Root-Position Diatonic Triads
• Root-Position Diatonic Triads, Key of G
• Triad Inversions, Key of C and Key of G
• 1st-Inversion Diatonic Triads, Key of C
• 2nd-Inversion Diatonic Triads, Key of C
• Triad Inversion, Key of E
Open-Voiced Triads
• C Major Inversions
• Harmonizing the Major Scale in 10ths
• Harmonizing the Major Scale with Open-Voiced Triads
“Stacked” Chord Voicings
• Stock Open Chords (a.k.a. “Cowboy Chords”)
• Barre Chords
Chord Progressions
• The I, IV, and V Chords of a Major Key
• Relative Minor and Major Chords
• Progressions Incorporating I, IV, V and vi (Relative Minor) Chords
• Using Inversions in Diatonic Chord Progressions
Dominant Seventh Chords
• Resolving the Tritone Interval
• Inversions of Dominant Seventh Chords
• Secondary Dominant Chords, Using with Inversions
Voice Leading
• The Minimal Movement Principle Applied to the I-IV-V Progression
• SUS4 Chord Voicings
• Non-Diatonic Chord Progressions (“Breaking the Rules,” part 1)
• The Minor-Drop Progression
• The Harmonic Minor Scale and Its Diatonic Triads
The Modes of the Major Scale
• Modes Played in Sixths and Thirds
• The Cycle of Fifths
• Moving Diatonically Through the Cycle
Diatonic Seventh Chords
• Jazz-Style Seventh Chord Voicings Without the Fifth
• More Non-Diatonic Chord Progressions (“Breaking the Rules,” part 2)
• Descending Voice Leading: The Major-Drop Progression
• Using First-Inversion Triads as “Pivot Chords”
PLUS: Bonus Section!
• Chord Voicings That Cut Through Heavy Distortion
• The Overtone Series (Harmonics)

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