Жанр: Oldies 60s, Surf-Rock, Folk-Rock, Sunshine Pop, Psychedelic Rock, Rock'n'Roll, Doo-Wop Страна: USA Год издания: 1963-2010 Аудиокодек: MP3 Тип рипа: tracks Битрейт аудио: 320 kbps Продолжительность: 09: 17: 04 Треклист:
1. Drag City 2. I Gotta Drive 3. Drag Strip Girl 4. Surfin' Hearse 5. Dead Man's Curve 6. Schlock Rod (Part 1) 7. Schlock Rod (Part 2) 8. Popsicle Truck 9. Surf Route 10. Sting Ray 11. Little Deuce Coupe 12. Hot Stocker
Time:00:30:07
#7771. Linda 2. Walk Like A Man 3. Surfin' 4. Let's Turkey Trot 5. Rhythm Of The Rain 6. Mr. Bass Man 7. Walk Right In 8. The Best Friend I Ever Had 9. The Gypsy Cried 10. My Foolish Heart 11. When I Learn How To Cry 12. Surfin' Safari
Time:00:28:11
#777 1. Surf City 2. Memphis Tennessee 3. Detroit City 4. Manhatten 5. Philadelphia, PA 6. Way Down Yonder in New Orleans 7. Honolulu Lulu 8. Kansas City 9. I Left My Heart in San Francisco 10. You Came a Long Way From St. Louis 11. Talahassie Lassie 12. Soul City Time:00:30:42
#7771. Dead Man's Curve 2. 3-Window Coupe 3. Bucket 'T' 4. Rockin' Little Roadster 5. 'B' Gas Rickshaw 6. Mighty G.T.O. 7. The New Girl In School 8. Linda 9. Barons West L.A. 10. School Days 11. It's As Easy as 1,2,3 12. Hey Little Freshman
Time:00:30:29
#77701. Ride The Wild Surf 02. Tell 'Em I'm Surfin' 03. Wiamea Bay 04. She's My Summer Girl 05. The Restless Surfer 06. Skateboarding-Part 1 07. Sidewalk Surfin' 08. Surfin' Wild 09. Down At Malibu Beach 10. A Surfer's Dream 11. Walk On The Wet Side 12. The Submarine Races Time:00:28:29
#7771. The Little Old Lady (from Pasadena) 2. Memphis 3. When It's Over 4. Horace, the Swingin' School Bus Driver 5. Old Ladies Seldom Power Shift 6. Sidewalk Surfin' 7. The Anaheim, Azusa & Cucamonga Sewing Circle, Book Review & Timing Association 8. Summer Means Fun 9. It's as Easy as 1,2,3 10. Move Out, Little Mustang 11. Skateboarding, Part II 12. One-Piece Topless Bathing Suit Time:00:28:05
#7771. Surf City 2. Little Honda 3. Dead Man's Curve 4. I Get Around 5. All I Have To Do Is Dream 6. Theme From The T.A.M.I. Show 7. Rock And Roll Music 8. The Little Old Lady From Pasedena 9. Do Wah Diddy Diddy 10. I Should Have Known Better 11. Sidewalk Surfin' 12. Louie, Louie Time:00:33:26
#7771. I Found a Girl 2. Hang on Sloopy 3. I Can't Wait to Love You 4. Eve of Destruction 5. It's a Shame to Say Goodbye 6. Where Were You When I Needed You 7. A Beginning From an End 8. Yesterday 9. The Universal Coward 10. It Ain't Me Babe 11. Folk City 12. Turn Turn Turn Time:00:33:47
#77701. Norwegian Wood 02. 1 2 3 03. Lightin' Strikes 04. You've Got To Hide Your Love Away 05. Let's Hang On 06. Hang On Sloopy 07. Honolulu Lulu 08. Gonna Hustle You 09. Dead Man's Curve 10. Michelle 11. I Found A Girl 12. Everybody Loves A Clown Time:00:30:53
#77701. Batman 02. The Origin Of Captain Jan & Dean The Boy Blunder 03. Robin The Boy Wonder 04. A Vit-A-Min A Day 05. Mr. Freeze 06. The Doctor's Dilemma 07. A Stench In Time 08. Batman Theme 09. A Hank Of Hair And A Banana Peel 10. The Fireman's Flaming Flourish 11. The Joker Is Wild 12. Tiger, Tiger, Burning 13. Flight Of The Batmobile 14. A Hot Time In The Old Town Tonight) Time:00:41:36
#7771. Little Old Lady from Pasadena 2. Baby Talk 3. Honolulu Lulu 4. Dead Man's Curve 5. Surf City 6. It's a Shame to Say Goodbye 7. Drag City 8. You Really Know How to Hurt a Guy 9. Sidewalk Surfin' 10. Heart and Soul 11. New Girl in School 12. Linda
Time:00:32:40
#7771. Popsicle 2. The Restless Surfer 3. She’s My Summer Girl 4. Down at Malibu Beach 5. Summer Means Fun 6. Tennessee 7. Norwegian Wood (This Bird has Flown) 8. A Surfer’s Dream 9. Surf Route 101 10. Surfin’ Wild 11. Waimea Bay Time:00:26:31
#777 1. Yellow Balloon 2. Here Comes the Rain 3. Pocket Full of Rainbows 4. When Sunny Gets Blue 5. Like a Summer Rain 6. Raindrops 7. Rain on the Roof 8. Cryin’ in the Rain 9. Taste of Rain 10. Save for a Rainy Day Theme Time:00:27:02
