Michael Chapman / Trainsong: Guitar Compositions, 1967-2010 (2 CD) Жанр: British Folk, Americana Носитель: CD Страна-производитель диска (релиза): USA Год издания: 2011 Издатель (лейбл): Tompkins Square Номер по каталогу: TSQ2530 Страна исполнителя (группы): UK Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 00:59:09 + 00:51:39 = 01:50:48 Источник: собственный рип Наличие сканов в содержимом раздачи: да Треклист:
01. The Last Polish Breakfast 05:26 02. Little Molly’s Dream 08:51 03. Fahey’s Flag 04:08 04. Rockport Sunday 05:04 05. Sunday Morning 03:30 06. Sweet Little Friend from Georgia 04:00 07. Elinkine 04:14 08. New Chord Blues 03:22 09. Uncle Jack-Looking for Charlie 02:37 10. Caddo Lake 06:44 11. Theme from the Movie of the Same Name 02:23 12. Stranger’s Map of Texas 03:45 13. Slowcoach 05:06 All songs are written by Michael Chapman
01. Naked Ladies and Electric Ragtime 02:45 02. Ponchatoulah 03:38 03. Wellington the Skellington 03:38 04. Silverking 04:33 05. Sensimilia 05:14 06. Thurston’s House 03:09 07. Thank You PK 1944 04:07 08. The Coming of the Roads 02:16 09. Sometimes 03:12 10. Extrabop 02:17 11. Trying Times 03:38 12. Hi Heel Sneakers 05:20 13. La Madrugada 07:53 All songs are written by Michael Chapman
Код:
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 28. May 2019, 20:42 Michael Chapman / Trainsong: Guitar Compositions, 1967-2010 Used drive : ASUS BW-12D1S-U Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:25.40 | 0 | 24414 2 | 5:25.40 | 8:51.16 | 24415 | 64255 3 | 14:16.56 | 4:08.34 | 64256 | 82889 4 | 18:25.15 | 5:04.22 | 82890 | 105711 5 | 23:29.37 | 3:29.44 | 105712 | 121430 6 | 26:59.06 | 3:59.59 | 121431 | 139414 7 | 30:58.65 | 4:13.68 | 139415 | 158457 8 | 35:12.58 | 3:21.43 | 158458 | 173575 9 | 38:34.26 | 2:37.22 | 173576 | 185372 10 | 41:11.48 | 6:43.71 | 185373 | 215668 11 | 47:55.44 | 2:23.23 | 215669 | 226416 12 | 50:18.67 | 3:45.13 | 226417 | 243304 13 | 54:04.05 | 5:05.40 | 243305 | 266219 Track 1 Filename E:\Torrents of Autumn\Chapman, Michael [2011] Trainsongs~ Guitar Compositions 1967-2010 (2-CD set)\Disc One\01. 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Код:
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 28. 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Thank You PK 1944.wav Peak level 93.2 % Extraction speed 6.8 X Track quality 100.0 % Test CRC D7742389 Copy CRC D7742389 Accurately ripped (confidence 10) [BEFD37C8] (AR v2) Copy OK Track 8 Filename E:\Torrents of Autumn\Chapman, Michael [2011] Trainsongs~ Guitar Compositions 1967-2010 (2-CD set)\Disc Two\08. The Coming of the Roads.wav Peak level 91.9 % Extraction speed 5.3 X Track quality 99.9 % Test CRC B056918E Copy CRC B056918E Accurately ripped (confidence 10) [8B0E7966] (AR v2) Copy OK Track 9 Filename E:\Torrents of Autumn\Chapman, Michael [2011] Trainsongs~ Guitar Compositions 1967-2010 (2-CD set)\Disc Two\09. Sometimes.wav Peak level 97.8 % Extraction speed 6.1 X Track quality 99.9 % Test CRC CA7B7594 Copy CRC CA7B7594 Accurately ripped (confidence 10) [0A3CBF20] (AR v2) Copy OK Track 10 Filename E:\Torrents of Autumn\Chapman, Michael [2011] Trainsongs~ Guitar Compositions 1967-2010 (2-CD set)\Disc Two\10. 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Код:
REM GENRE Folk REM DATE 2011 REM DISCID 9C0DDD0D REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Michael Chapman" TITLE "Trainsong: Guitar Compositions, 1967-2010" REM COMPOSER "Michael Chapman" FILE "01. The Last Polish Breakfast.wav" WAVE TRACK 01 AUDIO TITLE "The Last Polish Breakfast" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "02. Little Molly's Dream.wav" WAVE TRACK 02 AUDIO TITLE "Little Molly's Dream" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "03. Fahey's Flag.wav" WAVE TRACK 03 AUDIO TITLE "Fahey's Flag" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "04. Rockport Sunday.wav" WAVE TRACK 04 AUDIO TITLE "Rockport Sunday" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "05. Sunday Morning.wav" WAVE TRACK 05 AUDIO TITLE "Sunday Morning" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "06. Sweet Little Friend from Georgia.wav" WAVE TRACK 06 AUDIO TITLE "Sweet Little Friend from Georgia" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "07. Elinkine.wav" WAVE TRACK 07 AUDIO TITLE "Elinkine" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "08. New Chord Blues.wav" WAVE TRACK 08 AUDIO TITLE "New Chord Blues" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "09. Uncle Jack , Looking for Charlie.wav" WAVE TRACK 09 AUDIO TITLE "Uncle Jack / Looking for Charlie" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "10. Caddo Lake.wav" WAVE TRACK 10 AUDIO TITLE "Caddo Lake" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "11. Theme From the Movie of the Same Name.wav" WAVE TRACK 11 AUDIO TITLE "Theme From the Movie of the Same Name" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "12. Stranger's Map of Texas.wav" WAVE TRACK 12 AUDIO TITLE "Stranger's Map of Texas" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "13. Slowcoach.wav" WAVE TRACK 13 AUDIO TITLE "Slowcoach" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00