#7771 –Jan & Arnie Jennie Lee 2 –Jan & Arnie Gotta Getta Date 3 –Jan & Arnie Bonnie Lou 4 –Jan & Arnie Gas Money 5 –Jan & Arnie I Love Linda 6 –Jan & Arnie The Beat That Can't Be Beat 7 –Jan & Dean Baby Talk 8 –Jan & Dean Jeanette, Get Your Hair Done 9 –Jan & Dean There's A Girl 10 –Jan & Dean You're On My Mind 11 –Jan & Dean Clementine 12 –Jan & Dean My Heart Sings 13 –Jan & Dean White Tennis Sneakers 14 –Jan & Dean Cindy 15 –Jan & Dean Rosie Lane 16 –Jan & Dean We Go Together 17 –Jan & Dean Gee 18 –Jan & Dean Such A Goodnight For Dreaming 19 –Jan & Dean Baggy Pants (Read All About It) 20 –Jan & Dean Judy's An Angel 21 –Jan & Dean Don't Fly Away 22 –Jan & Dean Julie 23 –Jan & Dean Heart And Soul 24 –Jan & Dean Those Words 25 –Jan & Dean Midsummer Night's Dream 26 –Jan & Dean Wanted, One Girl 27 –Jan & Dean Something A Little Bit Different 28 –Jan & Arnie Gotta Getta Date (speeded-up alternate version) 29 –Jan & Arnie Gas Money (speeded-up alternate version) 30 –Jan & Dean Judy (alternate album version) 31 –Jan & Dean She's Still Talking Baby Talk 32 –Jan & Dean Your Heart Has Changed Its Mind 33 –Jan & Dean Frosty The Snowman 34 –Jan & Dean Linda (Live At The Brooklyn Fox, Murray The K's Holiday Show 1963) Time:01:16:47
#77701. Girl, You're Blowing My Mind [00:02:27] 02. Mulholland [00:02:14] 03. Fan Tan [00:02:18] 04. Carnival Of Sound [00:03:07] 05. Laurel And Hardy [00:02:46] 06. I Know My Mind [00:03:19] 07. Love And Hate [00:02:31] 08. Tijuana [00:02:33] 09. Hawai [00:02:40] 10. Louisiana Man [00:03:30] 11. Stay [00:01:35] 12. Ony A Boy [00:02:38] 13. In The Still Of The Night [00:03:14] 14. Yakety Yak [00:02:27] 15. Don't Drop It [00:02:21] 16. Girl, You're Blowing My Mind (Stereo Mix) [00:02:35] 17. Mulholland (Stereo Mix) [00:02:49] 18. Fan Tan (Stereo Mix) [00:02:32] 19. Carnival Of Sound (Stereo Mix) [00:03:00] 20. I Know My Mind (Stereo Mix) [00:03:42] 21. Love And Hate (Stereo Mix) [00:02:33] 22. Tijuana (Stereo Mix) [00:02:31] 23. Hawaii (Stereo Mix) [00:02:45] 24. Louisiana Man (Stereo Mix) [00:03:30] 25. Stay (Stereo Mix) [00:01:46] 26. In The Still Of The Night (Stereo Mix) [00:03:19] 27. Girl, You're Blowing My Mind (Jan's Final Mix) [00:02:26] 28. Laurel and Hardy (Jan's Demo) [00:03:23] 29. Girl, You're Blowing My Mind (Alternate Backing Track) [00:02:31]
Time:01:19:19
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Jan and Dean were a rock and roll duo, popular from the late 1950s through the mid 1960s, consisting of William Jan Berry (April 3, 1941 – March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). They were pioneers of the vocal "surf music" craze that was popularized by The Beach Boys. Among their most successful songs was "Surf City", which topped both the Billboard and Cashbox music charts in June 1963; "Drag City", which was a No. 10 hit on both the Billboard and Cashbox charts in 1963; and their song "The Little Old Lady from Pasadena", which peaked at No. 3. "Dead Man's Curve", which reached No. 8 on the Billboard charts in 1964, was inducted into the Grammy Hall of Fame in 2008. In 1972 Torrence won the Grammy Award for Best Album Cover for the psychedelic rock band Pollution's first eponymous 1971 album, and was nominated three other times in the same category for albums of The Nitty Gritty Dirt Band. In 2013, Torrence's design contribution of the Surf City Allstars "In Concert" CD was named a Silver Award of Distinction at the Communicator Awards competition. William Jan Berry (born in Los Angeles, California April 3, 1941; died March 26, 2004), was the son of aeronautical engineer William L. Berry (born December 7, 1909, in The Bronx, NY; died December 19, 2004, in Camarillo, California), who had been project manager of the "Spruce Goose" and flew on its only flight with Howard Hughes, and Clara Lorentze Mustad Berry (born September 2, 1919 in Bergen, Norway; died July 9, 2009). Dean Ormsby Torrence (born Los Angeles, California March 10, 1940), is the son of Natalie Ormsby Torrence (born April 10, 1911, in California; died August 10, 2008, in Los Angeles, California) and Maurice Dean Torrence (born December 5, 1907, in South Dakota; died November 16, 1997, in Los Angeles, California), a graduate of Stanford University, who was a sales manager at the Wilshire Oil Company. Berry and Torrence, both born in Los Angeles, California, met while students at Emerson Junior High School in Westwood, Los Angeles, and both were on the school's football team. By 1957, they were students in the Vagabond Class of 1958 at the nearby University High School, where again they were on the school's football team, the Warriors. Berry and Torrence had adjoining lockers, and after football practice, they began harmonizing together in the showers with several other football players, including future actor James Brolin. The Barons In order to enter at a talent competition at University High School, Berry and Torrence helped form a doo-wop group known as "The Barons" (named after their high school's Hi-Y club, of which they were members), which comprised fellow University High students William "Chuck" Steele (lead singer), Arnold P. "Arnie" Ginsburg (born November 19, 1939; 1st tenor), Wallace S. "Wally" Yagi (born July 20, 1940; 2nd tenor), John 'Sagi" Seligman (2nd tenor), with Berry singing bass, and Torrence providing falsetto. During its short duration Sandy Nelson, Torrence's neighbor, played drums, and future Beach Boy, Bruce Johnston, occasionally sang and played piano. The Barons rehearsed for hours in the garage of Berry's parents' home at 1111 Linda Flora Drive, Bel Air, where Berry's father provided an upright piano and two two-track Ampex reel-to-reel tape recorders. During primitive recording sessions in the garage, Berry served as producer and arranger,and experimented with multi-part vocal arrangements (five years before he started working professionally with Brian Wilson) In 1958, The Barons performed to popular acclaim at the talent competition at University High School, covering contemporary hits like "Get a Job", "Rock and Roll Is Here To Stay", and "Short Shorts". However, after the contest various members of The Barons drifted away, leaving only Berry and Torrence, who tried to write their own songs. Jan & Arnie After being inspired by a poster featuring a local, Hollywood burlesque performer, Virginia Lee Hicks, who was then performing as Jennie Lee, the "Bazoom Girl", at the New Follies Burlesk at 548 S. Main St, Los Angeles, Ginsburg wrote a tribute song, "Jennie Lee", that he brought to Berry and Torrence. Berry adapted the Civil War tune "Aura Lea" and arranged the harmonies. After weeks of practice, Berry, Ginsburg, and Torrence planned to record a demo recording in Berry's garage, but Torrance was conscripted into the United States Army Reserve forcing Berry and Ginsburg to record "Jennie Lee" without Torrence, with Berry's friend and fellow University High student Donald J. Altfeld (born March 18, 1940, in Los Angeles, California)"belting out the rhythm on a children's metal high chair".The next day Berry took their recording to Radio Recorders, a small Hollywood recording studio, to have it transferred to an acetate disc. Joe Lubin, Vice President and Head of A & R of Doris Day and Martin Melcher's Arwin Records, was impressed and offered to add instruments and to release it through Arwin. In March 1958, the fathers of Berry and Ginsburg signed contracts authorizing Lubin to produce, arrange, and manage their sons. Berry and Ginsburg, now christened "Jan & Arnie", re-recorded their vocals on a professional recording system. Produced by Lubin, "Jennie Lee" (Arwin 108), backed with "Gotta Get a Date" (credited to Ginsburg, Berry & Lubin), became a surprise commercial success. According to Berry's biographer Mark A. Moore, "The song (with backing vocals, plus additional instruments added by the Ernie Freeman combo) had a raucous R&B flavor, with a bouncing