Код:
REM GENRE Folk REM DATE 2011 REM DISCID B90C1B0D REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Michael Chapman" TITLE "Trainsong: Guitar Compositions, 1967-2010 (disc two)" REM COMPOSER "Michael Chapman" FILE "01. Naked Ladies and Electric Ragtime.wav" WAVE TRACK 01 AUDIO TITLE "Naked Ladies and Electric Ragtime" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "02. Ponchatoulah.wav" WAVE TRACK 02 AUDIO TITLE "Ponchatoulah" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "03. Wellington the Skellington.wav" WAVE TRACK 03 AUDIO TITLE "Wellington the Skellington" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "04. Silverking.wav" WAVE TRACK 04 AUDIO TITLE "Silverking" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "05. Sensimilia.wav" WAVE TRACK 05 AUDIO TITLE "Sensimilia" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "06. Thurston's House.wav" WAVE TRACK 06 AUDIO TITLE "Thurston's House" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "07. Thank You PK 1944.wav" WAVE TRACK 07 AUDIO TITLE "Thank You PK 1944" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "08. The Coming of the Roads.wav" WAVE TRACK 08 AUDIO TITLE "The Coming of the Roads" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "09. Sometimes.wav" WAVE TRACK 09 AUDIO TITLE "Sometimes" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "10. Extrabop.wav" WAVE TRACK 10 AUDIO TITLE "Extrabop" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "11. Trying Times.wav" WAVE TRACK 11 AUDIO TITLE "Trying Times" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "12. Hi Heel Sneakers.wav" WAVE TRACK 12 AUDIO TITLE "Hi Heel Sneakers" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00 FILE "13. La Madrugada.wav" WAVE TRACK 13 AUDIO TITLE "La Madrugada" PERFORMER "Michael Chapman" REM COMPOSER "Michael Chapman" INDEX 01 00:00:00
Since emerging from the folk scene in Yorkshire, England in 1967, guitarist, and singer Michael Chapman has gained a dual reputation as one of England’s finest original singer/songwriters and most restless guitar players, equally comfortable in folk, rock, free improvisation, global music styles, blues, and jazz. With over 40 albums to his credit, this former art and photography teacher has, in the 21st century, been embraced by a host of boundary-crossing younger musicians who credit his influence on their work including Thurston Moore, Steve Gunn, Ryley Walker, Meg Baird, and many more. No two albums in his catalog are alike, and, over different decades, certain recordings from his shelf have alternated as influential, beginning with his 1969 fingerpicking Brit folk classic Rainmaker and his 1970 singer/songwriter masterpiece Fully Qualified Survivor (featuring Mick Ronson on lead guitar). Later recordings, including 1976’s rock & roll outing Savage Amusement, his proto-new age 1987 offering Heartbeat, and his instrumental forays in the 21st century including the “guitar travelscapes” of Americana and Words Fail Me, as well as Pachyderm and The Resurrection and Revenge of the Clayton Peacock, showcase the full range of his playing, composing, and improvising styles. Chapman attended art school in Leeds. After graduating, he worked as an art and photography teacher in Lancashire. Playing guitar form his teens on, he developed a style that wove jazz, folk, blues, and ragtime, and his repertoire at the time time was primarily comprised of jazz guitar standards. In the middle of the ’60s he began listening to the new wave of British folk revivalists such as Ralph McTell, Bert Jansch, Davy Graham, and John Renbourn. By adapting what he already knew to what he was learning, Chapman developed a distinctive playing style that incorporated all of his chosen styles as well as East Indian modalism. He first appeared on the London and Cornwall folk music circuits in 1967, including at the Piper’s Folk Club in Penzance on a bill with John Martyn and Roy Harper. His incendiary live perfomances resonated not only with club audiences but also with A&R men. He accepted a contract offer from Harvest (EMI’s “underground” boutique label) that led to the release of his debut long-player Rainmaker in 1969. The album featured the support of Rick Kemp (who played bass with Chapman for many years) and