bomp-bomp vocal hook that would become a signature from Jan on future recordings." Distributed by Dot Records, "Jennie Lee" was released in mid-April, entered the charts on May 10, 1958, the same day they appeared on ABC's Dick Clark Show. "Jennie Lee" peaked at No. 3 on the Cash Box charts on June 21, 1958, No. 4 on the R&B charts, and No. 8 on the Billboard charts on June 30, 1958. Billy Ward and His Dominoes's R&B cover of "Jennie Lee" reached No. 55 in the Pop charts in June 1958, while other cover versions including that of Moon Mullican (Coral 9-61994) and Bobby Phillips & the Toppers (Tops 45-R422-49), released in 1958 failed to chart. In July 1958, Jan & Arnie released their second single, "Gas Money" backed with "Bonnie Lou" (Arwin 111), both written by Berry, Ginsburg, and Altfeld. Like "Jennie Lee", "Gas Money" contained a few elements of what would later become surf music. It entered the Billboard charts on August 24, 1958, and peaked at No. 81 a week later. With Sheb Wooley, The Champs, Link Wray and his Ray Men, Frankie Avalon, The Kalin Twins, and Dicky Doo & The Don'ts, Jan & Arnie were a featured act on the Summer Dance Party that toured the US East Coast, including Pennyslvania, Massachusetts, and Connecticut in July 1958. By the end of the month, they traveled to Manhattan to appear on ABC's Dick Clark Show. On August 24, 1958, Jan & Arnie played in a live show hosted by Dick Clark that featured Bobby Darin, the Champs, Sheb Wooley, The Blossoms, The Six Teens, Jerry Wallace, Jack Jones, Rod McKuen, and the Ernie Freeman Orchestra in front of nearly 12,000 fans at the first rock-n-roll show ever held at the Hollywood Bowl. After Torrence returned from a six-month compulsory stint in the US Army Reserve, Berry and Torrence began to make music as "Jan and Dean." With the help of record producers Herb Alpert and Lou Adler, Jan and Dean scored a No. 10 hit with "Baby Talk" (1959), (which was incorrectly labeled as Jan & Arnie when it initially was released), their first song to contain a few of the soon-to-be-famous elements that became associated with surf music (close vocal harmonies, selective use of major and minor chords, falsetto doo-wop singing), then scored a series of hits over the next couple of years. Playing local venues, they met and performed with the Beach Boys, and discovered the appeal of the latter's "surf sound". By this time Berry was co-writing, arranging, and producing all of Jan and Dean's original material. Berry signed a series of contracts with Screen Gems to write and produce music for Jan and Dean, as well as other artists such as Judy & Jill (Berry's girlfriend, Jill Gibson, and Dean Torrence's girlfriend, Judy Lovejoy), The Matadors, and Pixie (a young female solo singer). During this time Berry co-wrote, and/or arranged and produced songs for artists outside of Jan and Dean, including The Angels ("I Adore Him", Top 30), the Gents, the Matadors (Sinners), Judy & Jill, Pixie (unreleased), Jill Gibson, Shelley Fabares, Deane Hawley, The Rip Chords ("Three Window Coupe", Top 30), and Johnny Crawford, among others. By September 6, 1958, Jan & Arnie's third and final single, "The Beat That Can't Be Beat" backed with "I Love Linda" (Arwin 113), again composed by the Berry, Ginsburg, and Altfeld team, was released. However this single failed to chart, due in part to a lack of distribution. On October 19, 1958 Jan & Arnie performed "The Beat That Can't Be Beat" on CBS's Jack Benny Show. Unlike most other rock 'n roll acts of the period, Jan and Dean did not give music their full-time attention. Jan and Dean were college students, maintaining their studies while writing and recording music and making public appearances on the side. Torrence majored in advertising design in the school of architecture at USC, where he also was a member of the Phi Sigma Kappa fraternity. Berry took science and music classes at UCLA, became a member of Phi Gamma Delta fraternity, and