Danny Thompson. Window followed in short order, with Fully Qualified Survivor completing a debut triptych that sent waves of critical appreciation through the music industry—influential BBC disc jockey John Peel supported Chapman whenever possible. Sales, however, did not match the critical acclaim for Chapman’s work, leaving Fully Qualified Survivor as a high point, with “Postcards of Scarborough” generally being the one cut most often remembered when Chapman is discussed. After the release of Wrecked Again, Chapman parted company with Harvest, choosing to sign to Decca’s Deram subsidiary, where he altered course somewhat, adding electric guitar and harder rhythms to his work. The first result, Millstone Grit, offered Chapman’s trademark gloomy writing mixed with a couple of lively instrumentals, some almost experimental, and the country-styled “Expressway in the Rain.” Deal Gone Down, and the live Pleasures of the Street followed. Don Nix produced Savage Amusement, which reworked a couple of earlier songs; the album’s title would be used in the mid-’80s for a band featuring Chapman and Kemp. Chapman’s Decca deal ended in 1977, and he began an association with Criminal Records the following year; both labels released versions of The Man Who Hated Mornings. Chapman then turned his hand to the release of a guitar instruction record entitled Playing Guitar the Easy Way in 1978. He continued to gig and record consistently, varying styles and sounds, sometimes working with a full group but more often working with Kemp alone. After the release of Heartbeat in 1987, Chapman experimented with self-released albums, and as of the 1997 release of Dreaming Out Loud, he was issuing albums at the rate of one every two years, continuing to attract high praise, if not great sales. His prolific release schedule continued unabated in the 21st century with both song-based and instrumental albums, as well as numerous reissues of his catalog by various labels. The first notable entry in the new millennium was the instrumental offering Americana in 2000, which showcased Chapman’s fascination with, and mastery of, Southern blues, folk, and ragtime jazz styles. It was followed by a second collection—this one with masterful slide entries as well—entitled Americana II in 2002. A self-released album, 2005’s Plaindealer featured the guitarist playing solo or in small groups, performing original songs and folk standards. It was later reissued by Honest Jon’s. Chapman toured with the No-Neck Blues Band and Jack Rose in 2006. Drenched in acid folk and free improvisation, he returned to England inspired and recorded the double-disc Words Fail Me, recorded completely solo on acoustic and electric guitars. He ripped through utterly rearranged older songs as well as brave new compositions in a 100-minute, live-in-the-studio performance with no overdubs. On 2007’s The Wedding Band, Chapman returned to all-electric guitar; it was his first digitally recorded release, while 2008’s Sweet Powder was drenched in sounds that reflected the blues, folk, and modern country music the guitarist loved, from R.L. Burnside to Steve Eagles to Neil Young and more. On 2010’s ambitious Wry Tree Drift, named after an old mine near his farm, he played both electric and acoustic guitars, performing folk ballads, languid instrumental dubs, dark electric blues, and solo guitar workouts. In 2011, Chapman released the instrumental double set Train Song: Guitar Compositions, 1967-2010, which featured all newly recorded material. Later in the year, the guitarist issued his most expansive and controversial album, The Resurrection and Revenge of the Clayton Peacock (titled after a track on John Fahey’s 1965 offering The Transfiguration of Blind Joe Death). It featured two side-long improvisations involving drones, delay, and loop effects. It was issued by Blast First Petite as the first part of a trilogy. Its second part, Pachyderm, was released in 2012, followed by The Polar Bear in 2014; Blast First Petite announced plans to reissue the trilogy as a special box set. Also in 2012, a tribute album entitled Oh Michael, Look What You’ve Done: Friends Play Michael Chapman was released by Tompkins Square and featured performances from Hiss Golden Messenger, Meg Baird, Black Twig Piers, Maddy Prior, and more. In 2015, Chapman returned with a new album of guitar pieces, Fish. January 2017 saw the release of 50, his debut for Paradise of Bachelors, which found Chapman embracing past and present, with guest artists including celebrated British folksinger Bridget St. John and gifted indie rock guitarist Steve Gunn. The following year, Blast First Petite issued Live VPRO 71. Recorded by Dutch underground radio