entered the California College of Medicine (now the UC Irvine School of Medicine) in 1963. By the time of his 1966 auto accident, Berry had completed two years of medical school. Ginsburg recorded "Kathy Cryin' Heart", a catchy number laced with ironic humour, that was backed with "Catching Spies". It was a raw-sounding garage number, and these songs were not released. Jan and Dean reached their commercial peak in 1963 and 1964, after they met Brian Wilson. The duo scored an impressive sixteen Top 40 hits on the Billboard and Cash Box magazine charts, with a total of twenty-six chart hits over an eight-year period (1958–1966). Jan and Brian Wilson collaborated on roughly a dozen hits and album cuts for Jan and Dean, including the number one national hit "Surf City", written by Brian Wilson, in 1963. Subsequent top 10 hits included "Drag City" (#10, 1964), the eerily portentous "Dead Man's Curve" (#8, 1964), and "The Little Old Lady from Pasadena" (#3, 1964). In 1964, at the height of their fame, Jan and Dean hosted and performed at The T.A.M.I. Show, a historic concert film directed by Steve Binder. The film also featured such acts as The Rolling Stones, Chuck Berry, Gerry & the Pacemakers, James Brown, Billy J. Kramer & The Dakotas, Marvin Gaye, The Supremes, Lesley Gore, Smokey Robinson & The Miracles, and The Beach Boys. Also in 1964, the duo performed the title track for the Columbia Pictures film Ride the Wild Surf, starring Fabian Forte, Tab Hunter, Peter Brown, Shelley Fabares, and Barbara Eden. The song, penned by Jan Berry, Brian Wilson, and Roger Christian, was a Top 20 national hit. The pair were also to have appeared in the film, but their roles were cut following their friendship with Barry Keenan, who had engineered the Frank Sinatra Jr. kidnapping. After the surf craze, Jan and Dean scored two Top-30 hits in 1965: "You Really Know How to Hurt a Guy" and "I Found a Girl"—the latter from the album Folk 'n Roll. During this period, they also began to experiment with cutting-edge comedy concepts such as the original (unreleased) Filet of Soul and Jan & Dean Meet Batman. The former's album cover shows Berry with his leg in a cast as a result of the accident while filming Easy Come, Easy Go. Jan and Dean also filmed two unreleased television pilots: Surf Scene in 1963 and On the Run in 1966. Their feature film for Paramount Pictures Easy Come, Easy Go was canceled when Berry, as well as the film's director and other crew members, were seriously injured in a railroad accident while shooting the movie in Chatsworth, California, in August 1965. On April 12, 1966, Berry received severe head injuries in an automobile accident on Whittier Drive, just a short distance from Dead Man's Curve in Beverly Hills, California, two years after the song had become a hit. He was on his way to a business meeting when he crashed his Corvette into a parked truck on Whittier Drive, near the intersection of Sunset Boulevard, in Beverly Hills. He also had separated from his girlfriend of seven years, singer-artist Jill Gibson, later a member of The Mamas & the Papas for a short time, who also had co-written several songs with him. Berry was in a coma for nearly two months; he awoke on the morning of June 16, 1966. Berry traveled a long and difficult road toward recovery from brain damage and partial paralysis. He had minimal use of his right arm, and had to learn to write with his left hand. Doctors said he would never walk again, but he refused to give up, and ultimately succeeded. Torrence stood by his partner, maintaining their presence in the music industry, and keeping open the possibility that they would perform together again. In Berry's absence Torrence released several singles on the J&D Record Co. label and recorded Save for a Rainy Day in 1966, a concept album featuring all rain-themed songs. Torrence posed with Berry's brother Ken for the album cover photos. Columbia Records released