station VPRO on May 6 of 1971, it was the earliest known live recording of Chapman’s—some two years after Fully Qualified Survivor, his debut for Harvest. Accompanied on the date by bassist Rick Kemp, the audio disc contained a healthy selection of tunes from the show, but the release was also accompanied by a download card that contained video of the entire concert. Later in 2017 he issued the duet offering EB=MC2 with Israeli guitarist Ehud Banai. While Chapman basically lived on the road for most of 2018, he was able to enter Mwnci Studios in rural West Wales with a host of friends including Bridget St. John, cellist Sarah Smout, pedal steel legend BJ Cole, and guitarist/producer Steve Gunn. The finished album was titled True North and released by Paradise of Bachelors in February 2019. (Steven McDonald, AllMusic)
Serving as both accomplished career overview and a live-in-the-studio effort that covers two and a half hours and over 40 years of work, Trainsong is a seemingly effortless release, such is the apparent delicacy and grace of Michael Chapman’s performing throughout. As Charles Shaar Murray’s combatively entertaining liner notes acknowledge, Chapman couldn’t play at least one favored piece due to a recent injury. What is on offer, however, is the kind of reflective, elegant playing on both acoustic and electric guitar one would expect from any instrumentalist after decades of experience. From the start, the tender flow of notes on “The Last Polish Breakfast,” almost a portrait of sunrise on sparkling water, Chapman seems to be both celebrating his past and claiming a space in the present. His brief liner notes on each piece, containing tuning and year of composition, show both the directness of possible inspirations and a sharp sense of humor. One killer one from “Theme from the Movie of the Same Name”: “. . . I decided to write an acoustic guitar disco instrumental. God help me!” Songs like “Uncle Jack / Looking for Charlie” and “Naked Ladies and Electric Ragtime” bring in flat-out merriment—not surprising in the latter case given that it was titled after what Chapman called an answer to a question about his favorite things back in the 1960s. One of his sprightliest numbers, “Sweet Little Friend from Georgia,” is a tribute to the guitar it was written and performed on, a 1963 Gibson. His tributes to fellow performers are among the best—“Fahey’s Flag” has a high, steel guitar twang to it that captures the legendary Blind Joe Death’s embrace of the old and distinctive, and its shifts to alternately slower and faster tempos give the feeling of a woozy old turntable. The engaging “Thurston’s House” is indeed about a time spent staying with Mr. Moore and Kim Gordon in 2006, while the brisk but still melancholy “Trying Times” is described as a tribute to Jack Rose. Elsewhere, his take on Tom Rush’s “Rockport Sunday,” evolving through what he calls “the folk process” into his own distinct arrangement, helps to solidify his own clear sound, at once tender and entrancing. (Ned Raggett, AllMusic) Trainsong includes new recordings of Chapman instrumentals written between 1967 and 2010—a 1970’s jolly gem “Naked Ladies and Electric Ragtime,” 2001’s restfully fluid “Caddo Lake,” 2010’s cautiously bright “Thurston’s House.” Chapman is a world traveler and, it seems, an adventurous musical consumer, and here he incorporates everything from blues moans to an almost new-age calm into his music. That’s not to mention the gamelan, African, and Appalachian touches that appear throughout his career. As guitarists go, he seems to be one with fewer stylistic reservations than most, bridging techniques in unconventional sequences. “Slowcoach,” for instance, pairs beautiful harmonic splashes with sad passages of slide guitar and long, unfurling runs that suggest a jazz master’s vamp. His electrified “Hi Heel Sneakers” alluded to Morricone in a Texas snake pit, or George Thorogood in a conservatory. The combination of distortion and reverb give his pristine lines a touch of snarl and a skin of grit. Chapman makes that blend feel natural and comfortable, as though these are the pieces that should’ve always been together. It’s genuinely surprising work, the music of someone who seems to have heard and played enough to have found his own approach. (Grayson Currin, Pitchfork, 4 May 2011: https://pitchfork.com/reviews/albums/15384-trainsong-guitar-compositions-19672010...ified-survivor/)
Michael Chapman: guitars (for the list of his guitars and the notes on his tunings, please see the enclosed copy of the booklet, which also contains a remarkable essay by Charles Shaar Murray) Produced by Michael Chapman
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