one single from the project ("Yellow Balloon") as did the song's writer, Gary Zekley, with The Yellow Balloon, but with legal wrangles scuttling Torrence's Columbia deal and Berry's disapproval of the project, Save for a Rainy Day remained a self-released album on the J&D Record Co. label (JD-101). Besides his studio work, Torrence became a graphic artist starting his own company, Kittyhawk Graphics, and designing and creating album covers and logos for other musicians and recording artists, including Harry Nilsson, Steve Martin, the Nitty Gritty Dirt Band, Dennis Wilson, Bruce Johnston, The Beach Boys, Diana Ross and The Supremes, Linda Ronstadt, Canned Heat, The Ventures and many others. Torrence (with Gene Brownell) won a Grammy Award for "Album Cover of the Year", for the group Pollution in 1973. Berry returned to the studio in April 1967, almost one year to the day after his accident. Working with collaborators, he began writing and producing music again. In December 1967 Jan and Dean signed an agreement with Warner Bros. Records. Warner issued three singles under the name "Jan and Dean", but a 1968 Berry-produced album for Warner Bros., the psychedelic Carnival of Sound, remained unreleased until February 2010, when Rhino Records' "Handmade" label put out CD and vinyl compilations of all tracks recorded for Carnival, along with various outtakes and remixes from the project. By the end of the year, when Torrence had completed his six-month stint at Fort Ord, Ginsburg had become disenchanted with the music business. Ginsburg enrolled in the School of Architecture and Design at the University of Southern California, and graduated in the field of product design in 1966. After graduation Ginsburg worked for several noted Los Angeles architects, among them Charles Eames,.and in December 1973 he was granted a U.S. Patent for a table he designed. Arnie Ginsburg moved to Santa Barbara, California, in 1975, where he worked as an architectural designer, designing the innovative Ginsburg House. In September 1976 Ginsburg and Michael W. O'Neill were granted a patent for a portable batting cage. In 1971 Jan & Dean released the album Jan & Dean Anthology Album under the label United Artists Records. The album included many of their top hits starting in 1958 with "Jennie Lee" and ending in 1968 with "Vegetables". Berry began to sing again in the early 1970s, and he arranged and produced a number of singles (both solo and as Jan & Dean) between 1972 and 1978 on the Ode and A&M labels, facilitated by friend and former manager Lou Adler. Berry also toured with his Aloha band, while Dean began performing with a band called Papa Doo Run Run. In 1973, Jan and Dean made an appearance at the Hollywood Palladium, as part of Jim Pewter's "Surfer's Stomp" reunion, in which the duo attempted to lip sync "Surf City," and the record failed. They were booed off stage. The duo's first live performance after Berry's accident occurred at the Palomino Nightclub in North Hollywood on June 5, 1976 (ten years after the accident) as guests of Disneyland regulars Papa Doo Run Run. Their first actual multi-song concert billed as Jan and Dean took place in 1978 in New York City at The Palladium as part of the Murray the K Brooklyn Fox Reunion Show. This was followed by a handful of East Coast shows as guests of their longtime friends The Beach Boys. Four nationwide J & D headlined tours followed through 1980. Jan was still suffering the effects of his 1966 accident, with partial paralysis and aphasia. He had a noticeable limp and his right arm was useless. In addition, his speech was slowed down a bit to keep up with his still almost genius IQ.
Доп. информация: Полный комплект всех студийных альбомов легендарного дуэта Jan & Dean (+ ранние записи конца 50-х и начала 60-х + сольник Берри Carnival of Sound). Всё переконвертировано в MP3 из формата FLAC. Приятной прослушки!
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